Hometown Promotions


Hometown Promotions

By Natalie Bright

There’s a line in a country song that goes, “everyone dies famous in a small town”.

How many of your neighbors, coworkers, or in-laws even know that you’re a writer?

Local Fame and Fortune

We have a renowned New York Times Bestselling author here, who’ve I’ve known since she first became published. She now has a huge fan base, both locally and internationally, and she’s worked hard for it.

In the 25 years that we’ve been friends, I’ve known her to do many, many local talks for free, even though she commands major fees around the country. She rarely turns down an invitation to speak at local library fundraisers, book club meetings, or organization lunches. She’s become extremely popular with the Red Hat groups. Her programs include a tidbit of the characters and settings of her stories yet to be published. She’s not only selling her current list, she’s introducing herself and creating a fan base for works in progress. Her Fan Club has grown by leaps and bounds. Usually 100-200+ people show up at her local book signings for new releases.

Sometimes neighbors can be your biggest supporters. When I started out as a nobody writer several years ago, I’ve tried to emulate that train of thought.

Put Yourself Out There. Should You Charge?

Kid Lit authors are highly encouraged to decline school visits unless the school pays a fee because it sets a precedent in the area. I come from that small town mentality where everyone pitches in when asked and volunteerism is the way of doing things.

Right after college, I volunteered at our local historical museum where I spoke to thousands of kids during spring field trips. Today, some of those same teachers ask me to visit their classrooms. I can drop my kids off at their schools around 7:30, make it to the gig to talk about writing, and be back to my day job desk by 10:00. The kids get an inexpensive pencil with my website or a bookmark with my picture and bio. A 2nd grader told me last week, “I don’t want you to leave.” Another one whispered, “I’m writing a story, too.” For me, it’s about connecting with kids.

The publishing business moves at a snail’s pace. I’m making every effort to keep my name out there as a writer, and all it takes is my time and a .39 cent pencil. I’ve never considered charging the schools in our district, where my friends teach and my children have been enrolled since kindergarten.

Sometimes New Opportunity Means Practice

A friend’s daughter asked me to talk in the Dallas area for a reading event. The inner-city school had very limited funds so I agreed to talk for free. I’ve never done a power point for 700 elementary kids, but it seemed like a great opportunity since I’d be in the area anyway for a conference. This teacher is a tech-whiz so she helped with audio-visual set-up in the gym. I did my program for the first 300+, she offered suggestions to improve the clarity of content, and it went even better for the next group. I have the confidence to do it again. Sometimes new opportunity affords you a practice run, and don’t be afraid to ask for help.

Explore Your Town

Here’s that small-town mindset again: your time is free and it costs you nothing to give it away. Everyone you know can open doors to new opportunity. I usually say yes to everything because it always leads to something else. I’m not talking about selling out as a professional, hard selling, or pounding a group over the head about buying your book. I’m talking about networking and connecting with people who live in your neighborhood.

Show up, give them more than they expected, thank them for their time, eat the free meal, and leave your postcard bio. Odds are someone will ask if you have any books with you. Odds are good you’ll get an invitation to come back, or you’ll be asked to speak to another group because of the contacts you made. Odds are even better that someone will look at your website, perhaps follow you on Twitter or Instagram. Don’t forget to send a hand-written thank you note to the person who invited you. They may not buy a book today, but they know your name.

Selling Books

Marketing and promotion is a marathon, and who has the most depth and understanding about your stories? You can relay that passion about your novels better than anybody else. As authors, WE UNDERSTAND it’s business and all about building a platform and selling books, but not everybody has to know that.

Nataliebright.com

 

 

Wedge of Writing


“I used to read Zane Grey, and Louis L’Amour books as a child and I absolutely loved them, with the western setting and the action. One thing that I felt was missing from these stories was the romantic relationships. When characters never really get involved with one another emotionally, it makes them seem less real. There are four great motivators of people—hate, greed, fear, and love. Many writers will spend entire novels involving their characters in hate, greed or fear, and leave the love out. Humans are not that shallow. Love is a huge motivating factor in our everyday lives as well as the lives of characters. To write a story and leave romance out makes the story seem empty.”

          — JODI THOMAS

 

The Writing Process


The Writing Process

By Natalie bright

 

If you enjoy reading about other author’s writing process like I do, you’ve probably come to the conclusion that there is no right or wrong way. I think the main goal that will set you apart from other writers is to actually get to THE END.

Here are examples of two totally different methods that have worked for me.

Option 1: Chasing Rabbit Trails

When you look at the pasture behind my house, you can see several well-worn trails used by cotton tales and jack-rabbits. They criss-cross, head in every direction going on as far as you can see or ending at a fence or under a tree. Here’s a true confession; I find it extremely difficult to stay with one project.

With two teen boys (a senior and 8th grader) and day job demands, I’ve decided to follow the advice of Natalie Goldberg in WRITING DOWN THE BONES: go with the thing that’s burning a hole in your heart. Come to that story with fire in your gut. From novels to nonfiction magazine articles to short stories, I just write. I’ve learned to never question the idea muse and to write whenever I get the chance.

Take for example a picture book manuscript I just finished. The idea hit me as I was climbing into my husband’s pick-up truck on our way to lunch. We were talking about the kids fighting. He was explaining to me that it’s nothing unusual for brothers. As an only child, I can’t relate to how mean siblings can be to each other. I got a visual image of a picture book, as clear as if I held it in my hand. I made notes right then and there, and worked on it over the next two months. Then sent it off to my agent, who had a few suggestions. Took several more weeks to work on edits, and now it’s out in the world. Fingers crossed that it finds a home.

This process may seem crazy to some, but I am able to get things done.

Option 2: Emersion into Fictional World

The middle grade manuscript I recently finished involved a total emersion into the world of Comanche, a Plains Indian tribe that once walked the ground that is now our cattle ranch. The book began as a story about a mule skinner’s son set in the old west, but when I typed THE END it felt incomplete. Something was missing. One Saturday morning, after two hours of digging in the dirt, I found a perfectly shaped arrowhead point which reminded me that the last person who had touched that piece of flint had been a Native American. The burning in my gut turned into a Comanche brave. I had to bring Wolf’s point of view to that story.

A secondary character became a main character, and I started over with research. If words refused to come, research turned into long walks staring at a Texas sunset trying to figure out what in the heck a Comanche teenager might be thinking in 1854. This was the most difficult and most fun book I’ve ever written. Hopefully it will find a home as well.

Don’t Question the WHY!

Take the advice of David Morrell, father of Rambo and an amazing speaker; don’t question the why. He really motivated me to keep writing; no matter the rejection, no matter the crazy ideas that pop into my head, no matter that my story may never be seen by the world.

Let’s be fearless, dear writers! Follow that fire in your gut and discover where it leads. You might be amazed at what you can accomplish.

Please share your writing process. How do you stay on task until THE END?

 

WHAT’S IN A NAME?


WHAT’S IN A NAME?

By Rory C. Keel

“Okay, somebody write a quick blog on trying to find a name for your blog!”

                                                                                             –Natalie Bright

Choosing the one specific term that describes six different writers with very different styles and genres, can be a daunting task. One would think that such an imaginative group could quickly produce a name so extraordinary, so remarkable that the mere mention of it would describe each individual and their genres perfectly. We settled on something a little less complicated.

Choosing the Name

So, how did we choose the name? We tossed words onto a dry erase board, and then the six of us wrestled them around until one stood up and screamed, “Pick Me!” And what is the name that captures the essence of our critique group?

Wordsmith Six

Wordsmith Six consists of six writers who cover the spectrum in genres—a group of a half-dozen close friends who love words, whether we’re reading, writing or researching them. We have individuals who write Women’s Fiction, Historical, Inspirational and Screenplay. Others love Romance, Western, Christian fiction and Middle grade children’s books. Included are authors with published Fiction and Nonfiction books, TV Documentaries, Song Lyrics, Humor and yes, even HORROR.

We have lots of stories to tell and you’re invited to follow along.

Rory C. Keel

Wordsmith Six Welcomes Adam!


Wordsmith Six Welcomes Adam!

We’ve added a new member to the WordsmithSix Critique Group.

Say hello to Adam Huddleston!

Adam brings a new vibe to our meetings in the form of fantasy and world creation. He blew us away when he shared the first four pages of a story idea at our last meeting. It was a unanimous vote to extend an invitation to him and to welcome him as a permanent member. Adam will be blogging on Thursdays.

Let Me Introduce the Wordsmith Six line-up:

Middle Grade Mondays: That’s me, Natalie, a Chicken Soup author and freelance writer. I had every intention of writing romance novels, but discovered that the stories inside my head were for children. My work is represented by Mr. Stephen Fraser with the Jennifer De Chiara Literary Agency. For stories about cattle ranching and life in the Texas Panhandle, check out Prairie Purview Blog on my Website / nataliebright.com.

Tuesdays: Rory is the moderator of WordsmithSix blog site. This Chicken Soup author is also a published devotional writer and contest winner. He’s the former President of Panhandle Professional Writers, and is currently working on an amazing novel about Paul. Check out his Website RorycKeel.com

Outtakes Wednesday: Cait writes women’s fiction, screenplays, and is currently working on a wonderful memoir about her and her five sisters, and their life as a military family. She previously served a 3 term as President of Panhandle Professional Writers, and is active in the area youth writing contest.

Thursdays: Adam is a winner and participant in Flash Tales 2, a collection of flash fiction shorts, and currently serves as moderator of their website and contest. He writes fantasy and science fiction. Website http://site.flashfiction5.com

Freaky Fridays: Nandy is our resident horror writer. She’s been published in numerous anthologies. She’s also a contest judge and former Board member of Panhandle Professional Writers. To read Nandy’s stories, go to her Website nandyekle.com for purchasing information.

Saddle Up Saturdays: Joe is a former pro bronc rider and present day cowboy. He’s writing a rodeo tale about coming of age in the rough and tumble realities of professional, competitive rodeo. This is an amazing book and we’re all looking forward to the day when it finds a publishing home.

Our critique group is unique in that we represent a wide variety of genres, which makes for very interesting meetings. Join us as we write, work and muddle through the world of publishing.

Thanks for following Wordsmith Six

 

 

Characterization


Characterization

By Natalie Bright

 

Creating well-rounded, believable characters.

During a snowy, lazy day of watching The Big Bang Theory marathon, I started thinking about the complex dynamics of characterization. The character traits go deep in this sitcom and play off this group of friends to compliment, define, and often times clash with each other.

Profiles

I began to write down the character profiles from the television show. This reminded me that well-rounded characters have good traits and bad traits, just like real people. There’s some things we really love about our BFFs, but there are other things that make us cringe. Real people are complicated. Folks have good qualities and bad qualities. They have issues from multifaceted pasts, or habits based on where they spent their childhoods.

Think about this: Real people have deep, dark secrets.

The way to avoid boring, cardboard characters is to make our fictional characters complicated too.

Character Study

Sheldon Cooper:      often times seems very rude

Inappropriate, no filter for what he says

Whiney, immature

We love him because: his endearing quality of a child-like innocence. He trusts his friends, does what his mother says, and loves his MeMaw. She calls him Moonpie because he’s yummy, yummy and she could just eat him up.

I think the characters of The Big Bang Theory are likeable because we can recognize in them the people that we know in real life. For a television series these recognizable traits are taken to the extreme to create believable fictional characters.

Heroes are not absolutely perfect. Give them a physical limitation, deep-burning issues from a past experience, or a personality mannerism that’s far from impeccable.

Villains aren’t all bad. Give them a loveable quality that readers can relate too, but take it to the extreme. Make them leap off the pages of your story. This past weekend I watched Silence of the Lambs again. I had forgotten how powerful that movie is. What makes us like Hannibal Lector? Why are we glad that he escaped prison?

Secrets: your characters must have a few secrets. Whether or not to reveal those secrets in your story is up to you.

Writing Exercise: Profile characters from your favorite TV show or movie.

Query Letter Basics


Query Letter Basics
By Natalie Bright

1. Address your letter to a person; the right person.
2. How do you find the right person? Do your homework.
3. Research online: For agents you can find client lists, interviews with information such as what they are looking for and they’re favorite books, and agency information. For editors you can find interviews about what they want to see in their inbox, what they like to read, and what they like to see in query letters.
4. Keep the tone professional, not silly or stiff.
5. Begin with specifics: genre, word count completed, main hook.
6. Describe the elements of your story that will appeal to readers, the heart of your story, the essence.
7. Describe your life experiences as they relate to writing, but be brief.

Good luck!

SCENIC DRIVE & WHY I WRITE


SCENIC DRIVE & WHY I WRITE

By Natalie Bright

The ‘Scenic” ranch road dissects our East Pasture. It takes a fairly steep grade towards the creek bottom, descending next to a tree lined canyon. At the lowest point you drive through a dense thicket of plum bushes, a china berry grove, and wild grape-vines. Towering cottonwood trees, decades old, casts shadows on the peaceful creek beds. The land remains as it was hundreds of years ago when Native Americans camped near the natural springs, leaving flecks of flint. If you take a rest on an uprooted tree, you’ll feel miles away from a modern world.

The Flood

Following a long drought, too much of a glorious rain caused two creeks to converge in the middle of the Scenic Drive road. The force of the water formed a whirlpool that washed out a five foot hole making it impassable. And now, just two years later, we’ve never graded the road to fill the hole and it is barely navigable by four-wheeler.

Our Scenic Drive is now covered in soft sand and cow prints, and if you look really close, tracks from deer, wild turkey, quail, and bobcat too. The steep grade is terraced in uneven ledges, while other places have deep trenches washed out by running water. There is a shadow of evidence that this was once a path for modern vehicles. The mighty forces of nature have a way of erasing human presence.

Finding What to Write

I wish I could take you all on a drive in the four-wheeler along our Scenic Road. Of course I can’t, but I can write about it. This place and these people, both past and present, ignites my brain with ideas.

Helpful friends are always making suggestions as to what I should write. It was pointed out to me at a writer’s conference that kids living in city apartments aren’t interested in reading stories about the Wild West. They can’t relate to such places. Do I create trendy stories based on what seems to be selling in the market, or do I write the stories in my head? By the time we can craft a story on what’s hot, that trend is usually over saturated. The answer, I think, is to write the story that burns inside of you.

Inspiration

Is there a particular place or time period that inspires your work?

Feed that fire in your gut and WRITE ON!

The Western Genre & Why I Write


The Western Genre & Why I Write

By Natalie Bright

Defined by Wikipedia as: a genre of various arts, such as film, television, radio, fiction and art. Westerns are devoted to telling stories set primarily in the latter half of the 19th century in the American Old West, hence the name. Many feature cowboys, bandits, lawmen, soldiers and American Indians, as well as spectacular mountain scenery

Today’s western genre is not the stereotypical shoot ‘em up adventures from the past that you may think of. You can also find modern stories set in big cities, rural towns, or endless plains; not just mountain ranges.

You’ll discover mystery, romance and adventure. You’ll discover essay collections that celebrate the land and open spaces (“West of 98: Living and Writing the New West”). Books by authors who spend years researching historical events. Creative nonfiction articles and memoirs by people who have lived on the range, rode the bucking bulls, or ridden the mountain trails. Cookbooks and plays and songs…

The 650 member strong Western Writers of America includes screenwriters, song writers, historians, performers, poets, novelists, freelance writers, editors, agents—all types of professionals committed to crafting real stories set in the West.

My Inspiration

Being a part of groups like WWA and Women Writing the West are what inspires me to write. Their stories inspire me. I want to help you understand what it means to be a part of this vast land, how a Texas sky can take your breath away, or imagine what it’s like to stare upon an unblocked view that extends further than you can walk in a day.

“Western literature is of the spirit, our spirit, the spirit of America.” WWA

To discover books and speakers relating to the west, go to: www.westernwriters.org

www.womenwritingthewest.com 

Sometimes you can’t ignore the stories of your heart.

What inspires you to write?

Nataliebright.com

Wedge of Writing


After all, the world is not a stage—not to me: nor a theatre: nor a show-house of any sort. And art, especially novels, are not little theatres where the reader sits aloft and watches… and sighs, commiserates, condones, and smiles. That’s what you want a book to be: because it leaves you so safe and superior, with your two-dollar ticket to the show. And that’s what my books are NOT and never will be. Whoever reads me will be in the thick of the scrimmage, and if he doesn’t like it—if he wants a safe seat in the audience—let him read someone else.

–D. H. Lawrence