Point of View


POST CARDS FROM THE MUSE

Point of View

By Nandy Ekle

Point of view. The eyes your reader sees the story happen through. I always think of it, like, a video game back in the 90s. Watching my kids play these games and the giant camera sits on the head of the character the player is following. So everything that happens is through that character.

So you have your main character and that can be your point of view (POV). It can be first person through their mouth, or it can be third person, through their brain. And you can have each chapter be a different character’s point of view. Or you can have what’s called omniscient point of view, where the reader is privy to all thoughts of all characters.

And these days there’s a new term called deep point of view. This method is only in the main character’s point of view and voice. There are rules that go with this POV, and I’m not sure I even know them all. I haven’t put a lot of research into it. 

My opinion is this point of view is very tricky to accomplish. I’ve read several books using this method and, frankly, I get tired of it in a hurry. However, I’ve read a couple of books where this was used in such a way that the story was actually so engrossing that I couldn’t put the book down. The book You, by Caroline Kepnes is a perfect example of how to use this POV effectively. The story is definitely a psychological thriller. And the building of the plot is so subtle that when I realized what was happening, my breath was knocked completely out of my body. 

So, study the different types of POV and decide which one works best for your story. Then play it for all it’s worth.

First – Second – Third Person

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POINT OF VIEW: Let Your Characters Do the Talking


POINT OF VIEW: Let Your Characters Do the Talking
Natalie Bright

The Rescue Animal series expanded over many years, beginning as chapter
books but morphing into shorter eBooks with pictures. I still wasn’t happy.
There were so many stories left to be told, but the books were not coming
together. When that happens, the motivation becomes nonexistent. I moved on
to a new project.

Those horses kept bugging me though. One day I decided to writer the next
installment from the horses’ point of view and it worked. The story came
alive. I used a vocabulary reference book and targeted third and fourth
grade readers. Now this Easy Reader is perfect for kids who love true
stories about real horses.

Writing is your Journey, so go write!

THE BEST VIEW


THE BEST VIEW

Lynnette Jalufka

Here are two characters at a medieval tournament. What point of view am I in?

 

Lady Elyse looked around at the brightly colored tents that housed the knights of the tournament. Surely one would be a good match for her cousin. She stopped at the tent of Sir Reynald who was talking to his squire. He would do nicely: handsome, charming, and from a good family. “Theresa.” She turned to thin air. Her cousin was gone! “Theresa!”

Two tents away, Lady Theresa gave a heavy sigh. She wasn’t deaf. The beautiful gray horse being saddled for the joust was far more interesting then Elyse’s latest attempt to find her a husband.

 

So, what’s the point of view? I am in both character’s heads, so this would be third-person omniscient. Now, here’s the important part: is this the best way to tell what happens in this scene? It depends on what I want to accomplish. If I want to show Elyse’s frustration with her cousin, I would need to put the second paragraph in Elyse’s point of view. If I wanted to show Theresa’s irritation, I would need to change the first. Could I leave it as it is? Possibly, but that’s usually frowned upon today unless it’s romance.

Ultimately, it’s my job as the author to figure out the best point of view to tell not only this scene, but the entire novel. That may take rewriting the scene in different points of view to find the right one.

 

 

My Favorite POV


My Favorite POV

by Adam Huddleston

 

This month’s blog theme is literary points-of-view (POV). This has little to nothing to do with the writer’s opinions on certain matters, it is the style in which they write. In a nutshell, the POV of a work is how/who the reader follows the story with.  For example, in a story written in first-person POV, the reader is listening to the narrator as the tale happens to them.  In third person POV, the narrator is telling the story to the reader, but they are outside of the story.  Each POV has different advantages and disadvantages, many of which will be explained this month from the other bloggers in detail much better than what I can give.

One of my new favorite POVs to write in, and one that is popular today in young adult fiction, is first-person present tense. In this style, the story is happening in real-time to the narrator.  It gives the tale a sense of immediacy and suspense.  You don’t know if the character is going to get out of whatever trouble they are in and it feels like events in the story happen to you as well as the narrator.

When writing, many POV choices are available.  Try them all out and see which one feels best for you.

Happy writing!

Changing Point of View (POV)


Outtakes 397

Changing Point of View (POV)

By Cait Collins

 

We work hard to make our stories perfect or as perfect as possible.  Something often noticed in our own review or a critique session is the shift of the POV in the middle of a scene.  There are different ways to make the correction without a major rewrite.

Double Double Space between the two POV paragraphs.

Insert a phrase that maintains the POV.  Mary shouted. “It’s your fault our baby died.” Frank’s eyes narrowed…  “Change to It’s your fault our baby died.”  She saw his eyes narrow…

Change the setting.  Frank walked out of the room. He was through with the constant reminders of his son’s death.

If no other options work, rewrite.

POV Defined


POV Defined

 

Point of view refers to the perspective that the narrator holds in relation to the events of the story.

Point of view is the way a story is narrated or depicted and who is telling or narrating the story.

Narrative point of view is the perspective of that narrator.

Literature provides a lens through which readers look at the world. Point of view is the way the author allows you to “see” and “hear” what’s going on.

We’re blogging about Point of View all month long in September. Thanks for following Wordsmith Six.

Writing in your journey, so go write!

Nataliebright.com

LEARN FROM THE MASTERS


LEARN FROM THE MASTERS

Lynnette Jalufka

 

I am a visual learner. I need to see how to do something before I can do it. Just telling me doesn’t work. Then the task is accomplished in the hardest and clumsiest way possible. The same goes for writing. Reading examples from books helps my stories more than someone telling me how to do a technique. In fact, I’m currently rereading a novel to remind myself how to put emotion in a scene.

This month has been about plot twists. J. K. Rowling’s Harry Potter series is full of them. I still get chills when I think about the one towards the end of Harry Potter and the Deathly Hallows. I love the way Rowling inserts clues beforehand.

Revisit your favorite books that you remember being shocked or surprised at the plot twist. When did it occur? What did you need to know before the twist happened? Were there hints? Doing this enables you to apply the same techniques in your own stories. No wonder the first rule of writing is “read, read, read.”

 

The Venturi Carnival Company


This week I just wanted to share a short story I submitted to the Your Story contest at http://www.writersdigest.com.  The prompt was a picture of a large, concrete clown head laying in a deserted lot amidst leaves and dust.

 

The Venturi Carnival Company

Adam Huddleston

The Venturi Carnival Company rolled into Bentonville in the early hours of August 5 and left two weeks later in an overnight barrage of fire and destruction.  The first day was spent erecting the many rides and sideshows that Venturi was famous for.  By seven o’clock that evening, the fun was about to begin.  A long line of townsfolk stretched from the ticket booth to the back reaches of the dirt parking lot.  By all accounts, the first few days were enjoyed by all.  Everyone seemed enamored with the circus-like atmosphere and very few complaints were heard from the patrons.

Then, four days after opening night, a metal beam on the Tilt-A-Whirl bent.  Six visitors were thrown into the hot, autumn night.  All suffered serious injuries.  One remained in a coma for over a month.  The ride was shut down temporarily, but by the weekend, it was rocking and rolling again.

Visitors were mugged on three separate occasions, two of them at gunpoint.  One woman accused a carnival barker of sexually assaulting her behind the famed Haunted Mansion.  Carnival security merely winked at the crimes.  A belief began to grow among the townsfolk that they were actually behind the atrocities.

By the carnival’s second week, a manhunt was underway for Arturo Venturi, the great-grandson of the carnival’s founder and head of the current iteration of the gaming/ride spectacular.  Rumors spread that he had been seen at several locations about town; most of them bars or brothels.  A posse was established and the search began.  He was quickly discovered half-drunk at a table in Jimmie’s, an establishment that prided itself on both booze and women.  Venturi was captured but escaped the next morning.  To this day he has yet to be found.

Frustrations came to a head on the night of August 19.  Word got out that most of the midway games were not only rigged, but downright impossible to win.  All told, the games had cheated the townsfolk out of several thousand dollars.

A mob formed in the woods near the back of the carnival.  At the leader’s go, the group tore through the shabby fencing and made a bee-line for the assorted wagons and shacks used by the carnies.  Torches lit up the night sky, pitchforks glistened in the moonlight.  Anything made of wood was set afire.  Several carnival workers were injured, one was killed when a hefty farm-boy drove a shovel through the man’s skull.  The rest made it to their wagons and fled the town in terror.

The rides were torn to pieces.  Many of the townsfolk made off with their parts, proudly displaying them for years to family and friends when they got together for cookouts.  The only thing left behind was the giant clown head that once dominated the welcome sign.

Bread Crumbs


Outtakes 396

Bread Crumbs

By Cait Collins

 

Sometimes plot twists are not satisfying.  When the turn-on-a-dime is not set up, the twist falls flat.  The inciting incident has no foundation and the reader is left asking. “What happened?”  While you can’t spring the twist on the reader, you don’t need to beat them over the head with clues.  It is possible to be subtle.

You don’t need a neon sign.  Go simple with an unusual car.  A vintage convertible from the fifties or sixties appearing in different places along the protagonist’s way hints “clue”.  Or maybe “wait for it.” What about a telephone call?  Maybe a piece of music stirs a hint of anticipation. Small, reoccurring incidents create a trail to that moment that changes the character’s life.  It may be a few bread crumbs, but they allow the twists and turns of the story to have continuity instead of creating an earthquake.