Resolved


Outtakes 21

Resolved

January 1, 2012 is closing in fast. I can’t believe there are only thirteen days until the New Year begins. I’m not much for New Year’s resolutions as I break them within 48 hours. However, I am setting my writing goals for next year. Here they are; short and simple, and I hope my critique partners hold me to them.

  1. Get organized. Since starting the blog, I realize I need a good system for tracking topics and making sure they are done on time. I also need to keep better records for submissions and Frontiers in Writing conference details.
  2. Write and mail the checks for my Panhandle Professional Writers and Oklahoma Writers’ Federation Inc. dues. I keep forgetting to do that.
  3. Follow-up on Fall 2011 submissions.
  4. Complete the publicity plans for Frontiers in Writing.
  5. Complete the final edits for my novel HOW DO YOU LIKE ME NOW.
  6. Submit the first thirty pages of the novel to a potential editor.
  7. Write down the lyrics to the songs I’ve written for my Sunday School class. Other teachers are asking for them.
  8. Learn more about using social media to promote my work.
  9. Start a new project.
  10. Lose another fifteen pounds. Okay, that doesn’t have much to do with writing. But getting a little more weight off will help my blood pressure, increase my stamina, and make me more productive.

If you haven’t set your writing goals for 2012, now’s the time to get to work on them. Goals are good for us. They provide a path to improving our productivity and better our chances for publication. If you are a beginner, start small. Keep track of your progress, and mark accomplishments as “Done”. You’ll enjoy seeing the list get smaller.

I wish you all a happy and productive 2012.

Cait Collins

WRITING THE SYNOPSIS


WRITING THE SYNOPSIS

At some point between starting a story or novel and publishing, you will need to write a synopsis. It can be a great tool in keeping you on track with your writing. Most literary agents, publishers and even writing contests will require a synopsis along with a few sample chapters of your writing with your submission.

A synopsis is a brief outline of the basic plotline of your story. It differs from your story or novel in that it covers the brief and precise outline of the characters and major plot points of the story, and not all the small details.

When writing a story or novel, a writer is taught to “show don’t tell.” However, when writing the synopsis the reverse is true, “tell don’t show.”

When starting a synopsis, write a theme statement to help guide your thoughts. What is the main theme that defines your story?

Next, answer the following questions telling the reader the answers. Remember “tell don’t show” in the synopsis.

1. Who is the protagonist in the story?

2. What are his or her personality traits? List strengths or weaknesses.

3. What other characters surround the protagonist?

4. What is protagonist’s major conflict?

5. How does he or she solve the conflict?

6. What hindrances stand in the way of accomplishing the goal?

7. How is each obstacle conquered, or is it?

8. What is the climax of the story?

9. How does the story end?

10. What change takes place in your protagonist?

Rory C. Keel

Elmer Kelton on Westerns


Elmer Kelton on Westerns

By Natalie Bright

Elmer Kelton remains one of my favorite western authors, and continues to be an inspiration for me in my efforts to publish my middle grade westerns. As I mentioned in a previous blog, the owner of Cactus Bookstore in San Angelo was a long-time friend of the great western author, Elmer Kelton.  He sold me a cassette tape featuring two of Kelton’s keynotes from a Chilsolm Trail workshop which was held in Fort Worth in June 1989. From that tape, I’ve paraphrased a list of advice from Kelton, in his own words.

1. Western genre is about authenticity. Stories are real: with real backgrounds, real incidents, about unusual events in history.

2. Read alot of history. Find obscure books without wide circulation. Look for periods of transition.

3. A plot should grown out of characters and situation.

4.  Conflict equals change. There’s always somebody changing and always others resisting.

5.  Best that can ever happen to a writer is when a character takes over the story and runs away with it.

6. Best three of all time that you should read: #1 A Trail to Ogalla by Vincent Capp; #2 North to Yesterday by Robert Flynn; #3 Lonesome Dove by Larry McMurtry

7.  Greatest character ever portrayed: Augustus played by Duval.

Natalie Bright

Writers’ Conferences


Outtakes 20

Writers’ Conferences

Beginning writers often run into problems jump starting their careers. Questions regarding copyright, contracts, submissions, formatting, genres, and marketing come up and answers are sometimes hard to find. I’ve been there so I understand the frustration. I thought I was the only writer out there who had doubts and questions. I had a novel. I’d submitted it. The agent liked it, but didn’t sign me. So what do you do?

My answer came from a newspaper article for a writer’s conference right here in Amarillo. I read the information, called for the registration packet, and made plans to pick brains, and learn more about getting published. I so enjoyed that weekend. I attended workshops with New York Times Best Selling author Christina Dodd, mystery author Rick Riordan, and Pulitzer Prize winner Michael Cunningham. The best part was that I was no longer alone. I went to the conference not knowing anyone, and left with a pocketful of business cards from fellow writers. I became friends with some of the folks I met, and ten years later, I still can count on their support and encouragement.

Do I recommend writers’ conferences? Absolutely! The trick is finding the right one for your needs. I prefer smaller conferences (I’m shy), but some of my friends like the larger ones. I recommend Frontiers in Writing in Amarillo. The 2012 conference will be held the weekend of June 29-30 on the Amarillo College campus. This year’s conference will offer workshops for everyone whether you are a beginner or a published author. If Amarillo is a little too far away, run an internet search for a conference in your area. It will cost a little money, but this is an investment in your writing career. The contacts you make are so valuable, and the friendships made are priceless.

Cait Collins

Waxing Poetic


POST CARDS FROM THE MUSE

Waxing Poetic

The world is full of things that are similar and things that are very different and we like to compare things to get a better understanding of them. So we use similes and metaphors.

Similes are when we say that something is like something else:  Leaves fell like ideas all around me, but the wind blew them away before I could gather them together. This is a tool to use in description, but also works well for narrating and dialogue. It’s probably the easiest to  understand in symbolic language.

Metaphor is when we use one object to describe another as if it is the other object: When the thermometer broke the silvery liquid inside dribbled to the floor. As this liquid reached the floor, it didn’t make a puddle but beads. I tried to pick one up, but it became liquid and rolled away before I could pick it up.

Two images that mean the same thing, both poetic ways of saying the same thing.

What simile and metaphor can you use in your story telling?

Congratulations. You have just received a post card from the muse.

Nandy Ekle

Taking Charge


TRAILS END -The Novel

Taking Charge

 Attitude is everything. If our mind has decided to commit, the objective will happen.

I’ve been extremely busy with larger numbers of cattle than usual, building a horse barn, dealing with some horse issues, and all with less daylight. Are these valid excuses for not getting my blogs posted? Absolutely not. I had time, if my mind would have been committed. I apologize. If we take charge of our lives, there really cannot be any excuses.

Donnie Williams learns several lessons pertaining to taking charge of his own life. All through the story he is faced with feeling sorry for himself and making excuses, or determining his own path. Gradually, he learns to “Take Charge.”

I believe it is a life long process.

Thanks for taking time to read this.

Joe

Gone, Not Forgotten


Outtakes #19

 Gone, Not Forgotten

I opened DEAD BY NIGHTFALL, the final installment in the DEAD BY trilogy, and read the sweetest memorial to a favorite author. Beverly Beaver, known to her fans as Beverly Barton, had passed away.

Beverly Barton was an award winning New York Times bestselling author of more than fifty books. She had over five million copies of her books in print in fifteen different languages. Her family referred to her writing as her dream career. I’ve read many of her books. She was a master with writing series novels. I would get hooked on book one and then watch the bookstore shelves for the next novel. I was a fan, but I never wrote to let her know how many hours of reading enjoyment she provided me. I never thanked her for teaching me about writing. While we did not meet, her writings gave me insight into improving my own work.

You see, Beverly Barton crafted memorable characters. Her heroes are men with pasts, full of flaws, and searching for redemption. They never excuse their mistakes. Instead they accept responsibility and move forward. They will give their lives to protect those they love. In like manner, heroines are the epitome of the line from the old song, “I am woman, hear me roar”. Her women have strength combined with a softer, nurturing side. They can survive without a man in their lives, but when they meet the man, they commit themselves to the relationship. Like their men, they have flaws, but they accept their imperfections, and grow in spite of them. I learned from her works that villains do not have to have a redeeming quality. After all, true evil does exist in this world.

Beverly’s settings are perfection. She writes of rural towns and mountain communities. Her characters thrive in world capitals. She has the knack of moving the good and the evil seamlessly from a private fortress in the United States to the perverted dens of iniquity in Europe, to Asian locals, and to the south Pacific Islands.

She made me believe what I don’t believe. Through her settings, characterizations, and description, I came to accept the existence of empaths, clairvoyants, and healers. She didn’t force me to believe; instead she created a path that allowed me to come to terms with the concepts and suspend by disbelief.

This talented author entertained me, taught me, and helped me to improve my craft. I will truly miss her stories and her lessons.

Cait Collins

The Cast


POST CARDS FROM THE MUSE

The Cast

Auditions are now open for your story. You need a cast of characters to carry this tale and it’s time to find them.

First we need a main character who normally is the protagonist. This is the person through whose view point we see the world. This person tells us thoughts and actions, intentions, and feelings. We want him/her to be the good guy and win in the end.

Next we need an antagonist, traditionally the bad guy. This character tries to stop the main character from reaching their goal, whether on purpose with diabolical evil or strictly by accident. This character can be someone who starts out one way then changes in midstream, or can be a person who never changes or wavers an inch while the protagonist grows and matures. The antagonist doesn’t even have to be a person at all but nature or even the protagonist against himself.

The fun begins when we mix it all up. Maybe our main character is not a good guy. Maybe our protagonist is really the bad guy and we use him to show the world the other side of the coin. And then the antagonist can be the one trying to thwart the bad guy.

I have heard some famous actors say that playing the bad guy in a play or movie is the most fun acting.

Open your imagination to the “what ifs” of the darker side of the world and have some fun.

Congratulations. You have just received a post card from the muse.

By Nandy Ekle

William Faulkner


“It is the writer’s privilege to help man endure by lifting his heart.”

William Faulkner

by Sharon Stevens

 This last August as I was putting books on the shelf for the fall semester at WTAMU I came across the textbook, “History of Women In America” by Janet Coryell, required in Professor Jean Stuntz’s history class. Since it was a used text I thumbed through it and came across the radio speech First Lady Eleanor Roosevelt gave on the eve of the bombing of Pearl Harbor.

I can only imagine how the speech writers must have scrambled franticly for just the right words that day to set the tone for the wife of the president. How Mrs. Roosevelt herself must have agonized as she trembled within to address all those who would listen to her voice, the emotion she knew she must convey. I wonder as well what copy the sponsor, The Pan American Coffee Bureau, had to toss out in support of the history unfolding that could very well affect relations with South America.

This history book is no longer on the shelf. It had been bought by a college student four months ago. So instead on the anniversary of the “day that would live in infamy” I Googled and read those words again, and listened to a recording of what Mrs. Roosevelt spoke December 7, 1941. She noted her husband was hard at work conferring with his cabinet, the heads of state, and even to the Ambassador to Japan. In so many words she was telling the nation that he had everything well in hand and to leave the worrying to him, a sentiment at the time. But she didn’t discount the fears of the mothers, the young people, the community. She, or her speech writers, knew she only had a few minutes with which to celebrate the strength of our United States built on one hundred and sixty five years of sacrifice on American soil.

The world couldn’t know that seventy years later you just had to touch a screen or keypad to take you anywhere in the universe you wanted to travel. Within seconds I pulled up a transcript of that moment in time. I listened to the cultured voice of the president’s wife, the strong words of an American soldier, and the light copy of the advertising sponsor. But the message will always remain the same. Year after year anyone can research any moment of any time recorded in history.

I treasure the ability to read, to research, to remember, to write, to memorialize. I celebrate that generations yet to be born will for a thousand, no a million years be able to question and argue history as it unfolds, all the while looking back on the past as it impacts our future.

I wonder what key points speech writers will write for the president on that day to commemorate our military and those on the home front at the anniversary of Pearl Harbor. All the while as the American people hold their hands over their hearts as the Star Spangled Banner is played.

The following is an excerpt of Eleanor Roosevelt’s speech.

“…You have friends and families in what has suddenly become a danger zone. You cannot escape anxiety. You cannot escape a clutch of fear at your heart and yet I hope that the certainty of what we have to meet will make you rise above these fears. We must go about our daily business more determined than ever to do the ordinary things as well as we can and when we find a way to do anything more in our communities to help others, to build morale, to give a feeling of security, we must do it. Whatever is asked of us I am sure we can accomplish it.

We are the free and unconquerable people of the United States of America!”

Sharon Stevens

Are You Writing in the Right Genre?


Are You Writing in the Right Genre?

By Natalie Bright

The question was posed at a romance writers workshop in Wichita Falls by Jane Graves, an award winning author of contemporary romance. Her advice was to, “hone in on the one thing that speaks to you.”

I’ve always been a huge fan of historical romance, and that seemed the obvious direction when I decided to expand my nonfiction job-related writing to writing fiction. I love history and stories set in the wild west. In the beginning the whole process was a chore; I hated my characters, the dreary plot line, and the editing process seemed like torture. In the back of my mind lurked a ten-year-old boy who found a Comanche as a best friend and one night I dreamed about a wild-haired eleven year old girl who turned a frontier town on its ear. In my minds eye, I could see them clearly and their adventures played out in my head on a daily basis. They refused to leave me alone, and that’s when I realized I wanted to write for children.

I found my notes from that workshop just yesterday, and Jane’s words came back to me, “Freshness and originality come from what you can imagine.”

Rather than fight with myself and feel frustration every time I sit down at the keyboard, I work on the piece that puts a fire in my gut. Today, I’m writing blogs. Tomorrow, who knows?

I’ve finished four middle grade novels since that first romance seminar. Some I’ve entered into contests, some are buried in a closet, and one I self-published. They may never find a place to land in the publishing world and at this point it doesn’t matter because those characters are not waking me up nights anymore. I refuse to ignore the voices in my head.

Are you writing in the Right Genre?

Natalie Bright