by Cait Collins
What do you do when you discover the original premise of your story no longer works?
Simple. You start over. That doesn’t mean you scrap everything . Instead you junk what is no longer applicable. For example the nasty brothers no longer have a purpose in the story. Their one scene is trashed.
But what about the PI? He stays, because I know exactly how he fits. And he will play a major part. And the prologue stays. I have to set the basis for the action. There’s the television scene that stays, for now. I’ll also keep the meeting with the mother Sean does not remember. I like that part.
The basic scenes I’ve written are the snippets of the story. Having mentally edited some scenes, I’m in a better position to move forward. You see, this story is a challenge. My previous novels have been about four hundred pages each. I’m attempting to write shorter novels of about three hundred pages. That’s about 25,000 fewer words. My fear is that I will sacrifice plot for fewer pages. But I will keep on because I like my characters and my plot. I just have to get rid of the dead weight.
Don’t I know it, fellow writer. I have disemboweled my story so many yes
So many times.