For the Love of History


Middle Grade Mondays

 For the Love of History

by Natalie Bright

If you love history, a fictional story in an historical setting might be something you’d like to tackle. Historical fiction is a time-consuming, massive undertaking. Not only do you need the common elements of story craft, you also need a basic knowledge of the time period. Your details must be accurate or you will get snippy feedback from passionate readers (ask any historical author about the letters and emails they’ve received).

Research-Write Process

Authors confront the research portion of their stories in several different ways. Based on questions to some of my favorite historical writers, here are a few of the processes I’ve learned about.

1) Research the heck out of it first, then power through and write the first draft. Do. Not. Stop. Verification of facts, sensory building, characterization, etc., is done during the editing process.

2) Start with minimal research, character profiles, and develop a basic plot outline. Write, stopping to inquire about specific details as you write. This would be akin to one step forward, three steps back form of world building. By the time you get to the end, you have a fairly polished novel.

3) Total and complete emersion into the time period. You consciously and subconsciously step back into that era.. While you write, you’re developing character profiles, plot elements, intricate details about life, and researching the time period. In your spare time, if not writing, you can rent movies on that time period and read nonfiction books.

Its In the Details

It’s the subtle details about everyday life that brings historical fiction alive for me.  Everything must be true to that time period. For example, in my middle grade western, the heroine’s mother told the town’s sheriff to “give me a call.” When I heard those words as I read them out loud to my critique group, I felt like such an idiot. The only way the Sheriff could have “called” in 1885 is through a mega phone.  Oh wait, were mega phones even invented by 1885? (See what I mean. As if writers aren’t already crazy enough.)

Beware of those every day, subtle details. They’ll sneak up on you. I believe people who lived in other centuries had the same desires, dreams, aggravations that people do today, but their day-to-day realities are not the same as ours.

Timeline

One element that is critical when writing historical fiction regardless of the process you use, is a timeline.  This can be developed on your computer in a spreadsheet fashion, they can be found online on numerous history sites, or you can make your own with dry eraser board or butcher paper to be taped to your wall for easy reference.

1) Time of day and days of the week specific to your characters as your plot progresses.

2) Print a timeline from a credible website with major events. You might want to thread these events through your plot line. Is your character directly a part of that event?

3) A timeline specific to your setting and a plat or map. What’s going on in the fictional town where your character lives and how is it affected by actual events of the time?

Have you discovered a process that I haven’t mentioned?

What process works best for you?

www.nataliebright.com

 

Postcards From the Muse


Postcards From the Muse

The old house sits on its own little acre of land.  It’s beautiful in its dilapidation, sunburned gray siding, broken windows, roof falling in.  You can’t stop looking at it and wondering about its story.

How many old buildings have you seen as you drive down the road, ancient places full of history and drama?  Do you notice shapes moving around inside?  Do you think that if you listen closely you will hear whispering?  Eerie music?  Phantom laughter?

Congratulations.  You have received a postcard from your muse.

Nandy Ekle

Elmer Kelton on Westerns


Elmer Kelton on Westerns

By Natalie Bright

Elmer Kelton remains one of my favorite western authors, and continues to be an inspiration for me in my efforts to publish my middle grade westerns. As I mentioned in a previous blog, the owner of Cactus Bookstore in San Angelo was a long-time friend of the great western author, Elmer Kelton.  He sold me a cassette tape featuring two of Kelton’s keynotes from a Chilsolm Trail workshop which was held in Fort Worth in June 1989. From that tape, I’ve paraphrased a list of advice from Kelton, in his own words.

1. Western genre is about authenticity. Stories are real: with real backgrounds, real incidents, about unusual events in history.

2. Read alot of history. Find obscure books without wide circulation. Look for periods of transition.

3. A plot should grown out of characters and situation.

4.  Conflict equals change. There’s always somebody changing and always others resisting.

5.  Best that can ever happen to a writer is when a character takes over the story and runs away with it.

6. Best three of all time that you should read: #1 A Trail to Ogalla by Vincent Capp; #2 North to Yesterday by Robert Flynn; #3 Lonesome Dove by Larry McMurtry

7.  Greatest character ever portrayed: Augustus played by Duval.

Natalie Bright

I NEVER KNEW


I Never Knew

When we packed up Mom’s belongings, my sisters and I did not take time to read through all the papers in her cedar chest. We looked for the necessary documents and dumped the rest in a box. I started sorting the files one winter afternoon. Mom kept every transfer order, citation, and shipping inventory from Dad’s service career beginning in 1939 when he entered the Civilian Conservation Corps to his retirement from the Air Force in 1969. I learned things about my father.  He served in two branches of the military; the Army Air Corps in World War II and then was recalled to the newly formed Air Force during the Korean War. He was an expert marksman. His fitness reports indicated he was respected by his peers and his superiors.

I enjoyed these revelations. They brought me closer to my dad, but I treasure his green notebook. You see, I met my grandfather that day. Frank Brown died in 1941; six years before my parents married and ten years prior to my birth. But when I read Dad’s handwritten stories, I met a wise, simple man who loved his family. I also learned where Dad got some of his homespun declarations like, “You will finish high school even if I have to take you to class and bounce you on my knee.”  I’m thankful we have this notebook.

Journaling and maintaining family records might seem frivolous, but they have a purpose. For example, they validate history. Think back to your history classes. How many times was a journal or set of letters cited to verify the facts surrounding an event? Mrs. Dickinson’s writings detailed the battle of the Alamo. Letters from the American West to families back East told of the hardships involved in settling the frontier. Homemakers’ recipes spoke of canning vegetables and making jams and jellies to feed the family during the winter months. These personal glimpses of history are priceless as they involve the common man and not just the historically famous names.

While I don’t believe it necessary to record putting the carrots in the Crockpot, I do suggest recording special events for posterity. I wish I had listened when my parents and grandparents spoke of the Great Depression and the Dust Bowl days. I further wish I had recorded the stories. My nieces and nephews will never hear about the events from the viewpoint of a family member. There is nothing to pass on to them so that they will know their great-grand parents and great, great-grandparents contributions to history. My father was wiser than I. After all, I got to meet my grandfather seventy years after he died.

Cait Collins

ENDLESS POSSIBILITIES


Reasons to Write

     Why do I write? Is it because throngs of fans demand it, anticipating every word of my next masterpiece? Is it because I honestly expect to make millions of dollars on a bestseller, or desire to be famous? No.

This week I will share with you the 5th reason of why I write                                                                                                                                                                                   

Reason #5 – Endless Possibilities                                                    

On a recent business trip to the west coast, I noticed something amazing. Traveling along the highway, I read the billboards. Some of them knew I was reading them and said things like, “Caught you looking!” or “You’re so good. You read me like a book!” As spots on a connect-the-dots drawing, these towering advertisements had information about the grandest hotels, motels and the cleanest restrooms. They pointed the way to the best buffets and restaurants. Some revealed the places to go for the nightlife, and what it will cost if you drink too much of the highlife and turn into a lowlife while driving.

Occasionally we pulled into roadside rest-stops for short breaks and “free coffee,” and then we would load up on all the local vacation magazines, free maps and tourist information to read along the way. One visitor’s guide said that Arizona has more boats per capita than any other state in the nation—and they’re a land locked desert!

My point is that the possibilities for writers are endless because writing is everywhere. From billboards along the American road to epic novels, behind everything you read is a writer.

Rory C. Keel

Postcards From the Muse


Postcards From the Muse

 

The old house sits on its own little acre of land.  It’s beautiful in its dilapidation, sunburned gray siding, broken windows, roof falling in.  You can’t stop looking at it and wondering about its story.

How many old buildings have you seen as you drive down the road, ancient places full of history and drama?  Do you notice shapes moving around inside?  Do you think that if you listen closely you will hear whispering?  Eerie music?  Phantom laughter?

Congratulations.  You have received a postcard from your muse.

Nandy Ekle