Lynnette Jalufka

Good day, fair readers. I am the Lady Elyse, who you met last week. Lynnette has graciously allowed me to illustrate first person point of view while I am at this tournament in search of a husband for my cousin, Theresa. First person is point of view’s most intimate form. You learn everything I am thinking and feeling. All my motivations are exposed.

The disadvantage is that you only know my viewpoint and no one else’s. I can guess what someone is thinking by their expressions and actions, but alas, it is just a guess.

“Sir Reynald,” I hail the knight standing by a tent.

He flashes a warm smile and strides over to me. Here is his opportunity to marry a noblewoman and increase his land.

Wait, I was not thinking that. That is not my point of view. I thought he would be a good match for Theresa. Besides, he is too noble to marry for wealth. But if he is thinking that…

“At your service, Lady Elyse.” He bows in front of me.

I clear my throat. “I had wanted you to meet my cousin, but it seems she has disappeared.”

“Don’t worry, my lady. I shall help you find her.”

He offers me his arm and I take it. “We should look by the horses,” I say as we journey into the crowd.

Dear readers, be careful when writing in first person. Remember, you can only write what I know and feel.


Point of View


Point of View

By Nandy Ekle

Point of view. The eyes your reader sees the story happen through. I always think of it, like, a video game back in the 90s. Watching my kids play these games and the giant camera sits on the head of the character the player is following. So everything that happens is through that character.

So you have your main character and that can be your point of view (POV). It can be first person through their mouth, or it can be third person, through their brain. And you can have each chapter be a different character’s point of view. Or you can have what’s called omniscient point of view, where the reader is privy to all thoughts of all characters.

And these days there’s a new term called deep point of view. This method is only in the main character’s point of view and voice. There are rules that go with this POV, and I’m not sure I even know them all. I haven’t put a lot of research into it. 

My opinion is this point of view is very tricky to accomplish. I’ve read several books using this method and, frankly, I get tired of it in a hurry. However, I’ve read a couple of books where this was used in such a way that the story was actually so engrossing that I couldn’t put the book down. The book You, by Caroline Kepnes is a perfect example of how to use this POV effectively. The story is definitely a psychological thriller. And the building of the plot is so subtle that when I realized what was happening, my breath was knocked completely out of my body. 

So, study the different types of POV and decide which one works best for your story. Then play it for all it’s worth.

POINT OF VIEW: Let Your Characters Do the Talking

POINT OF VIEW: Let Your Characters Do the Talking
Natalie Bright

The Rescue Animal series expanded over many years, beginning as chapter
books but morphing into shorter eBooks with pictures. I still wasn’t happy.
There were so many stories left to be told, but the books were not coming
together. When that happens, the motivation becomes nonexistent. I moved on
to a new project.

Those horses kept bugging me though. One day I decided to writer the next
installment from the horses’ point of view and it worked. The story came
alive. I used a vocabulary reference book and targeted third and fourth
grade readers. Now this Easy Reader is perfect for kids who love true
stories about real horses.

Writing is your Journey, so go write!



Lynnette Jalufka

Here are two characters at a medieval tournament. What point of view am I in?


Lady Elyse looked around at the brightly colored tents that housed the knights of the tournament. Surely one would be a good match for her cousin. She stopped at the tent of Sir Reynald who was talking to his squire. He would do nicely: handsome, charming, and from a good family. “Theresa.” She turned to thin air. Her cousin was gone! “Theresa!”

Two tents away, Lady Theresa gave a heavy sigh. She wasn’t deaf. The beautiful gray horse being saddled for the joust was far more interesting then Elyse’s latest attempt to find her a husband.


So, what’s the point of view? I am in both character’s heads, so this would be third-person omniscient. Now, here’s the important part: is this the best way to tell what happens in this scene? It depends on what I want to accomplish. If I want to show Elyse’s frustration with her cousin, I would need to put the second paragraph in Elyse’s point of view. If I wanted to show Theresa’s irritation, I would need to change the first. Could I leave it as it is? Possibly, but that’s usually frowned upon today unless it’s romance.

Ultimately, it’s my job as the author to figure out the best point of view to tell not only this scene, but the entire novel. That may take rewriting the scene in different points of view to find the right one.



My Favorite POV

My Favorite POV

by Adam Huddleston


This month’s blog theme is literary points-of-view (POV). This has little to nothing to do with the writer’s opinions on certain matters, it is the style in which they write. In a nutshell, the POV of a work is how/who the reader follows the story with.  For example, in a story written in first-person POV, the reader is listening to the narrator as the tale happens to them.  In third person POV, the narrator is telling the story to the reader, but they are outside of the story.  Each POV has different advantages and disadvantages, many of which will be explained this month from the other bloggers in detail much better than what I can give.

One of my new favorite POVs to write in, and one that is popular today in young adult fiction, is first-person present tense. In this style, the story is happening in real-time to the narrator.  It gives the tale a sense of immediacy and suspense.  You don’t know if the character is going to get out of whatever trouble they are in and it feels like events in the story happen to you as well as the narrator.

When writing, many POV choices are available.  Try them all out and see which one feels best for you.

Happy writing!

Changing Point of View (POV)

Outtakes 397

Changing Point of View (POV)

By Cait Collins


We work hard to make our stories perfect or as perfect as possible.  Something often noticed in our own review or a critique session is the shift of the POV in the middle of a scene.  There are different ways to make the correction without a major rewrite.

Double Double Space between the two POV paragraphs.

Insert a phrase that maintains the POV.  Mary shouted. “It’s your fault our baby died.” Frank’s eyes narrowed…  “Change to It’s your fault our baby died.”  She saw his eyes narrow…

Change the setting.  Frank walked out of the room. He was through with the constant reminders of his son’s death.

If no other options work, rewrite.

POV Defined

POV Defined


Point of view refers to the perspective that the narrator holds in relation to the events of the story.

Point of view is the way a story is narrated or depicted and who is telling or narrating the story.

Narrative point of view is the perspective of that narrator.

Literature provides a lens through which readers look at the world. Point of view is the way the author allows you to “see” and “hear” what’s going on.

We’re blogging about Point of View all month long in September. Thanks for following Wordsmith Six.

Writing in your journey, so go write!