TEN YEARS FROM NOW


TEN YEARS FROM NOW

Natalie Bright

“In ten years, do you see yourself as a middle grade author?” An editor posed this question to me at my very first pitch session. I was terrified, so of course I squeaked out a ‘yes’.

Many, many years later I’m older and wiser, toughened by rejection, and ever hopeful, which is why I can honestly say ‘No.’ I see myself as a productive, published author who is not afraid to write the ideas that are in my head.

This past weekend I heard a speaker who is a retired rodeo, bull rider. Chimp Robertson has written a family memoir, two volumes of rodeo tales, short stories, freelanced for magazines, and is currently working on a western fiction series. Also, he happened to know someone who knew the country singer Chris LeDoux. Long story short, LeDoux recorded two of his songs. Chimp Robertson is a former rodeo cowboy who writes.

His program at the Texas High Plains Writers meeting inspired me to think about a memoir I wrote about a devastating loss. I published it on Smashwords as an eBook, but have had numerous requests for a hardcover edition. It’s time to explore all of the possibilities that this book might become. (Stay tuned.)

I understand now that, if you let them, words can take you on a journey to places you’ve never thought possible. I know that a jumble of sentences can become a short story. I’m rethinking an unmarketable middle grade idea that might work better as a picture book. Your family memoir could lend material for a fictional series. As writers, do we have to be labeled?

Author. Songwriter. Poet. Creative. Playwright. Published. Freelancer. Wordsmith.
Happy. Successful. Writer.

In 2016, I hope you write and realize all of the labels you can ever imagine.

Natalie

Sunday Writings


The best of a book is not the thought which it contains, but the thought which it suggests; just as the charm of music dwells not in the tones but in the echoes of our hearts.

                                                                   OLIVER WENDELL HOLMES

Just A Few Words Before Bed


POST CARDS FROM THE MUSE

Just A Few Words Before Bed

By Nandy Ekle

 

 

Yes, I have waited until the last minute to write my blog. Why? Because it’s what I do. I am a “pantser,” and I write my best in the eleventh hour, literally. The clock proudly says we have two minutes before eleven o’clock p.m.

I really can’t tell you why that works for me. It’s really strange because all the other parts of my life are filled with routines. I wake up, get dressed for my day job. When I arrive at my cozy little cubicle, I have another set of routines. Boot the computer, sign on to all the apps – and this must be done in the correct order – get my pad of paper from the drawer. Get my coffee, heat my breakfast, check my email . . . I even have routines for the work I do. Open the request, write the account number on my paper pad, look at notes, look at documents, find the letterhead for the letter . . .

When I get home in the evening, another set of routines begins. Change clothes, prepare a meal, eat said meal, open computer, email, Facebook, shopping sites, Pinterest, Facebook, game – or yarn – or cross stitch . . . Then I go to bed.

But my writing life is completely different. I sit in front of the computer tapping my feet on the floor, chewing on the inside of my mouth, pretending I’m not really watching television. Writing? Who knows anything about writing? There ain’t no writers here.

However, the minute my head hits the pillow, characters begin to talk to me. In fact they talk so loud that sometimes I’m nearly convinced they are standing right next to me. Or when I get in my bath in the morning, a though will come to me about a story I’ve he bouncing around in my head. Or driving down the road. Or as I sit in my cubicle at 2:30 in the after noon, wondering how to put my correspondence into a nice, formal, understandable letter.

It’s at times like these I feel the most lost. I have a brilliant idea of how to get the dog to stay out of the kids’ way. These are also the times when the muse is absolutely not in touching range.

I’ve had a paper and pencil next to my side of the bed for years. I’ve had it next to my bathtub, I’ve had it close by in my purse. So why do I never find any ideas written down to remind me of my stroke of genius, and then the idea is gone.

According to books about writing written by writers, one of the main reasons we do this is because we are not used to writing something every day. The ability to write is like exercising. Use it, or lose it.

And so, my dear writer and reader fans out there. Write something every day, even if it’s something that does nothing to keep you above water.

Congratulations. You have just received a postcard from the muse.

Writing in “From Russia with Love”


Writing in “From Russia with Love”

by Adam Huddleston

 

In a continuation of last week’s blog, this week we will be looking at the writing in the second James Bond movie, “From Russia with Love.” Much like the first installment in the series, this film contains good dialogue, action, and performances.

The plot concerns a trap to lure 007 to steal a Soviet encryption device. The plan was for Bond to be strung along by a blonde secret agent until he could be assassinated. Of course, our favorite protagonist foils their plans and ends up with the girl.

“From Russia with Love” contains the usual British slang but not near as much as “Dr. No.” Connery’s lines are sharp and his timing is great. Although generally not considered one of the top Bond films, this picture was still an enjoyable experience.

Balancing Act


Outtakes 229

Balancing Act

by Cait Collins

I’m having an issue with balancing my writing tasks. I start working on the edits for one novel, and realize I’m behind on writing new chapters for the current work. I can’t decide if my memoir is complete as is or does it need one more chapter. And what about that idea for another work? Sometime I feel as if I’m creatively tapped out. So how do I balance career, my creative side, and my editor side?

Maybe I can clone myself into three or four personas and get the work done. Only I’m not sure I’d get much more done. You see clones might have personalities that war with the other clones. Perhaps the editor clone wants to become the romantic suspense writer. And then the romantic suspense writer wants to write memoirs. And then the memoir writer clone wants to quit writing completely.

Time for plan B. Set up a schedule. Write on Monday, Wednesday, and Friday. Work edits on Tuesday and Thursday. Saturday and Sunday are reserved for cleaning house, worship, and family. The solution isn’t perfect and will probably need adjustments along the way, but it’s a start toward reducing the stress I often feel when trying to juggle too many tasks.

Pressing On


Pressing On 

Rory C Keel

Today I’m spending time reassessing last year’s writing goals.

I have made it a custom to take the time at the beginning of each year to evaluate my writing and see where I accomplished my goals, and examine where I fell short of my expectations.

I confess—I failed to meet ALL of my goals.

While this may seem like defeat to some, it really isn’t. The truth is, I did exceed some goals and didn’t reach others. My novel is not finished, but my goals of submitting other works were achieved and rewarded with paid publication.

This year I will set my writing bar high and reach for it, and any goals not met will be closer and easier to reach the next time.

My number one Goal is to finish my novel. Secondly, is to submit ten smaller pieces of writing to various publications. Thirdly, there is a need to constantly improve in the writing craft. So, I will read and study at least one book on writing and attend one or more presentation on writing.

So, I’m pressing on.

Most Memorable Books 2015


Most Memorable Books 2015

Natalie Bright

New York Times Bestselling author Jodi Thomas tells her students to set aside time to write every day, and that reading works by other writers is just as important. Just as we can recognize the musical strains of jazz or bluegrass or hip hop, so too must writers be able to recognize and learn from reading brilliant prose.

Here are a few of my most memorable reads of the past year:

RANSOM CANYON by Jodi Thomas. (Harlequin) Not because she’s a local Amarillo author and a friend, but because she’s done it again with this new series set in the heart of Texas. The cast of characters in the world of West Texas ranching makes for good entertainment.

WHITE STALLION OF LIPIZZA by Marguerite Henry. (Aladdin) Engaging story about a boy’s dream to work with the world famous Lipizzaner horses. Many of Marguerite Henry’s books have been reissued for today’s readers. It is my deepest inspiration to be able to write with as much emotion and clarity as Ms. Henry. At first glance they seem like simple stories, but as writers we can appreciate the complexities of her talent.

FIRST BLOOD by David Morrell. (Hachette Book Group) In 1982 Rambo hit the big screen. I have to admit that I was over my crush by Movie #3, but now my boys are huge fans. I heard the “father of Rambo” speak at a writers conference and he signed two copies of FIRST BLOOD for my boys. They were so thrilled with his autograph, they refused to loan me a book to read and I had to settle for an eBook version. The writing blew me away. It’s a vivid, often times violent tale, with a great lesson in how to write suspense. I’m forever more a huge fan of Mr. Morrell.

GIRL ON A WIRE by Gwenda Bond. (Skyscape) Unique twist on the age old Romeo and Juliet scenario set in the fascinating grit of a traveling circus. The tight wire scenes are fantastic writing.

WILD RAN THE RIVERS by James Crownover. (Five Star Publishing) Told in the unique style from the point of view of a young women and her young brother, their story pulls you in from the beginning. The imagery of the old west proves a well-researched historical story. I love books that make we want to learn more about the time period and place. The scenes involving the New Madrid earthquakes (1811-1812) are edge of your seat storytelling. Well-deserved winner of two prestigious SPUR awards from the Western Writers of America for best historical and best first novel.

SAILING WITH IMPUNITY by Mary E. Trimble. (nonfiction, Shelter Graphics) Sailing the Pacific is something I can’t foresee doing in my life-time, so this book is the next best thing. If you’ve ever dreamed about sailing the high seas, you will love this book. Learn about the prefect sail boat, the preparation, maritime regulations. Experience the isolation, details of daily living, the islands, and the people. An unforgettable read.

ALL FALL DOWN by Ally Carter. (Scholastic) If you’ve ever wondered about the young adult genre, start with this one. Set in Embassy Row the main character is the grand-daughter of a powerful ambassador. Filled with a teenaged world-view of complications and angst, there’s also a mystery to be solved.

GEORGE WASHINGTON SECRET SIX by Brian Kilmeade and Don Yaeger. (Penguin Group) Another standout nonfiction book for me about “the spy ring that saved the American Revolution”. The book flap indicates that this story is based on extensive research and there’s no doubt. It inspired me to keep writing on my story idea set in pre-revolutionary times and made me realize how much more research I need to do.

TEXAS MAIL ORDER BRIDE by Linda Broday (Bachelors of Battle Creek Series). (Sourcebooks) Also from an Amarillo author and friend, this is a new series about cowboys, the old west, and sweet romance. What more could you possibly want in a story?

We’d love to know about some of your standout reads in the past year.

Thanks for following WordsmithSix!

 

Sunday Writings


 

The great American novel has not only already been written, it has already been rejected.

FRANK DANE

New Year, New Goals


POST CARDS FROM THE MUSE

New Year, New Goals

By Nandy Ekle

We are one week into the new year and I am just now getting around to thinking about my goals for this year.

This past year brought a lot of adventure and some frustrations. I struggled with decisions regarding my health, I lived through a wild midnight storm which ravaged my house (in the words of my grandson, “Nana, your house is broke”). Because of this we worked with insurances and contractors to repair the damage, and actually came out ahead with a lot of upgrades. A few family problems, the health issues, and the culmination of that right before the Christmas/New Year holidays. And, of course, Christmas and New Year found us traveling to visit our children and our parents.

Needless to say, my writing has suffered. Oh, that’s a vast understatement. My writing has nearly completely stopped. And that, my dear Word Smith Six followers, is the source of tons of frustration.

So. We are one week into the new year. The time has come to pack all that away in a box and hide it under the bed. The time has come to look ahead and find the inspiration and the voices begging to be converted to words.

And so, beloved followers, I will make this promise. I will write a new original blog each week. I will not allow a Freaky Friday to go by without new words appearing on this blog site.

And the other side of my promise is to write at least 1000 words a day. They might not necessarily be intelligible words, but they will be my words. And according to the experts, this should strike that flame again.

Comment below and tell me about your writing goals for the 2016 year. I am very interested to hear about them.

Congratulations. You have just received a post card from the muse.

Writing in “Dr. No”


Writing in “Dr. No”

by Adam Huddleston

In my last blog, I mentioned how I was planning to watch all of the James Bond movies in chronological order and try to analyze the writing in each. Although I did not plan on making this a continuing blog, I figured, “why not?”

The first movie in the series is “Dr. No”. Filmed in 1962 and starring Sean Connery as 007, the motion picture is quite entertaining. It introduces many aspects of the “Bond” series that will be seen in future installments. These include his preference for martinis that are shaken, not stirred, an opening credits that incorporates a camera shot down the barrel of a gun, and of course, the always beautiful “Bond-girl”.

As far as writing goes, it was fairly well done. Being a British film, a lot of the dialogue included British terms and phrases. Each character’s lines (their voice) were distinct. Overall it was a very fun movie.

Next week: “From Russia with Love”