LEARNING ALL ABOUT SCRIVENER


LEARNING ALL ABOUT SCRIVENER

By Natalie Bright

Re-typing 15,000 words for Book #2 of a middle grade adventure series set in the Wild West into Scrivener this week. At present, I write everything in Microsoft Word, including this blog post. It’s going to be a huge learning curve to retrain my brain.

SCRIVENER

Scrivener is a powerful content-generation tool for writers that allows you to concentrate on composing and structuring long and difficult documents. While it gives you complete control of the formatting, its focus is on helping you get to the end of that awkward first draft.” http://www.literatureandlatte.com/scrivener.php

I heard about Scrivener when I discovered a great podcast for indie authors: thecreativepenn.com Thriller author, Joanna Penn and several of her guests, claim to have greatly increased productivity by using this writing software.

Here’s what I really like about Scrivener:

The price! Only $40.

The ability to see my entire novel in a notecard format on the corkboard view. Each notecard can be labeled by chapter or scene, with notations for that scene or plot point. Attached to that notecard can be images, links for research, and the scene or chapter manuscript itself. Since I’m adding a mystery element to the WIP book, it helps me plan where I need to take the story.

I also like the project outline view which shows chapter and word count.

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Image Credit: Tinted index cards on the corkboard view from http://www.simplyscrivener.com

Editing Your Story made Easy

Scenes rarely come in sequential order. My writing brain has never worked that way. If you’re like me, elements of your current work in progress can hit you at the worst possible times. My brain is a swirl of images as the story plays out in my head. It’s usually coming faster than I can stop whatever I’m doing to jot a note. I’ve scribbled notes on lunch napkins, bank deposit slips, and grocery check-out receipts. Everything else in my life is structured and planned, but I’ve never been able to write a book from point A to point B to point C and so on.

With Scrivener, it’s really easy to find the place where that additional imagery or dialogue needs to be added. I can gather up all of my notes, and using the corkboard view, I can find right where the edits will fit. No more scrolling through a 60 page Word doc or sifting through stacks of printed pages trying to find a particular scene.

I’ll keep you posted on how this goes and what I’m learning.

Is anybody out there using Scrivener? Please share your thoughts, tips, likes, or dislikes.

Writing onward…

 

 

 

AUTHOR RIGHTS


AUTHOR RIGHTS

By Natalie Bright

One of my 2015 writing goals was to find a home for a self-published eBook about grief based on our experience of dealing with the loss our first born son. A small press expressed interest. While I waited for the contract, I schooled myself on understanding the rights that I’d be willing to relinquish for a traditional publishing deal.

 What are You Willing to SIGN AWAY?

Publishing companies have to make money. I totally understand how this big business works. They are able to make money via manuscripts produced by writers. It’s a fascinating and frustrating industry, mixing the creations of our hearts with hard, cold finance, but that’s the reality.

Consider the prestige of having a publisher choose YOU. It is very exciting and does wonders for your ego, and then consider what you might be giving away. In my research, I learned that some publishers take rights that they never exploit, and perhaps never intend to. For example, a small, local press may not have the resources to sell your book in multiple languages so why would you grant, transfer and assign all of your foreign rights?

Here’s a sample list of possible rights already owned by you as creator and that are associated with your work:

Hardback editions

Paperback editions

Electronic rights

First world English rights

British, European, or Australian rights

Translation rights, or language rights

Exclusive use rights

Publication or sale by book clubs

Reprint rights

Publication in digests

Publication in condensations

Publication in anthologies

Publication in compilations

Serial rights

Dramatic, multimedia, television, and motion picture rights

Internet distribution rights

Archival rights

eBooks, Kindle, Nook, and other electronic distribution rights

Audio, mechanical, and visual reproduction

Computer programs

Microprint

Microfiche

Microfilm editions

Syndication rights

Permission rights for quotations, excerpts, illustrations

Merchandising rights

Any media hereinafter created

Resources

For more information, there’s a great article at writing-world.com by Marg Gilks, “Rights: What They Mean and Why They’re Important.”

Check out thecreativepenn.com for several excellent podcasts with Joanna Penn on this topic and loads of other topics relating to Indie Publishing. Her FREE Author 2.0 Blueprint is full of helpful information.