PROOF
by Sharon Stevens
Several years ago my husband and I attended the stage play “PROOF” at the Branding Iron Theater on the campus of WTAMU. The story revolved around a brilliant mathematician after his death. The plot included his two daughters, a former teachers assistant, and their quest to find meaning in their life. The underlying theme was to find “proof’ in the notes that the father had left behind that he had solved a theorem. And later on when they did find the documentation they discovered it was his daughter who had proved the theory.
I was reminded of this story when I saw Googles doodles of the mathematician Pierre de Fermat celebrating his birthday August 17, 1601. Fermat left behind an unfinished equation known as Fermat’s Marginalia, recorded as such because he wrote a note in the margin of the Greek text of his favorite 3rd century mathematician, Diophantus.
To me it wasn’t so much that he left a note spouting his “aha” moment for mathematicians to contemplate for over four hundred years, but that he actually penciled in his thoughts which centuries later would still be inscribed for the world to see.
It is impossible to separate a cube into two cubes, or a fourth power into two fourth powers, or in general, any power higher than the second, into two like powers. I have discovered a truly marvelous PROOF of this, which this margin is too narrow to contain.
The play “PROOF” is over and done with. While watching the performance I have no clue of numbers or intergers or powers. My mind ached as the actors in the play rattled off computations way outside my math skills. My brain just does not compute such nonsense. I left that part behind me on the theater floor. But somewhere filed away I may again find the program from that night, (hopefully) and read the notes I penciled in the margins, the bites and pieces I remember of the the stage, the lights, the audience, the performance, and the words.
Oh how I loved the words!
Each of us as writers have our own way of keeping track of the endless barrage of words we accumulate. We realize we don’t have to have pristine Post-it notes around to record our inspiration. We can find a scrap of paper in the street just perfect to describe a scene, a smell, a hatred, or even a joy or a celebration.
Give us a pen, a pencil, a marker, or a crayon and we will travel! Nothing can stop us from recording what we feel is relevant to us at that particular time.
Loula Grace Erdman, the first Writer-in-Residence at WTAMU wrote in her book “A Time To Write”…
The mere act of picking up a pencil and pushing it across the page tends to put the dream to rout. But on the other hand, the act of holding the pencil furnishes an excellent compensation.
It sets your mind to work, which is a good way to harness a dream.
It may take us years to come across the story that will fit the words we jotted in a moment of passion. What of it? We know that our hearts can wait until that specific thought comes across our path again and not the other way around. We understand that every word printed means that somewhere in the world someone scribbled a note on a scrap of paper. This method then became a sentence that strengthened a paragraph, leading to a chapter, that evolved into book. And even more than that we realize every highlighted entry marked in a book or any notation in the margins becomes a bookmark passed through generations that at the very least can became a story for a storyteller to share.
Absolute PROOF that a writer existed!
Erdman goes on to write… “I still believe, however it is important to set down a thought when it comes. I have used church programs for this purpose, and backs of envelopes and scraps of paper and even, upon occasion, a paper napkin. In working on this manuscript I have repeatedly come across notes I made while writing previous books. I look at them and wonder why I wrote some of these scrawls that confront me. Where was I? What prompted the thoughts which now seem alien and strange?
It is like encountering a ghost of one’s former self.
Pierre de Fermat left an unfinished equation penciled in the margin of a beloved book. He didn’t date those notes, his thoughts too massive to expound. But even though this was not a completed work, he knew he would be leaving behind certain PROOF he lived.
As writers we need no more proof than that, because someday these notes may harness a dream.
Sharon Stevens