MANUSCRIPT BASICS


MANUSCRIPT BASICS

By Natalie Bright

A friend contacted me this past week with a question about her brother’s book. In a letter from a publisher, the editor requested a “single pane format”. I had never heard of the term. After some discussion, I finally pieced the puzzle together. He had submitted it in book format with two panes per page. Unfortunately, it’s a lengthy work and he has lots of cutting a pasting to do. There is good news–he has an editor willing to take another look!

Manuscripts should follow several simple formatting rules. Please share this blog with your newbie writer friends.

Here are the basic rules for formatting a manuscript to be followed when submitting your work to agents and editors:

Use a 1″ margin on both sides, top and bottom.
Double-space the entire text.
Indent fives spaces for each new paragraph.
Some agents/editors prefer a title page.
Don’t number the title page. Begin numbering with the first page of the text of the book, whether that be an introduction, prologue, or chapter one.
Place a header on each page, top right or left, which includes the following: title of your novel in all caps / your name / page number.
Start each new chapter on its own page, one-third of the way down the page. (control return for Word users)
The chapter number and chapter title should be in all caps, separated by two hyphens: CHAPTER 1—TITLE.
Begin the body of the chapter four to six lines below the chapter title.
Use a standard font, 12-point type. Times New Roman, Arial, or Courier is fine.
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SCENIC DRIVE & WHY I WRITE


SCENIC DRIVE & WHY I WRITE

By Natalie Bright

The ‘Scenic” ranch road dissects our East Pasture. It takes a fairly steep grade towards the creek bottom, descending next to a tree lined canyon. At the lowest point you drive through a dense thicket of plum bushes, a china berry grove, and wild grape-vines. Towering cottonwood trees, decades old, casts shadows on the peaceful creek beds. The land remains as it was hundreds of years ago when Native Americans camped near the natural springs, leaving flecks of flint. If you take a rest on an uprooted tree, you’ll feel miles away from a modern world.

The Flood

Following a long drought, too much of a glorious rain caused two creeks to converge in the middle of the Scenic Drive road. The force of the water formed a whirlpool that washed out a five foot hole making it impassable. And now, just two years later, we’ve never graded the road to fill the hole and it is barely navigable by four-wheeler.

Our Scenic Drive is now covered in soft sand and cow prints, and if you look really close, tracks from deer, wild turkey, quail, and bobcat too. The steep grade is terraced in uneven ledges, while other places have deep trenches washed out by running water. There is a shadow of evidence that this was once a path for modern vehicles. The mighty forces of nature have a way of erasing human presence.

Finding What to Write

I wish I could take you all on a drive in the four-wheeler along our Scenic Road. Of course I can’t, but I can write about it. This place and these people, both past and present, ignites my brain with ideas.

Helpful friends are always making suggestions as to what I should write. It was pointed out to me at a writer’s conference that kids living in city apartments aren’t interested in reading stories about the Wild West. They can’t relate to such places. Do I create trendy stories based on what seems to be selling in the market, or do I write the stories in my head? By the time we can craft a story on what’s hot, that trend is usually over saturated. The answer, I think, is to write the story that burns inside of you.

Inspiration

Is there a particular place or time period that inspires your work?

Feed that fire in your gut and WRITE ON!

The Western Genre & Why I Write


The Western Genre & Why I Write

By Natalie Bright

Defined by Wikipedia as: a genre of various arts, such as film, television, radio, fiction and art. Westerns are devoted to telling stories set primarily in the latter half of the 19th century in the American Old West, hence the name. Many feature cowboys, bandits, lawmen, soldiers and American Indians, as well as spectacular mountain scenery

Today’s western genre is not the stereotypical shoot ‘em up adventures from the past that you may think of. You can also find modern stories set in big cities, rural towns, or endless plains; not just mountain ranges.

You’ll discover mystery, romance and adventure. You’ll discover essay collections that celebrate the land and open spaces (“West of 98: Living and Writing the New West”). Books by authors who spend years researching historical events. Creative nonfiction articles and memoirs by people who have lived on the range, rode the bucking bulls, or ridden the mountain trails. Cookbooks and plays and songs…

The 650 member strong Western Writers of America includes screenwriters, song writers, historians, performers, poets, novelists, freelance writers, editors, agents—all types of professionals committed to crafting real stories set in the West.

My Inspiration

Being a part of groups like WWA and Women Writing the West are what inspires me to write. Their stories inspire me. I want to help you understand what it means to be a part of this vast land, how a Texas sky can take your breath away, or imagine what it’s like to stare upon an unblocked view that extends further than you can walk in a day.

“Western literature is of the spirit, our spirit, the spirit of America.” WWA

To discover books and speakers relating to the west, go to: www.westernwriters.org

www.womenwritingthewest.com 

Sometimes you can’t ignore the stories of your heart.

What inspires you to write?

Nataliebright.com

Wedge of Writing


After all, the world is not a stage—not to me: nor a theatre: nor a show-house of any sort. And art, especially novels, are not little theatres where the reader sits aloft and watches… and sighs, commiserates, condones, and smiles. That’s what you want a book to be: because it leaves you so safe and superior, with your two-dollar ticket to the show. And that’s what my books are NOT and never will be. Whoever reads me will be in the thick of the scrimmage, and if he doesn’t like it—if he wants a safe seat in the audience—let him read someone else.

–D. H. Lawrence

Cliché


Cliché

By Natalie Bright

A worn-out and overused expression to convey a popular thought or idea.

I’ve blogged about cliché phrases before but I just love using them in new and interesting ways. It’s a fun exercise in word usage and can give your brain a real work out.

The cliché I wanted to use in my picture book manuscript was this:

If you love something, set it free; if it comes back, it’s yours. If it doesn’t, it never was.

Richard Bach

The sentence I used in my story about a sister who gives something of great value to her little brother became this:

Now and then you might find something and keep it, or you can let somebody else love it more.

Types of Cliché

  • Piece of advice or proverb: Quit while you’re ahead.
  • An expression that does not relate to the literal meaning of the word: I am over the moon. (called an idiom)
  • Take a well-known term associated with a character or famous person and make that catchphrase part of your own character: Yabba-dabba-do – Fred Flinstone.
  • Compare one thing with another (simile): He drinks like a fish.
  • Create a metaphor which is a comparison in which one thing is said to be another: She’s a walking dictionary.

More Examples

The ball is in your court.

Every cloud has a silver lining.

Think outside the box.

It’s raining cats and dogs.

This is the first day of the rest of your life.

The grass is always greener on the other side.

Bad to the bone.

He’s one in a million.

Like a duck out of water.

The general rule is to avoid cliché phrases like the plague, but as a creative writer you can turn those old, worn out sayings into something fresh and unique. Make it your own and add some color to your stories. Have fun!

 

Wedge of Writing


Today’s Ponder:

 

what writers can accomplish is pretty amazing!

But words are things, and a small drop of ink, falling like dew, upon a thought produces that which makes thousands, perhaps millions think.

–Lord Byron


Happy writing and thanks for following WordsmithSix!

Plotting a Story


 

Plotting a Story

 

Once upon a time there was: _____________________________________.

Every day, _________________________. (regular world)

One day, ___________________________. (normal world changes)

Because of that, ______________________. (conflict)

Hero/heroine reacts how, ________________________.

Because of that, ______________________. (conflict)

Finally, he/she ___________________________. (resolution)

What does your character want more than anything in the world?

You, as the writer, must do everything you can to prevent them from getting it.

Happy ending or not? You decide.

Happy writing in 2015!

Natalie Bright

 

 

 

 

A Wedge of Writing


 

A room without books is like a body without a soul.

–Marcus T. Cicero

 

books_sale

 

The Basics


The Basics

By Natalie Bright

Noun – names a person, place, or thing.

Pronoun – takes the place of a noun, e.g. I, you, they.

Verb – shows action.

Adjective – modifies a noun or pronoun by telling how much, which one, what kind or describing it in other ways.

Adverb – modifies a verb similar to how an adjective it in other ways.

Preposition – shows a relationship between nouns or pronouns and is often used at the beginning descriptive phrase.

Conjunction – connects two words, phrases, clauses. The most common; and, but, or.

Interjection – often just one word injected into the sentence to show emotion, such as yea, uh-oh, or alas.

THE WRITING PROCESS


THE WRITING PROCESS

            Head Games minus the Publishing Part

 

By N. Bright

 

It’s true that there are as many different writing processes and ways to craft a book as there are writers. However, based on what I’ve learned, all writers go through similar angst before they type THE END. Whether it’s your first book or 49th, I’m guessing you’ve probably experienced a few of these head games yourself.

 

  • You’re hit with an absolutely brilliant idea set in an amazing world. You are certain it will be a #1 NYT bestseller and a movie.
  • Realizing that you will never completely understand the time period, character profiles, theme, setting, plot—whatever it may be—to effectively write an entertaining story. Why are you torturing yourself?
  • First Draft. There is no possible way this can ever be a cohesive novel worthy of any reader. You should just watch television.
  • This isn’t that bad. Maybe your critique group will like it, and it might show promise after you tweak it based on their input.
  • Return to your life. The novel disappears under a stack of short stories waiting to be submitted and rough drafts of magazine articles.
  • Final Read. Outloud. To yourself. You discover it has some brilliant parts, but in your mind no one will ever read it. YOU like it and it’s done. Now what?
  • Spark…. See No. 1 above.

 

Happy NaNoWritMo everyone!