Tag Archives: Writing

WRITING DOWN THE BONES

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By Natalie Bright

Add this one to your writing reference library: WRITING DOWN THE BONES, Freeing the Writer Within by Natalie Goldberg.

Here are few gems from Ms. Goldberg’s book for you:

“Trust in what you love, continue to do it, and it will take you where you need to go.”

“Writing, too, is 90 percent listening. You listen so deeply, to the space around you that it fills you, and when you write, it pours out of you.”

“The deeper you can listen, the better you can write. You can take in the way things are without judgement…”

“Basically, it you want to be a good writer, you need to do three things. Read a lot, listen well and deeply, and writer a lot.”

nataliebright.com

READING AND WRITING

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READING AND WRITING
By Natalie Bright

One of the notable things that many successful writers have in common is that they read. If you find interviews by some of your favorite best-selling authors, they usually reveal their reading lists. And more often than not, they’ll have a few books that they’ve read over and over.

William Faulkner wrote, “Read, read, read. Read everything — trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it.” 

One of the WordsmithSix writers told me she reads Stephen Kings’ THE SHINING every year around Halloween. It’s one of her favorite books because of the psychological intensity, and of course written by one of the masters. My goal this year is to read that book in October. It’s already on my eReader.

Which comes first: the writer or the reader? For me personally, I can’t answer that question, but one bookshelf holds several of my cherished childhood picture books. And I can vividly remember my hometown library, Rhoads Memorial Library in Dimmitt, Texas.

Located on the same block, and just around the corner from the Laundromat, I spent most Saturdays there.  While my mother did our weekly wash, I whiled away the time with characters and discovered places I’ll never forget. Mrs. Howell usually had books ready and waiting for me. With a cheery “Good morning. I think you’ll enjoy this,” she’d hand me a stack of treasures.  The feel, the smell of the pages, the tingle of excitement; I couldn’t wait until I could bury my thoughts into the story.

One of the happiest days for my mom, and probably one of the saddest for me, was when my dad backed his pickup truck next to the front porch and unloaded a new washer and dryer. That was the Saturday I didn’t get to go to the library. And perhaps that was the day I started writing the stories in my head.

Who influenced you to become a reader?

nataliebright.com

Author. Speaker. Girl About Town.

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Author. Speaker. Girl About Town.

Natalie Bright

The Amarillo Club is located on the 30th and 31st floors of the tallest building in downtown Amarillo. I was invited to join a study club for lunch and to present a program on the history of energy in the Texas Panhandle. It’s a very interesting group of ladies, mostly retired educators, several local, long-time business owners, ranchers and professional women. This group is fun. They had lots of comments and questions, which makes for lively conversation and an enjoyable experience. This is my second time to present a program for them.

The view is breathtaking from this lofty vantage point. I posted a picture on Instagram and Facebook of the downtown skyline and the flat Texas Panhandle.

When I got back to my car, I checked the mirror to apply lip gloss and noticed a speck of food. In my teeth. For the entire talk? Gross! I held on to the hope that perhaps the people at the back of the room couldn’t have seen it. I half cried as I checked Facebook comments on the picture I had posted. My Uncle commented: “Eating at high altitude produced gas (Boyle’s Law). You can control it by eating slowly.” So much for hanging on to any credibility for my #authortalk.

Embarrassment and horror turned to giggles as I drove back to my office. No matter how sophisticated and worldly I might be in my own mind, I’ll never escape these redneck roots. I’ll always be a small-town Texas girl, even in pearls and high heels while dining at the top of the world.

The same holds true for my writing.

No matter how hard I wish it, the stories in my brain are not mainstream. Honestly, I had big plans of being a romance novelist. I’d love to write the next zombie mega hit. Or even better, why can’t my muse ignite me with an earthshattering future world adventure that breaks all records as a New York Times Bestseller? Yes please, I want to write that.

Reality check. More than likely, it’s not going to be my book with, “Now a Major Motion Picture” printed on the cover.

The stories in my head are set in the past. My characters are thundering across the wide open prairie on a paint pony, or storming through a clump of Redcoats. In my mind’s eye, I see wagons and horses and Comanche braves. I have no idea why.

The why is a mystery.

The where and who are moving picture shows in my head.

The doing is the hardest work I’ve ever done.

Follow your characters, no matter where they may take you….

 

PILES OF RESEARCH

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PILES OF RESEARCH

By Natalie Bright

Tracking and Controlling Research Notes

Research notes and piles of reference books have totally taken over my life. At the recent Western Writers of American conference this past June, I had the opportunity to visit with two historical novelists. My question to them—what system do you use to track and control your research?

Three-Ring Binder

As seat mates on the bus during a field trip, Nancy Plain explained her notebook system. She fills a three-ring binder for every book she writes. The information includes hard copies of information she might need to refer to again such as pictures, online materials, interview notes, or library materials. Sections are identified by subject. Main take-away idea for me was a section in the binder just for quotes. These will be an important component for the final book, whether its fiction or nonfiction. Good quotes relating to time period or history of your story can be used for promotion in the way of tweets or other social media posts. I

ndex Card System by Subject

I’m a huge fan of Lucia St. Claire Robson. I approached her at the WWA Conference between sessions and posed the same question to her. As a former librarian, she uses a fascinating index card system. Believing that, “75% of the work is organization” when writing historical fiction, she has developed a system to keep track of those thousands of details any researcher might need for their novel. She scribbles notes on 4×6 index cards, using a different color for each work in progress. Every source is assigned a letter and a number, starting with #1. Cards are then filed by subject. As she writes, she prints each chapter and might add note cards to the pile, if she comes across anything that’s relevant. After the first draft is done, she goes back and picks up that information needed for each chapter based on any additional research and the notations in that pile. Here’s the thing about her system: any issues that might come up from an editor or fan, can be readily answered and verified. Mr. Robson has established a reputation for being a meticulaous researcher. Her books certainly reflect that. You’ll find detailed imagery that transports you back in time.

For more about Ms. Robson’s system, read her blog here: http://www.luciastclairrobson.com/featured/just-call-me-lucia-minutia/

Time to Get Busy

As I type this, on the floor behind me are separate piles of spiral notebooks along with manuscript drafts and copies of stuff related to my novels. On the shelves are open baskets for each book title, where I’ve tossed related material. How do I find something? You might have guessed already. I have to sift through the entire pile. What a mess. I’m hoping to combine both of these author’s systems and get a handle on my stacks and stacks of research.

To minimize the mess on the floor, I’ll use the binder or notebooks to file away the information I’ve amassed to date. Because I’m a junky of used books and dusty old book stores, I’m starting a card file system right away to identify these reference materials. As time permits, I hope to go back through some of my earlier spirals and make index cards for those factual tidbits as well.

For more information about these novelists and their work, visit their websites listed below.

Nancy Plain is an award winning author of biographies and histories for children and adults. Her most recent work is THIS STRANGER WILDERSNESS, about the life and art of James Audubon. www.nancyplain.com

Lucia St. Clair Robson is most famously known for her book about Cynthia Ann Parker, RIDE THE WIND. As her first book, it won the Spur Award, made the New York Times Best Seller List and was included in the 100 Best Westerns of the 20th century. www.luciastclairrobson.com

Keep researching and keep writing WordsmithSix peeps!

Designing a Compelling Synopsis

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Designing a Compelling Synopsis

The following outline was a handout at a class by author DeWanna Pace, who was an amazing teacher. Not only can this be used to write a synopsis, but I’ve found it helpful to provide a big picture view of your story and plot line. This will keep you on track and help you reach the end with your main characters goals and motivation still in mind. It’s so easy to lose the overall structure of a story sometimes and get lost in words that are going nowhere. The story has to keep moving onward with every scene and every section of dialogue pushing the reader to the end.

The opening hook/logline:

Who is the main character:

Ordinary world for the main character:

Trigger event/inciting incident:

Motivation:

Conflict:

Goal:

Conflict:

Genre consideration:

What she learns:

Goal:

Outcome:

Motivation for her:

Conflict/resolution/ending/results:

DeWanna provided these additional tips for romance writers: beginning/jolt into action; complication/conflict; work place/historical setting; kiss; fight; realization of being in love; love scene; self-knowledge/changes in character; and HAPPY ENDING.
If you are writing romance use basic fiction matrix and overlay the romance/love story plotline.

THE BIG WHY

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THE BIG WHY

By Natalie Bright

When I added fiction writing to my job related and freelance work about 12 years ago, I had envisioned becoming a romance writer. My goals were to sign with an agent and attend the Romance Writers of America conference every year.  As a member of two critique groups, one which is all romance writers, it stands to reason that I’d be a natural at creating these kind of stories. Easy peasy.

Wrong.

The stories in my head are not of the romantic nature.

The characters that interrupt my dreams are young people, most often from the past. More specifically in the old West. Not only have I spent many, many sleepless nights wondering about these characters and their adventures, I’ve also asked myself, WHY am I doing this? I remember being fascinated with history, the Oregon Trail, and the old West at an early age, but I never imagined I’d be crafting historical novels. I’ve since walked many a mile on the dirt road behind my house, staring into the setting sun, trying to channel a 15-year old Comanche brave. Why this character haunts my head is a mystery.

This summer, my entire mindset has changed regarding my writing journey.

WWA is the West

I attended the Western Writers of America convention in Lubbock, Texas. This is a diverse group, with songwriters, poets, historians, museum archivists, writers of nonfiction and fiction, editors, agents, musicians, and newbies and veteran authors.

As a first-time attendee and new member I didn’t expect to know anyone there, and then a very nice lady from Utah introduced herself and said, “I’ll be your mentor.” (Thank you Rachelle “Rocky” Gibbons, SPUR Award finalist of Big Buckaroo & Moose the Cow Dog.)

Educational Panels and Much More

While there, I listened to a panel of New York City authors share facts about The Alamo that I’d never heard before. Songwriters and talented musicians shared their original music every night in the Roundup Room. A panel on writing about the Comanche Nation included great-grandsons of the great chief Quanah Parker!

At a table over a plate of Texas Bar-B-Que, I listened to the daughter of Don Coldsmith tell how her father gave up a successful medical career as a family practice physician to write stories set in the west. His first book came from the discovery of a valuable bit in an antique bin in Oklahoma, which he bought for a dollar. He penned 40 novels which involved a whole series covering centuries of history. She told us about his writing process and about how he never missed a WWA convention.

The Why Doesn’t Matter

Here’s what I learned during this amazing week: these people don’t worry about the WHY.

WWA members endlessly research the subjects they love. WWA members write about the people and the places that burns a hole in their gutt. My guess is WWA members would pen those stories, songs and poems whether anyone read them or not. A writer writes. From this day forward, I’ll strive to write the very best story I can and leave the why for somebody else to worry about.

WESTERN WRITERS OF AMERICA NEEDS YOU!

If you’re a fan of history, cowboys, horses, and anything relating to the American West, close to 600 WWA members share your enthusiasm. You will LOVE this group. Check them out at www.westernwriters.org.

Perhaps I’ll meet you June 2016 at the WWA Convention in Cheyenne, Wyoming. Whatever haunts your dreams, stop questioning the why and write on!

Nataliebright.com

Comma, Comma, Comma, Comma, Comma Chameleon

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Comma, Comma, Comma, Comma, Comma Chameleon

By Rory C. Keel

For me the correct place for using a comma seems as elusive as a chameleon. Hidden somewhere between subordinate clauses, independent clauses and coordinating conjunctions, the comma hangs out waiting for a slight pause.

Here are five basic rules to help in using a comma.

  1. Never place a comma between a subject and its verb or between a verb and its object.
  2. When a subordinate clause introduces an independent clause, separate the two with a comma.
  3. Don’t use a comma to separate the clauses when a subordinate clause follows an independent clause.
  4. Use a comma before the appropriate coordinating conjunction to join two related sentences.
  5. When in doubt, leave it out.

Remembering these basic rules will help you put them where they belong and leave them out where they don’t.

 Roryckeel.com

THE BIG WHY

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THE BIG WHY

By Natalie Bright

When I added fiction writing to my job related and freelance work about 12 years ago, I had envisioned becoming a romance writer. My goals were to sign with an agent and attend the Romance Writers of America conference every year.  As a member of two critique groups, one which is all romance writers, it stands to reason that I’d be a natural at creating these kind of stories. Easy peasy.

Wrong.

The stories in my head are not of the romantic nature.

The characters that interrupt my dreams are young people, most often from the past. More specifically in the old West. Not only have I spent many, many sleepless nights wondering about these characters and their adventures, I’ve also asked myself, WHY am I doing this? I remember being fascinated with history, the Oregon Trail, and the old West at an early age, but I never imagined I’d be crafting historical novels. I’ve since walked many a mile on the dirt road behind my house, staring into the setting sun, trying to channel a 15-year old Comanche brave. Why this character haunts my head is a mystery.

This summer, my entire mindset has changed regarding my writing journey.

WWA is the West

I attended the Western Writers of America convention in Lubbock, Texas. This is a diverse group, with songwriters, poets, historians, museum archivists, writers of nonfiction and fiction, editors, agents, musicians, and newbies and veteran authors.

As a first-time attendee and new member I didn’t expect to know anyone there, and then a very nice lady from Utah introduced herself and said, “I’ll be your mentor.” (Thank you Rachelle “Rocky” Gibbons, SPUR Award finalist of Big Buckaroo & Moose the Cow Dog.)

Educational Panels and Much More

While there, I listened to a panel of New York City authors share facts about The Alamo that I’d never heard before. Songwriters and talented musicians shared their original music every night in the Roundup Room. A panel on writing about the Comanche Nation included great-grandsons of the great chief Quanah Parker!

At a table over a plate of Texas Bar-B-Que, I listened to the daughter of Don Coldsmith tell how her father gave up a successful medical career as a family practice physician to write stories set in the west. His first book came from the discovery of a valuable bit in an antique bin in Oklahoma, which he bought for a dollar. He penned 40 novels which involved a whole series covering centuries of history. She told us about his writing process and about how he never missed a WWA convention.

The Why Doesn’t Matter

Here’s what I learned during this amazing week: these people don’t worry about the WHY.

WWA members endlessly research the subjects they love. WWA members write about the people and the places that burns a hole in their gutt. My guess is WWA members would pen those stories, songs and poems whether anyone read them or not. A writer writes. From this day forward, I’ll strive to write the very best story I can and leave the why for somebody else to worry about.

WESTERN WRITERS OF AMERICA NEEDS YOU!

If you’re a fan of history, cowboys, horses, and anything relating to the American West, close to 600 WWA members share your enthusiasm. You will LOVE this group. Check them out at www.westernwriters.org.

Perhaps I’ll meet you June 2016 at the WWA Convention in Cheyenne, Wyoming. Whatever haunts your dreams, stop questioning the why and write on!

Nataliebright.com

BATTLING THE BEAST

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BATTLING THE BEAST

I gaze into the eyes of the beast searching to find its soul. I am caught in the childhood game of “the first one who blinks looses,” yet he shows no emotion, no rising of brow, no blinking or shedding of tears, just a long menacing stare.

The creature’s leering eye grows brighter with every passing moment, seemingly intent on seeing the space of my existence. My vision is full of his sight, yet I see nothing.

I study his unrelenting look, my mind searching the far corners and deep recesses, constantly swirling, struggling to find some strategy, or weapon or even one simple word that might defeat my enemy and win this mind-numbing battle.

The desire to close my eyes tugs at the lids. The moisture surrounding my orbs in their sockets has become dry and I struggle against the urge to rub them. The creature shows no signs of weakening and continues to counter every glance.

Without my consent, sudden darkness is all I see. I blink. I am immediately torn between two emotions. First, relief. Moist droplets flood my eyes like waters of the sea crashing onto the shore. The fetters that once restrained the rubbing of my eyelids have now been unfastened.

And second, In the darkness of my blink, dread fills my mind as I wait for the wrath of my opponent to be unleashed. Or perhaps he has already struck with such a swift penalty that I didn’t feel the pain. In the deafening silence I dare to open my eyes. To my surprise I find that it was not I who blinked first, but the computer screen upon which I placed these words.

Rory C. Keel

WHY WRITE?

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WHY WRITE?

By Natalie Bright

 

It’s a question I’ve asked myself a gazillion times. Would life be easier if we ignored the voices in our head? Or, maybe not. It’s a delightful dilemma, this world inside a writer’s head, and then I found this great quote on Pinterest:

“Why Write? Why should we all write?

This is what I recommend:

Purchase a small notebook. Post-its. Colorful pages. Plain paper. Hold a pen. Pick a word and see where that word takes you.

Because you store everything in your body: the gorgeous, the ugly, the painful, the ecstatic. It’s all there locked away in your cells where memory, tension and confusion remain day after day, waiting to be set free.

You don’t have to show it to an audience or your spouse or your children or even yourself again. But when it’s written down as a list, as a paragraph or poem or story, you can go to bed with a greater understanding of yourself, of the world, or even of both: yourself in this world.

And at the very least, you know all those things are out of your body. Writing is essentially becoming free. It all begins with a world.”

-VICTORIA ERICKSON