CHARLAINE HARRIS


CHARLAINE HARRIS

Natalie Bright

Over the weekend I read two books. Both had likable characters, engaging plots but the contrast of the golden rule we’ve all heard over and over was glaringly different. Here are two similar scenes as examples of the SHOW, DON’T TELL rule. Paragraph A is “telling. Paragraph B by Charlaine Harris is “showing”.

  1. “…she tried to hide as much as possible, behind some big boulders and to try to make as little noise as possible.”
  2. “When I came to, I was in the middle of a clump of bushes and large rocks. It wasn’t dawn, but it was close. A snake was gliding by me. I could just make out that it was a rattlesnake, its tongue flicking out to catch movement. I didn’t move. I wasn’t sure I could, anyway. I pretended to myself I was choosing not to stir. The birds were singing, so the gunfire and screaming were long over.”   AN EASY DEATH by Charlaine Harris

“Showing” is putting into words the scene that’s in your head and pulling the reader into the story. Emotion brings your writing up a notch by including the five senses. How many senses can you identify in paragraph B?

Vampires, creatures of the night, bloody battles are not my usual go to for reading material but that Charlaine Harris can spin a highly entertaining tale. I was surprised at how much I enjoy her books. Her writing is phenomenal and worth your time to study. I highly recommend AN EASY DEATH, Book #1 in the Gunnie Rose series. The United States is split and in this new take on the old west, the story follows a young gunslinger named Lizbeth Rose. Harris always delivers intense action with heroines/heroes that are flawed as they face quirky villains.

I’m stepping out of my comfort zone again this year and striving to read books in different genres. What book have you discovered that is something totally different from what you usually read? Comment below and let us know.

Thanks for following WordsmithSix!

Feng Shui for a Writer’s Office


Feng Shui for a Writer’s Office

Natalie Bright

Setting writing goals in the New Year and realizing those goals depends on you being productive. That means butt in chair and words on the blank screen. Where you work is just as important as crafting a phenomenal sentence. Your writing space should be a sanctuary, a haven of inspiration.

Feng shui (fung SHWAY) is the Chinese art of placement to increase energy in the spaces you occupy. Literally, it means “wind and water”, or the intersection of the seen and unseen. The natural force of a body or space moves in predictable patterns. In Chinese philosophy, this is called qi (chee).  Furniture and objects can be moved, colors can be changed, and the creative energy of a room can be restored, imbalances corrected.

As I have blogged about before, my creative space changes with each project. When I wrote the inspirational book about a deep loss, I sat at the kitchen table. Chaos was all around; kids going in and out of the back door, television blaring, dinner cooking. The noise enabled me to write instead of becoming overwhelmed by the sorrow of the story. The book I just finished was written in our spare bedroom, although feng shui practitioners recommend not working in a bedroom. It was the only place I could shut out the world. From my little desk in the corner, I could watch the covey of quail that milled around outside the window every morning. I could hear the songs birds that gathered in the snowball bush. With my back to the door, I was able to ignore reality and step into the world of my creation.

Clutter is another major deterrent to productivity. When doing research, I use the floor and guest bed to spread out the information. True, it can be distracting but I like having the information at my fingertips. And I love my stacks of books. I did invest in a collapsible table. To anyone else, it looks like a mess, but I know which projects are in which stack. Whatever your methods, I hope you find the perfect space and have a productive and energizing New Year.

Feng Shui Design Tips for your Office 

  1. Is your back to the door? Do you have trouble concentrating? Move your desk to the center of the room and listen to your body. What bugs you? What do you like about the room? Give any change at least two weeks.
  2. What colors are dominate in your working space? Red stimulates fame and reputation. Blue represents wisdom. Green represents growth and new beginnings. Purple inspires spirituality and adventure.
  3. Does the furniture placement flow, or is it distracting? Can you move freely throughout the space? Your energy might be stifled by clutter.
  4. Bedrooms should be a place of calm, whereas offices are spaces of active energy. If you must work in a bedroom, divide the area by using a screen or curtain.
  5. Organize your desktop as you would the room. Personal symbols can be inspiring, like a favorite coffee mug or candle. Invest in bookcases or additional tables to declutter and organize your projects.
  6. Declutter to clear your mind. Clean out your email inbox and computer files. Toss those distracting sticky notes and start an idea notebook instead. Focus your energy and stop stressing over undone tasks.

The universe is against you—just so you know.


The universe is against you—just so you know.

Natalie Bright

Ideas are everywhere, if you can learn to recognize them. And then the stories in your head won’t go away. Once you acknowledge to yourself that you have a passion for writing, the universe will seemingly turn against you. There has been a story lurking inside you and if you’re like most of us, probably your whole life, and this will be the hardest work you have ever done.

Here are some tips to push aside the static in your life and stay on track with your writing.

  1. Take note of those ideas. You can sort the ones you want to work on later. Write it down. Write everything down!
  2. Push aside the guilt and make the commitment to yourself, and then tell your family. “This is my writing time. This is important to me.” There will be a crisis at every turn, but you can persevere.
  3. Make a creative space with no distractions. A closet with a desk, a card table in the corner of your bedroom. Turn your back to reality and set foot into the visions in your mind.
  4. Remember the end goal. What is your end goal? A book in hand? Author events and talks? Manning a booth and selling your books at the local craft show? Don’t lose sight of the goal to hold your book in your hand. It’s one of the greatest feelings in the world.

My co-authors and I were at a recent event selling books. A poet stopped by our booth. Typical of most writers, he’d had a story scrambling his brain his entire life. We encourage him to pursue that dream. Now is the time!

Be open to the ideas around you. Listen to your gut. It’s never been easier to realize a publishing dream. There are so many options and people out there to help you make it happen.

 

Plot Twist Examples


Plot Twist Examples

Natalie Bright

Need some inspiration to shock and delight your readers? Most often seen in mysteries and suspense thrillers, think about using plot twists in your own work. Here are a few of the most recognizable, and now it’s up to you to put a completely new spin on it for your story.

  1. I Am Your Father

How about those family secrets? Luke discovers his arch-enemy Darth Vader is his father. What a shocker!

    2.  Reveal of the Villain

The person who kills Marion in the shower at the Bates Motel isn’t the overbearing Mrs. Bates, but her son Norman.

    3.  It’s All Just a Dream

In the movie A BEAUTIFUL MIND, a mathematician with schizophrenia had been hallucinating the entire time. The important people in his life are not real.

     4.   Not Really Dead and Bet You Think You’ve Seen the Last of Me

How many times did you suspect the character is dead, and then he comes back to try to kill the hero one more time, or it’s a set-up for the next movie or book in the series? We thought Gandalf fell off the bridge, but he makes a surprise comeback.

You have to touch upon your plot twists so that it makes sense narratively, as in THE SIXTH SENSE. Watch the movie again and pay attention to those subtle clues that David is really dead.

     5.  The Surprise Villian

In TOY STORY 2, Stinky Pete is the antagonist who stopped Woody’s escape plan. In FROZEN, Anna is rescued by Hans and then he leaves her to die to take over the kingdom.

Remember, a plot twist must be narratively sound, unexpected, and it’s best to foreshadow it in some way.

 

CHARACTER TRAITS


CHARACTER TRAITS

Natalie Bright

 

 

Whether you craft detailed character profiles or you let the character take you on their journey, it is helpful to really KNOW your character’s personality. By understanding the inner core of your characters, you understand their personalities, motivations, and how they will react to conflict and to each other. There are several books that make your job easier.

Writer’s Guide to Character Traits by Dr. Linda Edelstein

From Sex to Schizophrenia: Everything you need to develop your characters! As a psychology-based book for writers, this is an excellent addition for your reference library. With insightful summaries, you can dig deep into motivation and conflict, and create complex characters that readers love.

45 Master Characters: Mythic Models for Creating Original Characters by Victoria Lynn Schmidt

This book explores the common male and female archetypes that have been used in story-telling for centuries. This gives you ideas for traits, habits, hidden secrets, desires and greatest fears as a foundation for creating compelling characters and storylines. Dig deep and ask why. This will help you understand your characters’ motivation, making them intriguing and realistic. And added bonus are the examples for each archetype drawn from literature, television and movies. This is a great book.

Happy Writing!

Active Story Narration


Active Story Narration

Natalie Bright

Defined:story or account of events, experiences, or the like, whether true or fictitious. The art, technique, or process of narrating, or of telling a story.

Verbs can be a valuable tool in telling a story.

The right verb can evoke emotion, create strong imagery, and set the scene in the mind of your reader. Active verbs can be powerful and put your story in motion. In grade school when my sons worked on their homework using “spicey” words. I love that!

The “B” verbs have got to go: be, being, been, was, were, is. Hands up: who else is a “was” fan. I use it all the time. During my second pass of edits I find and replace as many of them as I possibly can. You probably have some common or overused verbs in your work. They only dull your sentences.

Here are a few examples:

Is fighting TO: attacked.

Was mad TO: flipped out.

Was walking TO: shuffled.

Was running TO: darted.

Don’t be afraid to let your verbs do the heavy lifting in your story narration.

 

COMMON THEMES FOR STORY NARRATION


COMMON THEMES FOR STORY NARRATION

Natalie Bright

My work in progress involves a narrow focus for research, but I’m finding so much great historical information I want the readers to know it all too. For my nonfiction book though, I’m forcing myself to stop chasing every topic that I might stumble across and instead, keep to the theme.

If you have trouble staying on task within your story narration like I sometimes do, you might consider writing under a common theme. Themes can be used for fiction as well. Write the theme in big letters and post it on your bulletin board so that you can be reminded. Your character’s motivation, conflicts, and the way they react to that obstacle can reflect the theme.

Some of the more common ones are listed below, and you might recognize them in your favorite books or movies.

Perseverance:

The main character never gives up no matter what obstacles are thrown in his path to achieving his goal. As the writer, you can make his life miserable, throw everything at him you can, and he will persevere.

Cooperation:

The main character is a leader who encourages others to work together, and the band of characters cooperate to solve the problem.

Courage:

The main character discovers his/her own inner strength to overcome fear and finds the courage to take the risk.

Acceptance:

The main character accepts their fate, accepts the reality of their world, or accepts others’ differences.

 

The Hero’s Journey: A Narrative Pattern


The Hero’s Journey: A Narrative Pattern

Natalie Bright

 

“There are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before.” WILLA CATHER

 

It’s impossible to cover the topic of narration during this month without touching upon THE HERO’S JOURNEY.

First identified by American scholar Joseph Campbell, it appears in storytelling across generations. Once you understand the basic narrative pattern you will recognize it immediately in myth and legends, more often in Hollywood blockbuster movies. Many filmmakers owe their success to this enduring story pattern.

The main character, the hero, accomplishes amazing feats on behalf of the rest of us. The story focuses on his journey or adventure. The hero is a universal character, crossing time and cultures.

The stages are as follows:

  1. The Ordinary World
    2. The Call of Adventure
    3. Refusal of the Call
    4. Meeting the Mentor
    5. Crossing the First Threshold
    6. Tests, Allies, Enemies
    7. Approach to the Inmost Cave
    8. The Ordeal
    9. Reward (Seizing the Sword)
    10. The Road Back
    11. Resurrection
    12. Return with the Elixir

One of the most obvious movies that uses this pattern of narration is STAR WARS. Luke Skywalker receives the call to adventure but refuses at first.  Watch this movie again and take notes as you follow the outline above. I encourage you to find out more about the Hero’s Journey and how it can help you develop your characters and the plot of your book.

Happy Writing!

 

SCENE AND SEQUEL


SCENE AND SEQUEL

Nattalie Bright

At a writer’s conference held on the campus of WTA&M University in Canyon, Texas, award-winning author Dusty Richards talked to us about scene and sequel when plotting. This is the method that he used to write his popular Byrnes Family Ranch series.

Scene structure = goal, conflict, disaster

Every scene starts with:

  1. character
  2. the viewpoint character
  3. what does he want to accomplish in the confrontation that about to happen
  4. a stepping stone to the big-picture story goal

The story goal in the scene can be stated through dialogue beforehand, internal dialogue through character thought, or stated in the opening line of the scene.

What happens next is the sequel. The pattern of sequel is:

  1. emotion
  2. quandary
  3. decision
  4. action

More on scene and sequel next week.

Follow us all month long as we blog about Story Plot. Happy writing!

 

LISTEN TO YOUR CHARACTERS


LISTEN TO YOUR CHARACTERS

Natalie Bright

 

A discussion at a writer’s workshop led by Jane Graves, an award-winning author of contemporary romance, changed the way I think about writing.

Her advice was to, “Hone in on the one thing that speaks to you. Freshness and originality comes from what you can imagine.”

Are your characters waking you up at night? Do their conversations light a fire in your gut? What do they want? Who are they?

I know this may seem abnormal to most folks, but my characters have complete conversations. I have no idea where they are or even who they are, but I know without a doubt that what I’m overhearing is important to my work in progress or something I’ll be writing in the future. My writing took on new meaning and depth when I started listening to what they were saying.

My big dreams were to be an award-winning romance novelist, but the words in my head were mostly kids, more specifically children who lived in the Texas frontier of all places. In the beginning of my writing journey, I pushed the voices out of my head and tried to create romance stories. The whole creative process was a chore; I hated the characters, the dreary plotline, and the editing process seemed like torture. What made me think that I’d ever be able to write a novel?

Janes’ words got me to thinking. What I’ve been obsessed with since a very early age, besides writing a book, is history and stories set in the Old West. Everything about that time period fascinates me and I consume historical fiction and nonfiction like air.

Believe me I’ve tried to change the ages of my characters so they’d fit a publisher’s specs, follow the advice of my husband who said if I’d write a marketable romance it would be easier to sell, and considered the ideas of a well-meaning editor who insisted I add a werewolf to make a western tale marketable. The writing process wasn’t fun anymore until I finally gave in the voices inside my head. I haven’t looked back since.  You are unique, and only you can write the story that needs to be told. Have confidence in your abilities and story-telling instincts. Have confidence in your characters. Let them show you the way.