Head-Jump Point of View

 

Head-Jump Point of View

Natalie Bright

I am alternating chapters between two main characters points of view, and in the first draft I used third person for one character and first person for the other. The reason I used first person is the idea of digging deeper into that character who has a lot of inner conflict. He is very complex and I want the reader to understand that. When using first person point of view, it’s harder to “head-jump” from one character to the next, however it is a challenge to find something to replace the repetitive “I” word. And now I’m rethinking the whole thing during the editing process. Perhaps I will rewrite those chapters and keep it all in third person. And then there are the overlapping scenes; the action from one character’s viewpoint and then the same scene interpreted by the other character’s point of view. I like books with that perspective when it is well done. The problem will be to make sure I stay in one character’s head for that one scene and chapter, and not switch.

If you begin the scene in one character’s head and then jump to another character’s head, and then maybe another, your reader will get lost. It is too hard for the reader to stay with your scene. Have you ever been reading and had to go back several pages to figure out where you were and who is talking? I hate when that happens.

The most common situation when writers purposefully “Head-Jump” is in romance scenes, and that is called “turning on a dime”. A common action or item, is that cause of the switch from one character’s head into another. A kiss, for example. When it’s done well, it can be very smooth, but sometimes it can very awkward and disorienting for the reader.

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