Timeless


Outtakes 208

Timeless

by Cait Collins

 

Do you ever wonder why certain books, plays and poetry are still taught in school? I have a theory. The classics were written by men and women who perfected their craft. They didn’t rest on laurels; instead they invested time in making the next work better.

Students groan when they open Julius Caesar but the story is still worth telling. The characters have the same concerns as men and women today. We have issues with government and power grabbing.

Mark Twain revealed a dark time in American history. TOM SAWYER AND HUCKLEBERRY FINN did not necessarily defend slavery. The stories revealed a truth that can bring about change. Tom and Huck are so right as boys in the late 1800’s. I’ve met a few shysters who could pull off the whitewashing of the fence with a wink and a smile.

JANE EYRE depicts the times when men ruled and women held a second class status. But it also shows the growth of a young woman beyond the customary role to become a strong and faithful lady of means.

Then there are new classics. I truly believe the Harry Potters series will stand the test of time. After all daring deeds and heroic action will always be popular. And like the previously noted volumes, the Potter books will be part of my library. As will Rick Riordan’s Percy Jackson series, Craig Johnson’s LONGMIRE stories, and Sherrilyn Kenyon’s Dark Hunters.

These authors and others like them found the formula for success. They developed memorable characters, had good stories and plots. They employed the basis of grammar, spelling, and punctuation. Above all, they wrote for the reader and not just for themselves.

What books are in your library? Is there a mixture of old and new? Are the covers pristine or worn? Are there some volumes that are dog-eared and faded from handling? I do hope your library is just like mine. I hope you have a mixture of everything and you read and reread your old favorites and acquire new favorites. After all, good writing never goes out of style.

 

We’re Back


Outtakes 206

We’re Back

by Cait Collins

It’s been a while since our critique group has been together. Work, family obligations, vacations and floods (yes, flooding in the Texas Panhandle) have kept us apart. But as summer comes to a close, it’s time to get back to the business of writing. That doesn’t mean I haven’t been working on some ideas; it means I haven’t been focused.

There’s something about having deadlines and meetings that tend to help me keep on track. Knowing I need to have about ten pages ready to read on Thursday night forces me to put a book away, turn down the TV, and open the lap top. I often do my best work under pressure or time lines.

I’ve been considering how to complete the set-up of my new story. I have names, cities, settings, and now I know how to describe that office. It’s simply a matter of getting the edits on paper. I can’t wait to read the results to the group.

The other thing I have missed is the friendship. Not only do we critique each other’s writing, we’ve developed a camaraderie that helps us work together for the benefit of each member. No one is more important than another. And if one is struggling, we make the time to give the extra support and guidance needed to help him or her over the slump. That’s what makes a good, productive group.

I’m so blessed to be a part of Wordsmith Six. I wish every writer had such dedicated friends and writing partners.

 

Listen to Your Characters


Outtakes 205

Listen to Your Characters

by Cait Collins

 

Some folks think I’m crazy when I tell them that I talk to my characters and they answer me. Truth is I’m quite sane. I get some of my best ideas just carrying on a conversation with a character in my story. It goes something like this.

“So, Chad, you’ve found a new girlfriend. What’s she like? Who are her people? What does she do? What’s her name?”

Chad responds. “Well, she’s cute. Not heart-stopping beautiful, but cute. And she’s funny. She tells the best jokes. Have you heard the one about…?” Okay, you’re not in the mood for jokes. She’s a teacher. High school English. Beth. Her name is Beth. My girl’s a great educator. Beth teaches some of the old stuff like conjugating verbs and diagramming sentences.

‘Her folks died in an auto accident and Beth raised her sister, Amy. The kid graduates in the spring and plans to study law at Harvard. I guess you want to know how Amy can go to Harvard when her guardian is a school teacher. Well, the folks were pretty well off. They set up trust funds for the girls, but Beth is as frugal as her Scots ancestors. Anyway, we’re planning a trip to the Highlands after Amy graduates.”

In a short conversation, I’ve learned the girl friend’s name, she has a good sense of humor, her ancestors are from Scotland, her occupation, and future plans. But I didn’t ask where everyone lived.

“I bet you don’t know how to find the Old North Church. The one of Paul Revere fame. One if by land; two if by sea. After her folks died, the girls moved here, to Denver. It’s got to be real strange to wake up with the mountains instead of the ocean.”

As you can see, my conversations with Chad garnered useful information. And it’s better than talking to myself.

 

Stressed Out


Outtake 204

Stressed Out

by Cait Collins

 

I recently purchased an adult coloring book. I thought getting out crayons and colored pencils would relax me. Instead I stressed over everything. Was I using the right shade of brown? Did I have to conform to standard colors of red, black, white or blue for a lighthouse Maybe the flowers did look like magnolias, but can I get away with coloring them a light shade of lavender? But the ultimate question became, “Why am I doing this?”

I began to realize I often have the same issues with my writing. I have allowed the details, my perfectionist attitude, and other peoples’ opinions to rob me of the joy of writing my story. I have come to the conclusion that sometimes the single word is not nearly as rewarding as a good manuscript. When I obsess over a word or a setting, I lose the spirit of the work. The story becomes stale and tired. But when I relax, when I allow the creative process to rule, the pace is corrected, and the story flows better. Instead of closing the mind to possibilities, thoughts are freed and the words flow.

A relaxed approach to writing does not mean the proper words are unimportant. The opposite is true. A word, a name, or a place has great value, but working with an open mind permits a more omniscient view of the whole work. And like the pages of my coloring book, the details and the shading can be applied in the editing process. And when the mind is not occupied with minute details, the joy of the creation shines through out the story. The pace is right and the emotions genuine.

Am I going to give up my coloring book? Absolutely not. Instead, I plan to color like a kid, paying no attention to whether I stay inside the lines or the tree has red leaves instead of green ones. I’m going to color my way. And I will write my way.

 

Change


Outtakes 203

Change

by Cait Collins

 

On July 4th, I watch the kids from church play on a waterslide set up in the church parking lot. They were having a great time together. No one pushed ahead of the others or pulled hair. They weren’t fighting. Everyone got along and had fun. Even the insertion of a neighborhood child, a stranger, didn’t make a difference. He was just another kid.

Over the years I’ve learned kids don’t start out hating other kids. Instead they learn to be suspicious, to be bullies, or to crave and demand attention. Sometime the changes are subtle; almost unnoticeable. But the changes begin to take over and Johnny moves from bitter comments to outright cruel barbs. Finally, Johnny and Billy are no longer friends; instead they are life-long enemies.

This type of situation is not the domain of children. Adults fall into the same trap. A careless word begins the suspicion, a forgotten appointment, a lie comes between friends. And a relationship is destroyed. The sources of the problem as well as the progression of the feud make good reading in the hands of a skilled writer.

So how do we go from “Mom, he’s hitting me” to “keep your hands off my girl or I’ll kill you?” The answer is simple. You do it one nuisance at a time. Don’t blurt out the issues. Instead, leave a cookie crumb trail of hints and let the tension build until the final confrontation that ends with irreversible consequences. And don’t leave the people in the combatants’ inner circles out of the mix. Whatever happens with the protagonist and the antagonist affects the people around them.

I prefer to take a minimalistic approach to conflict. I replace adverbs and adjectives with strong nouns and verbs. I let the setting and the dialogue tell the story. No matter which path a writer selects, the climax should be explosive figuratively and possibly literally.

I Need a Librarian


Outtakes 202

I Need a Librarian

by Cait Collins

 

I love books and I have a fair sized home library. I own everything from Peanuts to the classics; religion to Dummies books. I read reference books and romance; kids literature and true crime. I have out-of-print volumes and new releases. I have kept books autographed by writer friends who are no longer with us. Trouble is I have a horrible time keeping the shelves organized.

Every few months, I go through the shelves, pull out the items I will never reread, and box them up. Eventually, I’ll load the boxes into the car and donate them to the library. Then I rearrange the shelves, putting the non-fiction on one end and filling the empty spaces with favorite authors and fiction. Within a month it’s all out of order as I’ve added new volumes and misplaced others.

My friends and family suggest I get an e-reader or tablet for the books I will only read once. It’s a logical suggestion, but I prefer a real book. You know, bound volumes with pages I can turn. Besides I’m not comfortable reading a tablet while relaxing in a bubble bath.

I guess I have a couple of solutions. I can hire a part time librarian to shelve my books and keep the book cases organized. Or I can enjoy going through each shelf looking for that new release I have yet to read. My conclusion; there is something to be said for reacquainting yourself with your personal library.

Parents


Outtakes 201

Parents

By Cait Collins

This past Sunday, Fathers’ Day, I watched Dads interact with their children. Some were very attentive to the kids. Other ignored them. A few were stern disciplinarians, while others allowed the kids to run wild. I wondered how their attitudes might affect their kids in the coming years.

I was a lucky kid as my folks managed to strike a balance between too strict and completely permissive. I had my share of spankings and my Dad’s I’m so disappointed in you looks, but the discipline was offset with lots of love. Their influence on my life helped me become the woman I am today.

So how much of a role do our parents play in our lives? Let’s look at the way we write our characters. A boy grows up without parents. Lacking the family relationship, he looks to the gangs to supply the close associations he thinks he’s missing. On the other hand, another young man who has no family aligns himself with a church group looking for brothers and sisters. He accepts that true love may not be part of his life, but he continues to hope for happiness.

Then there are the characters that have been abused and abandoned. Without proper guidance, they have no self esteem and seek acceptance wherever they find it. Or worse, become abusers themselves. Some take a higher road believing they have worth and work to better themselves and find fulfillment.

What about those who do have good parents? Let’s face it; a proper upbringing is no guarantee of happily ever after. But great influences can help. What if the child rebels? Perhaps he takes up drinking or gambling. There are endless possibilities for writing about the family unit and how the influences play on the lives of children. The manner in which the characters develop in the story makes the difference in an exciting attention grabber or a cliché/

A Mercy Killing


Outtakes 200

A Mercy Killing

By Cait Collins

 

Lightening flashed. Thunder rumbled. The wind rose. Rain mixed with pea-sized hail pelted the windows. Tornado warnings sounded from her cell phone.

Lydia stood in the shadows behind the spiral staircase waiting for her slob of a husband to burst from his upstairs man cave and rush to the stairs. The son of a bitch would strut like a proud peacock with his tail feathers in full display. He’d squawk demanding attention. But at the first sound of thunder, the boasting coward would beat a path to the basement and huddle on the futon in the corner. He’d brought that hideous tropical print pile of padding and rickety frame to her home when they married. He wanted it displayed in the living room among her family’s priceless heirloom furniture. She’d put her foot down and banished the tacky piece to the basement.

Why had she married the blow hard? Okay, he’d been charming when they dated, and he had gotten a job fresh out of law school as a clerk with a good law firm. But the minute they returned from the honeymoon, he began talking incessantly about all of his accomplishments. Unfortunately, she’d learned too late, he had no accomplishments. They were all figments of his very active imagination.

Chad enjoyed discussing books, television shows, and movies. His books. His shows .His movies. But when she mentioned one of her favorites, he’d shut her down. “That’s nothing but a chick flick. It has no importance in the grand scheme of things. Now The Lord of the Rings, that’s a movie.” Lydia had enjoyed the movies, but she preferred the books. She’d read all three, but her husband hadn’t read any of them His sole understanding of Tolkien’s work was the spectacular cinematography and acting he’d seen in the theater.

Lydia had soon realized if Chad did not get his way, he would attempt to intimidate or belittle the person who had rocked his little world. Just yesterday, her husband had quit yet another job because “nobody likes me” and “everyone is out to get me”. They’d been married three years and he’d blown through nine jobs. She’d really appreciated his announcement over dinner last night.

“I have decided the business men and women in this town do not recognize talent. They continually stick me with junior clerks and have these inexperienced kids teach me the ropes. And those self-important ancient paralegals think they have the authority to return my briefs and opinions and demand I correct my errors. That’s a woman’s work. If it weren’t for men like me, those old biddies wouldn’t have jobs.”

She had said nothing, having heard the speech before. But this time, he proposed a different solution to his problems.

“Monday morning, you and I are going down to the bank and you will set me up with a line of credit. A million should do it. It won’t put a dent in that inheritance of yours. Then I’m going to open my own law office and run it my way. You just wait, Lydy baby, I’ll be adding big bucks to our income very soon.”

“No, Chad, I will not waste my money on your foolish venture. You’ll lose the whole million within six months and demand more. Find a job and try to get along.”

He slammed the vintage Waterford crystal wineglass on the table top. The fragile glass shattered. Fine cabernet spread across the top of the ebony Duncan and Phyfe table.

“See what you did, bitch? Your stupidity ruined a good meal and a fine glass of wine.”Chad jumped up, toppling the antique chair cracking the slats. “You will give me the money and whatever else I demand of you. Now you get your ass out of that chair, get upstairs, and get ready for bed. My wife will at least act like she enjoys having a stud in her bed.”

He turned his back and climbed the stairs to his “office”.

His wife! Stud! She almost vomited. “We’ll just see about that” She slept in the guest room with the door locked and with a chair braced under the door knob.

Lydia’s thoughts returned to the present. Forensic specialist, Lydia Lawler, was no man’s fool and the idiot upstairs was about to learn the last lesson of his miserable life.

The lights flickered and went out. Thunder boomed and rattled the windows. Upstairs, a door slammed against a wall. Footsteps pounded down the hallway.

Chad’s feet slipped as he ran down the shinning oak floors. He lost his flip-flops at the head of the stairs just before he began rolling head over heels down the steps, landing with a thud on the cold marble floor at the base of the staircase.

Lydia shined the light on the crumpled form in front of her. “Oh, you poor dear. I forgot to tell you Edna was waxing the floors this morning. I’m sorry you slipped.

“Can’t move,’ he whispered.

“Can’t move? What a pity.”

“Help me.”

“Of course, stud”

She plucked a pillow from the bench in the entry and placed it under his head. “There. Does that feel better?”

“9-1-1.”

“I can’t do that. My cell phone is dead. The land-line is down. And look,” she picked up an object from the floor, “your cell phone is broken. My. My. What should we do?”

The tornado warning sirens wailed.

“I must get to the basement. Maybe the tornado will go away and leave you alone. But then I’ve wanted you to go away and leave me alone for years. How does it feel to be on the receiving end of things?”

“Leave the light.”

“But it’s the only flashlight I have. Do you want me to fall down the basement steps?” A mean smile appeared. “I don’t think so. Good-bye, Chad.”

He heard the snick of the closing door and the click of the lock sliding into place. And then dead silence. The air grew thick and breathing became difficult. From the silence the sound of a freight train grew. Trees splintered, The roof over the sun porch lifted as the front windows shattered and front walls were pulled from the foundation.

Chad felt his body lift from the floor and rise up into the swirling funnel. No one heard his final scream.

Chad Lawler’s corpse was found impaled on a broken tree limb a week following the destruction. Scavengers had been at the remains. It was a gruesome sight. He was buried without ceremony in a newly purchased plot as far from the widow’s family plot as possible. Only the minister and the widow attended the brief service.

I have always believed writing to be good therapy. I’m feeling much better now.

 

Television Opportunities


Outtakes 198

Television Opportunities

By Cait Collins

 

I am enjoying the History Channel’s presentation of Texas Rising. I truly appreciate the advancement of original programming on the cable networks. The major networks have positioned themselves to become real leaders in the entertainment industry. Major performers used to shy away from the “small screen” as they appeared to think accepting a television contract would destroy careers. Not so any more.

Last season Kevin Costner brought The Hatfields and McCoys to the History Channel. The production quality rivaled that of the major movie studios. An all-star cast, spectacular cinematography, top-notch writing, excellent marketing, and an attention to historic detail created hours of entertainment. Game of Thrones is one of the most popular series on TV. TNT has hits with Major Crimes, Rizzoli and Isles, Under the Dome, and Cold Justice. Suits will soon begin a new season on USA. Higher budget shows have resulted in more quality programming. The trend toward short seasons calls for more original shows. The new series have brought more viewers to the Cable channels and created a higher demand for good writers.

Actors may be talented, costumers and set designers creative, directors motivating, and producers quick to come up with cash, but without inventive writers, there is no program. The writer creates the characters and keeps them alive and vibrant by giving them new challenges and a stream of secondary characters to play off of. The settings are developed by the writer and have led to memorable locales. Cabot Cove, Maine; M*A*S*H’s O R’s and the Swamp, South Fork Ranch, and Walton’s’ Mountain can be found in the television atlas.

Screen and television scripts require special training and an understanding of basic production, but they are fun to write. They are also a great plotting tool for books and short stories which can be a second sales opportunity. And you don’t have to move to New York or California to get the necessary education. Check the catalogue for your local college or university to see what they offer in screenwriting and production techniques.

With this in mind, what is your idea for a new television series? Will you write a sitcom or a drama? What occupations will the characters have? What is the setting? Will they be wealthy or middle class? What are their flaws and what are their strengths? Happy writing.

Freedom


Outtakes 199

Freedom

 

I can’t believe it. After nearly a year of heavy overtime, we are finally caught up at work. My first thought was I get my life back. Maybe now I can write again. Or better yet, write something that makes sense. I’ve been very disappointed in my writing lately. Sometime I feel as if I’ve lost my creativity and my voice. After a bit of rest, I hope to finish a couple of projects that are stacked on top of my computer.

Sometimes the words come easily. And then there are the bad times when nothing works. I pray I’m coming out of the tunnel of bad times.