My Favorite Toy


POST CARDS FROM THE MUSE

My Favorite Toy

The sun seemed to make an audible pop as the light poked through my bedroom window. My four-year-old eyes sprang open and the world was brand new. Grabbing my doll, I looked into her plastic face and watched it transform to real flesh as her eyelids blinked at me.

As an eight-year-old girl I hopped on my bike and rode around the neighborhood with the feeling that I was the lead rider in a huge bicycle race. The wind blew my hair behind me and the sun browned my skin.

At the age of ten I played on my keyboard in front of the enormous audience that had come to my bedroom to listen to my rendition of the songs in my music book.

And every night when the sun went down, I took my bath and then stood in front of the mirror arranging my towel into every style of formal gown I could invent.

The best toy I ever owned never had a storage box and could never be stashed in a corner because there was nothing that could ever contain it all at once. And of course I’m talking about my imagination.

Let your imagination out to play and your stories will write themselves. Allow the magic to move your pen across the paper and you’ll find your writing zone in no time. And I know from experience that you will be as surprised with your characters and story as your readers.

Congratulations. You have just received a post card from the muse.

Nandy Ekle

NURTURE


NURTURE

by Sharon Stevens

Recently I volunteered at Llano Cemetery in Amarillo, Texas on behalf of the Panhandle Plains Historical Museum, “Cemetery by Twilight Tour”. I was assigned to share the story of the Wolflin’s, who were a long standing, dedicated family from our area. I researched at the libraries and on-line references to follow their story, and received a great deal of information from Christine Wyly’s book, “Amarillo’s Historic Wolflin District”.

In her book there are several photos and notations concerning the Wolflin Estates Development and the Siberian Elms Charles Wolflin purchased, planted and watered over the years. Because of time limits I didn’t have a chance beforehand to see for myself what the area looked like, but after the tour was over and I packed up my patchwork quilt, hat, gathered my handouts, loaded up my car and headed out.

I admit I was feeling a tad down, not depressed or grieved, just low. For no reason whatsoever other than I wished I had done a better job in sharing my stories.

The sun was just beginning to sink as I made my way across town. When I found the street signs for the neighborhood I just picked one at random and slowly drove up and down, back and forth, gazing at the beauty before me. In my talk at the gravesite I had told how Mr. Wolflin had designed the landscaping and wanted the streets to be extra wide, but nothing had prepared me to actually see how the design plan translated from blueprint to reality right before me eighty years later. I wished I had the words to express what I felt as I drove. To actually see the width from curb to curb, and to gaze at the majestic homes was breathtaking. But it was the trees, those wonderful Siberian Elms still straight and massive, perfectly spaced, their limbs embracing the panhandle sky that truly tugged at my heart.

If only I could stop and take a picture, get out and wander down the sidewalk to my hearts content, something to take back with me to gaze at when I needed a boost. But I also knew a photograph would not do justice to the sentiment behind the image. And then I also had to worry about the families behind the security alarms of their homes who would not understand someone caressing their trees. I can only imagine trying to explain that to the police called to investigate.

After a moment or two it hit me. It was the memory I saw within my heart and soul that would carry me forever. In my minds eye I could go back and picture the Wolflin’s as they researched the best trees to withstand the panhandle weather and winds, could imagine as they ordered from a nursery, could visualize when they came in on the train or were trucked in, and as the workers unloaded and carried them across town to their new home away from home.

What a sight this must have been to behold! Just think of what this means! To dig a speck of earth, and then to plant every one of those one thousand trees, deep and true, then to place sod around the base to keep them safe. Then to water every sapling every evening. What a labor of love for the family to watch as the young stalks were drenched, watching to make sure they were growing straight, and actually put their hands down in the soil to make sure it was packed and not disturbed.

It didn’t take me long to realize the Wolflins may have paid for and planted the trees in the Woflin Estates, but as God and John Wayne are my witness, they must have had so much fun to have discussed it with family and friends…what to order, how to plant, how to get them here, and where they needed to be set out. And who was the work force that worked so hard to maintain these treasures? The W.P.A. during the depression and war years were just a few of the men who planted those trees into the ground. What about their memories. Don’t forget about the architects, the landscapers, the design team who brought all this together. There is no question the Wolflin’s had to have secured financing for the project with advice from those around them, those in business as well as their inner circle. What a gamble this must have been during those years and the years that followed. Someone, somewhere had to nurture this thought and these saplings so they would grow to survive.

In my Webster’s Dictionary from the 1890‘s, Nurture is defined as “That which nourishes such as food or diet” or “That which promotes growth; education; instruction.”

Just as water, sun and the earth had nourished those elms to grow, all of it came together to nourish my soul. I might never speak of the Wolflins again or ponder the ills of the universe. But for one moment in time I witnessed a beauty and simplicity to sustain me whenever I needed strength. The homes, the trees, the wide streets were witness to a community that gathered together and shared the beauty of the residents.

So many times as writers we are faced with life that gets in the way not only of writing, but those life moments that interfere deep in our gut. Unseen forces try to pull us away from our deepest passions. There is no question that even though we face tragedy and hardship, economic worries and family troubles we can still enjoy friends and kin, peace and freedom, and above all the simple expressions of neighbors around us. These things are just the as welcome as the shade that a Siberian Elm still provides.

Sometimes we just need to be reminded of those people who have touched their name to an idea, a thought, a sweetness. This was just another reminder deep in my heart and soul that someone, somewhere nurtured not only the trees, but they also nurtured a dream, a vision, an inspiration.

Eighty years later this nurtured ME.

Sharon Stevens

Dealing with Pressure


Dealing with Pressure

Do you get things done better under pressure, or fall apart when you’re not prepared ahead of time? When we put obligations off to the last minute, we create the pressure ourselves, and I know people that intentionally function this way. Others have everything organized in advance and avoid all tense situations they can. But what about the circumstances that come to you unexpected and out of your control?

Donnie Williams has a huge responsibility to train Trails End to be a gentle horse for his boss. After the colt starts bucking him off, the fear of failing puts the pressure on Donnie for over a year, and it overwhelms him. How he deals with it, is an important part of the story that reveals his past struggles, and effects his future.

How would you handle it?

Until next Wednesday,

Joe Nichols

THE ATOCHA


The Atocha

On September 4, 1622, twenty-eight ships sailed from Havana to the open sea. They were six-weeks behind schedule. By morning on September 5, the fleet encountered a massive hurricane. Twenty-two ships escaped disaster, but six went aground and broke up. Among the wrecks were the Spanish treasure galleons Santa Margarita and the Nuestra Senora de Atocha.  While the Santa Margarita was partially salvaged by the Cuban authorities, the bulk of her cargo and that of the Atocha soon lay at bottom of the sea. The great treasure of the Spanish government remained lost for 360 years. In May of 1980, salvager Mel Fisher and his team found the Santa Margarita. Five years later, they discovered the Atocha’s mother lode.

Ships’ manifests detailed much of the cargo in the ships’ holds. However, the contraband proved an exciting find for Fisher and his teams. The Atocha was rich in gold and silver bars, pieces of eight, Spanish coins, gold chains, jewelry, and Colombian emeralds. Imagine the thrill of salvaging this glittering piece of Spanish history. The estimated value of Fisher’s find was $450,000,000, making it one of the richest salvages in history.

I was privileged to view a portion of the Atocha’s wealth when Duncan and Boyd Jewelers hosted a showing of the treasures of the Atocha. Case after case of artifacts greeted patrons. I was astonished by the number of gold bars, pieces of eight, passengers’ jewelry, and pounds of silver for sale. The salvagers crafted reproductions of jewelry and artifacts from the salvaged silver. I purchased a cross, a mariner’s dolphin, and a dragon shaped toothpick along with Eugene Lyon’s book THE SEARCH FOR THE ATOCHA, and a copy of Captain Kathryn Budde-Jones’ booklet COINS OF THE LOST GALLEONS. But it was the emeralds that fascinated me. One of the divers slipped a mined emerald ring on my finger. I gulped when I saw the $7,000.00 price tag. It wasn’t even one of the best quality stones. One stone, a medium-sized, almost flawless, round cut was valued at $65,000.00.

After returning the ring to James, I continued to walk the displays. I played one of my favorite writer’s games. What if a ship from the Dutch East Indies fleet was pirated by a Spanish buccaneer? And what if the English attacked the pirate vessel? And what if all three ships sunk? And then, nearly three hundred years later, a young marine archeologist “happens” on all three wrecks. Among the treasures, the emerald encrusted lizard broach jeweler Juan Carlos de Gara presented to his fiancé before she sailed on the Dutch ship, Van der Mar. And what if, the broach was cursed?

I made one last visit to the emerald case. Beautiful! Not only had I held history, been offered an invitation to dive with the team, but I also had the plot for my third novel LEGENDS, LIES AND LIZARDS.

Cait Collins

DO THE TWIST


Do the Twist

Once upon a time a handsome prince came to a faraway castle and met a beautiful princess. They fell in love instantly. Her father, the king, saw immediately how much the prince and princess loved each other and arranged for the two to marry at once. And they lived happily ever after.

Ho hum. We have to find some way to make this story more interesting.  Luckily I took a writing class about a year ago and I know exactly what this story needs. This drab little tale must have some twists and turns.

Every plot must have a character with a goal and lots of problems ranging from very serious to very minor. And there is a very nifty way to create these obstacles.

I learned in the writing class that if you write down everything you assume is true about a character and/or a situation, then change one of those things, you have a nice little twist. So in the story above, what do we assume?

Well, we assume the prince and princess are young unmarried lovers. We assume they are sweet and charming. We assume their courtship is smooth and romantic. We assume they are earthlings and that they are human beings. And we assume the time is long ago.

Which one of those assumptions would you change, and how does it affect the story?

Congratulations.  You have just received a post card from the muse.
Nandy Ekle

STORY


STORY

by Sharon Stevens

“The telling of a tale links you with everyone who has told it before.

There are no new tales, only new tellers in their own way,

and if you listen closely you can hear the voice of everyone who has ever told the tale.”

by William Brooks

From POWER OF THE STORY

by Rives Collins & Pamela J. Cooper

I always jump at the chance when asked to volunteer as a storyteller for the annual Panhandle Plains Historical Museum (PPHM), “Cemetery by Twilight Tour”. Who wouldn’t be excited with the opportunity to research and celebrate the lives of those at rest in the historic Llano Cemetery.

For one minute after answering the call I am utterly elated, and the next terribly dejected. The task before me begins to swell like a Tsunami, simply because what I am expected to accomplish. One, I have to complete the assignment before Saturday October 15, 2011 at 3:30, and, two, condense one hundred years of community history from a mountain to a molehill within just one area family. And three, I have to limit my story to eight minutes or less. With hours of research facing me this is just a tad bit overwhelming.

The simple fact of the matter for me is this…the stories never stop. You can’t get them to slow down long enough to put a handle on the memories. You can’t just put your hand up and command thoughts to wait their turn, or to back up and make room for the important facts to come forward. It is like putting your fingers in a dike to stop the flow of water when another hole beside you opens up. In the case of the drought we have been experiencing here, no doubt it is the panhandle dust that will bury me deep underneath.

My load would also be a great deal lighter if I had limited experiences and resources to choose from. But my choices include a full weekend of programs that intersect on every level with what I am compiling.

On Thursday night October 13, 2011 at 5:30pm WTAMU in conjunction with the PPHM will be hosting The Remnant Trust lecture by Dr. Wade Shaffer speaking on “The City in Early America, The City Upon the Hill”. All free and open to the public.

Friday October 14, 2011 the Friends of the WTAMU Cornette Library will be hosting Jodi Thomas, New York Times Bestselling author and Writer-In-Residence at the college for their fall luncheon at 12:00pm. Her talk will be on “Working in Harmony-Combining Art and Craft” and also for her reception for that evening from 4:00 to 6:00pm.

Then there is the Cowboy Poetry Gathering and Chuck wagon Supper on October 15, 2011 at 5:00pm at the Palo Duro Cowboy Church on Highway 60 West of Canyon with cowboy poetry, storytelling, music and authentic chuck wagon food.

How can I choose what is relevant to my journey? Who knows where an idea might fall into place at just the right moment?

And I can’t forget about the resources. Does anyone have any idea as a writer how many places I connect with to follow the story? The Archives at PPHM or the Cornette Library, or any library within the Harrington Consortium, or every library around the country can and will assist me at any time. If I want to find out about the schools I can research through the school districts. Churches have people just crying for an opportunity to help with their faith, their members and their church history. Reading someone’s Master’s Thesis is an outstanding source of information from architecture to theater. Scanning through area magazines with a local flair like “Accent West” and the “Amarillo Magazine” unwittingly connects me forward. The Internet offers links around the world, but directs me to treasures and information right here at home in city newspapers of the Amarillo Globe News and Canyon News with archives online for today as well as years ago.

And the people, so many people. Wherever I am I mention one name and invariably someone will step out and share with me a story attached to a name, a place, a kinfolk, a time, an adventure. How can I choose? How can I limit? How can I condense?

The simple answer is that I can’t, and that’s okay!

In his book from RUSH TO DESTINY, Larry Jay Martin writes about the appreciation for the characters out of America’s past. He remarks, “Without all of them there would be no story.”

In the eight minutes I appear before you at the Llano Cemetery I can’t share every memory I accumulated while researching the epitaph carved on a tombstone. I know I will never be able to list the accomplishments of the family buried there beneath the earth.

My message is simpler than that. In that moment where we congregate together honoring the movers and shakers of our area, we are simply sharing of all that is good that surrounds us. I am a “new teller” telling the same story so that those listening might be encouraged and inspired to research on their own at the museum, or a library, or to talk with someone to connect with their heritage and history, then to pass it on.

I know that my version of the story is not the only one out there. That evening there will be storytellers throughout that will share about the people they represent. Trudy Hanson, professor at WTAMU, usually brings her students along. Hanson is a passionate professor and gifted storyteller and she is also the one who requires the book, THE POWER OF THE STORY. She is a true storyteller.

Come visit Llano or attend any of the other events in our area. If you stop at the Wolflin burial plot I can’t promise you I will limit my talk to only one story,I can only follow where my heart leads. And that, my friend, is the ultimate power of a story because…

“If you listen closely you can hear the voice of everyone who has ever told a tale.”

Sharon Stevens

HIDING THE TRUTH


Hiding the Truth

Last week I talked about “Fixing the Truth”. This involves telling a lie until you can get the changes made to make your false statement factual. Such as Donnie Williams lying about his boss’s favorite colt “Doing fine,” when he actually had bucked him off.

Hiding the truth is a physical action to hide evidence. Have you ever done that as a child, or even as an adult?

An injury from doing something you shouldn’t have been doing, can’t be revealed. Besides all the mischief I found as a young boy, my deception continued as a young adult. My parents were not in favor of my rodeo career and several times I hid injuries from them. When I was a kid living at home, I did it so they wouldn’t put a complete stop to my sport. Later, when they accepted my career and even supported it, I did it to save their worry and grief.

The horse, Trails End, puts Donnie in this very situation. Maybe there’s a similar event in your past. If not, I believe the story will still capture your interest. After all, cowboys are real people too. Well, okay, maybe not.

Hope you’ll check in next Wednesday,

Joe Nichols

Memory Jolts


MEMORY JOLTS 

By Natalie Bright

Through out life, isn’t it strange how the simplest experiences can stun us with a jolt of memory? More often than not, it seems this is connected to a significant loss.  I walked into a welding shop eight years after my father had passed on and the smell brought tears to my eyes.

LOSS OF A CHILD

The loss of a child has an even longer impact and today I’m blogging about the loss of a baby. If you are suffering from this devastating grief, just know that you have more strength than you might realize. Good days and bad days are in your future, and you’ll make it through.  I’m sure you’ve already noticed that every day occurrences can knock you to your knees.

For me, it’s playground equipment and the beginning of school.  Every year around this time I keep thinking I should be buying three sets of school supplies instead of just two. And playground equipment always reminds me of the things our sweet baby will never experience.

PHOTO MEMORIES

When I asked my friend Joe Stevens to take a picture of abandoned playground equipment for the cover of a book I was writing, I mentioned that he had about a month before I finished the final edits. The very next day, he drove to an abandoned rural school yard one evening after work. Out of only eight pictures, this was one of them:

The haunting symbolism in this picture resonated with me, from the beam of the setting sun shining at the top of the slide, to the dead weeds at the end of the slide where a parent might be standing.  His gift and talent to capture that image at that exact time makes me realize how fragile life is. A split second, and the photo would be lost and still life goes on. You must continue too.

WORDS OF HOPE

For words of hope and healing after the loss of a baby, my book GONE NEVER FORGOTTEN  is now available for Kindle at amazon.com. Based on my experience, I’m offering words of hope and poems to lift you during the bad times. From my heart to yours.

Natalie Bright

PAIN TO PEACE


Pain to Peace

I was in the sixth grade when my father received orders for Dow Air Force Base in Bangor, Maine. My memories of Maine are vivid. I can still visualize the old four-level house on Blackstone, the forty inches of snow that fell from one storm, our snow forts and snowball fights. I loved the woods that surrounded our military home on Langley Drive.  I spent hours roaming the birch and pine forest, picking wild blueberries and raspberries. Then I’d return to our duplex red-eyed and sneezing as I was allergic to evergreen sap. (To this day, I cannot have a real Christmas tree.) I treasured our Saturday visits to Acadia National Park and Bar Harbor. For some reason the ocean waves assaulting the rock coast called to me. Perhaps it was the untamed wildness of the currents and tides, or the raw beauty of the colors of rock, water and sky that fascinated me. Or maybe the reason was in my astrological sign – Cancer, the crab, a water sign. Whatever the reason, I never forgot the three and a half years we lived in Maine.

I always planned to go back, but as with so many things, life interfered. Work, family, marriage intervened. I finally returned in June of 1995. I lost my husband to cancer in June of 1994. In the months that followed, the losses mounted. It seemed every phone call contained a death notice. After singing at a friend’s funeral service in November, I fell apart and my mother declared, “No more.” Even though there were more losses, I did not sing, nor did I attend the services. Instead, I looked for a getaway, a place where I could find peace and revive my spirit. The answer came in an ad in YANKEE Magazine for the Maine Windjammer Association. There was something about the picture of the majestic schooner at full canvas that attracted me. I called the 800 number to request more information. Within two weeks, a packet arrived in the mail and the planning began. My family wasn’t too keen on my going alone, but I stood my ground. This trip had to be for me. Seven months later, on a gray, wet Sunday afternoon, I stood at the edge of the wharf and requested permission to board the MARY DAY.

In 1994, the Maine Windjammer Association listed fourteen ships in its fleet. A number of the wooden ships were rescued from the old fishing and trading vessels built in the late 1800’s and in the early part of the 1900’s. These tall-mast beauties weathered storms and the ravages of time, and earned the honor of National Historic Landmark. In the early 1960’s, new schooners designed and built specifically for windjammer cruises, were added to the fleet. the MARY DAY was the first of the new ships. The newer vessels were built in the tradition of the wooden vessels of earlier days with an attention to the craftsmanship of a bygone era.

My windjammer cruise differed from a luxury cruise in that it had no frills. Think of it as camping on the water.  A passenger could choose to lounge on the deck or to augment the crew.  By working with the crew, one experienced sailing in the old tradition. Meals were prepared in a small galley on a wood-burning stove.  The anchor was raised using a two-man pump wench. Sails were hoisted by two teams pulling the rigging lines in tandem. Ropes had to be coiled, decks swabbed, the wheel manned. I worked, but I still reserved time to sit on deck and commune with nature. I watched eagles glide across the sky; saw harbor seals play along the islands in the bay; laughed when the dolphins would leap and splash in the gray-green water. I felt the breeze kiss my cheeks and the sun burn my neck.

Windjamming is an experience I will never forget or regret. I relive the thrill of taking the polished oak wheel and navigating our course while our captain stood at my side guiding and encouraging. Nothing compares to the sight of the tall ships skimming the water. They are beauty and majesty, a tribute to our forefathers’ seafaring skills. I would love to sail again.

This longer-than-normal Outtake does have a purpose. I followed my gut in a quest to find peace. Not only did I regain my center, I discovered the setting for my second novel GRACE ISLAND.  I continue to feature this beautiful state in novels and screenplays. I encourage every writer to follow his instincts in writing his story. Others may make suggestions, but you are the captain of the work. Do not allow other voices to force you to make changes you are not comfortable making. No sea captain would leave port without plotting his course. By the same token, a writer should plan before starting the story. I’m not suggesting a forty page outline with twenty pages of character sketches. However, a character list and brief notes on story and plot are essential. Just I required guidance and encouragement when taking the ship’s wheel, a writer needs critique and suggestions to solidify his work. Know when to say enough. I’ve seen authors write, rewrite and edit a piece until it no longer resembles the original premise. Do your best and let it go. Use every experience, every emotion, even the most painful ones, to color and build on the plot. Writing a novel or story is not an event, it is a journey. There are obstacles and disappointments along the way. With this in mind, I wish you, my fellow writers, fair winds and calm seas as you travel your writer’s journey.

Cait Collins

A NEW RULE


POST CARDS FROM THE MUSE

A New Rule

Okay, class, it’s time to talk about grammar.  Stop groaning. Grammar is very important to a story. Yes, I know it’s boring and I know there are way too many rules for it to be reasonable. However, we’re going to take a new approach.

The accepted guidelines for creative writing today can be found in the Chicago Manual of Style, which is a gigantic tome and anyone who has memorized the whole book deserves a giant pat on the back.  But proper punctuation and noun/verb usage is not necessarily what our lesson is about today.

Today we’re going to talk about creative grammar. Now this is not the license to throw away all the rules in the name of art. In fact, knowing what the rules are is very important to this lesson, and I’m going to add a new rule that will make punctuation become as important to your story as your characters and plot. Ready?

IT’S OKAY TO BREAK THE RULE IF YOU KNOW WHAT THE RULE IS AND WHY YOU NEED TO BREAK IT.

I have read stories where the punctuation and grammar is so perfect that the whole thing is very stiff and formal and unfriendly – and not a lot of fun to read. On the other hand, I have read a few stories where the author uses grammar and punctuation, fonts, italics, all-caps, and bolds almost as characters in the story. These authors have achieved something so mouthwatering that a magic spell is woven that forces the reader to keep reading until they see the words “The End.”

Become friends with grammar and punctuation and let it breathe life into your stories. Don’t be afraid to experiment with its uses—or lack of (as long as you know why)—and watch your story develop a beating heart and start to live.

Congratulations. You have just received a post card from the muse.

Nandy Ekle