The Empty Room


POST CARDS FROM THE MUSE

The Empty Room

I stand here in this room listening for any sounds at all.  Nothing.  Dead silence.  I do hear echoes from past rants and raves, parties, fun, news casts, but all is quiet now.

The room is dark, but a little light comes in from the hallway where there are thousands of lesser doors.  The bit of light sneaking in behind me shows confetti, glitter, tissues, and even candy lying on the floor as a reminder of the phantom cheers and cries of the characters that are normally here.  There is a table near the podium in the corner covered with sheets of paper that contain words—happy words and lonely words, funny words and mad words, velvet words and loud words.

Where are the characters that inhabit this room?  There was someone in here not long ago, but they are all gone now and the silence is deafening.

Congratulations. You have just received a post card from the muse.

Nandy Ekle

Hamartia


Hamartia

by Adam Huddleston

 

This week’s literary term is: hamartia. It is also referred to as a “tragic flaw.” A hamartia is an aspect of the protagonist which can hinder their progress or possibly bring about their downfall. This “tragic flaw” can be external, but more often than not, it is an internal characteristic. For example, hubris (ego or pride) is one of the more commonly seen problems with characters. This inflated sense of oneself may lead to unwise decisions.

One of the positive results of utilizing a character’s hamartia, is that they are more relatable. Readers like to see a hero that suffers from the same issues that they do. This can increase suspense for the reader because they may realize that the protagonist could ultimately fail due to their flaws.

Hopefully, the use of hamartia in your writing will help flesh out your characters and make the story more enjoyable. Happy writing!

What’s Important


Outtakes 266

What’s Important

by Cait Collins

 

I heard a great story the other day. One of my co-worker’s mother went to vote. She waited her turn, but while casting her ballot, she passed out. The election judges called the paramedics. When she came to, the judges noticed she only had two items left on the ballot. They asked if she wanted to finish voting before the paramedics took her to the hospital.

“Of course,” was her response. So, she voted and then went to the hospital. I call that determination and dedication. What a wonderful example for the rest of us.

The point is that we choose what is important to us and we seem to make time and sacrifices to achieve goals. Question is how important is our writing to us? Do we set and achieve objectives? Or do we make excuses for not writing something each day? I’m guilty of letting my work take a backseat to other things in my life. That needs to change.

So if a woman puts doing her civic duty, voting, over being checked out at the hospital, then I need to determine my own priorities. If I truly want to be successful then I must chart the course and once plotted, stay the course. It’s my choice.

For all of you that are writing a novel in November…Best of luck.

National Novel Writing Month


National Novel Writing Month

Rory C. Keel

November is National Novel Writing Month, NANOWRIMO for short. For thirty days writers from all over the world will be cranking out words on computers and word processors trying to reach 50,000 thousand words.

The goal is to encourage writers to put out a novel size piece of work in a very short period of time. With that many words completed, the work can then go through rewrites and editing for clean up to produce a polished and completed novel.

This year, I’m going to attempt this challenge as a way of motivating myself to write. It will certainly be a challenge at an average of 1667 words a day. My plan of attack will be to put the outline of my story down, then fill in the spaces. Maybe I should have participated when I had a chatty six year old at home who couldn’t stop talking. I could have taken dictation and made the word count!

If you are interested in participating, go to www.nanowrimo.org and sign up. It’s free, fun and who knows, you even might get a novel out of it.

Rory C. Keel


TWEETS AND HASHTAGS


TWEETS AND HASHTAGS

By Natalie Bright

Twitter is the birthplace of the hashtag. Jack Dorsey (@jack) sent the first tweet on March 21, 2006:

“just setting up my twttr”

Dorsey and his business associates were searching for a way to text on their cell phones, and the word “Twitter” defined exactly what they hoped to achieve.

Twitter has since evolved into an invaluable social media tool for communication and information sharing. The hashtag, pound sign (#) followed by short subject links, has become a way to organize that information.

Today Twitter boasts 200 million users with 140 million daily tweets. It’s an active social media gathering place.

For writers, you can include your tweet as part of the community or group conversation by using hashtags. Your tweet will the become a part of the online chat and is now a searchable link.

For example, tag you might tag posts with:

#writinglife

#kidlit (the genre you write)

#readromance (to link to readers or your genre)

#books

#mystery

#crimefiction

For researchers, discover and follow specific subjects, and find information you need by searching hashtags specific to your needs or genre.

I see a lot of hashtags with broad appeal that are popular and trending, but why not boost your tweets on a local level? Within your city, state, or a tri-state area, you can connect with new fans of your work by using specific hashtags. Spark a conversation, or perhaps build relationships that can turn into a business venture down the line. Do this by using hashtags for local public places, the city names, or topics specific to your book.

To learn more about which hashtags are currently trending and are the most popular, go the hashtags.org and where they also offer analytics for your business.

One of the consistently popular hasgtags on the list: #DWTS and yes, I am a fan. I enjoy watching Dancing with the Stars and reading everybody’s tweets during commercial breaks.

Social media doesn’t have to be stressful. It can be fun work and a great way to build your writing platform.

Tweet me @natNKB – what are some of your favorite hashtags?

How To Write a Story


POST CARDS FROM THE MUSE

How To Write a Story

By Nandy Ekle

First

First you

First you write

First you write a

First you write a word.

First you write a word. Then

First you write a word. Then you

First you write a word. Then you write

First you write a word. Then you write the

First you write a word. Then you write the next

First you write a word. Then you write the next word.

First you write a word. Then you write the next word. Soon

First you write a word. Then you write the next word. Soon you’ll

First you write a word. Then you write the next word. Soon you’ll have

First you write a word. Then you write the next word. Soon you’ll have the

First you write a word. Then you write the next word. Soon you’ll have the whole

First you write a word. Then you write the next word. Soon you’ll have the whole thing

First you write a word. Then you write the next word. Soon you’ll have the whole thing on

First you write a word. Then you write the next word. Soon you’ll have the whole thing on paper.

Congratulations. You have just received a post card from the muse.

Hamartia


Hamartia

by Adam Huddleston

 

This week’s literary term is: hamartia. It is also referred to as a “tragic flaw.” A hamartia is an aspect of the protagonist which can hinder their progress or possibly bring about their downfall. This “tragic flaw” can be external, but more often than not, it is an internal characteristic. For example, hubris (ego or pride) is one of the more commonly seen problems with characters. This inflated sense of oneself may lead to unwise decisions.

One of the positive results of utilizing a character’s hamartia, is that they are more relatable. Readers like to see a hero that suffers from the same issues that they do. This can increase suspense for the reader because they may realize that the protagonist could ultimately fail due to their flaws.

Hopefully, the use of hamartia in your writing will help flesh out your characters and make the story more enjoyable. Happy writing!

Holiday Thoughts


Outtakes 265

Holiday Thoughts

By Cait Collins

 

My new work Three by Three is coming along. I discovered a relationship I had not originally intended, and it opens up new possibilities. But as the holidays approach, I turn my thoughts to family, friends, and Christmas shopping. Books, real books, are always on my list.

This is a sampling of recent and upcoming releases.

Barry Eisler                            Livia Lone (also check out his John Rain series)

Carla Neggers                       A Knights Bridge Christmas and Liar’s Key

Sharon Sala                           Family Sins

Lindsay McKenna                  Wind River Wrangler

Lee Child                               Jack Reacher Night School

Anne Perry                             Murder on the Serpentine

Craig Johnson                        An Obvious Fact

Robyn Carr                             The Life She Wants

Rick Riordan                           Magnus Chase and the Gods of Asgard The Hammer of Thor

Debbie Macomber                  Twelve Days of Christmas

Jodi Thomas                           Lone Heart Pass and Sunrise Crossing

Charles M. Schulz                  Snoopy to the Rescue A Peanuts Collection

Happy reading and gift giving.

 

Cultures Unlike Us


Cultures Unlike Us

We had an interesting discussion about cultures that are so very different from us at a recent critique group meeting.

Bullfighting

The discussion began because one among us is researching the Matador and the history of bull fighting for a story. She shared some of what she had learned. The centuries old tradition can be traced as far back as ancient Rome where man–against-animal events were held. Bullfighting is a blood sport deeply entwined into the cultures of Spain, Portugal, and many South American countries. Matadors enjoy celebrity status and the showmanship is very entertaining. A special breed of cattle are bred especially for the bullfighting ring.

Food in the Eyes of the Hungry

Our discussion turned to cultures different from us and their food. It was pointed out that some cultures think “food” when they see a dog, which is considered a delicacy in many Asian cultures. These dogs are bred specifically for the purpose of feeding people.

A visitor from Belgium told me that grocery stores in Europe have horse meat for sale in their meat market along side beef, pork, and chicken. She rarely buys beef because it’s so expensive in her native country.

As an owner of a cow/calf operation in the Texas Panhandle, the ranch horse and the cow dog are our working partners in the ranching industry. Our business is feeding hungry people with Texas Angus beef raised on native grasslands. The American culture has included beef and pork as a mainstay for centuries. I could never plan a menu around a juicy hunk of horse or dog meat. What about having a character eat something odd or cook something they’d never eat themselves? Interesting premise!

Writers and Their Research

One of the things I love about my WordsmithSix writers critique group is how non-judgemental we are. Our discussions cover a wide range of topics, and it’s great fun to dig deep into the issues that impact our stories. We greet each new subject matter with hyper curiosity. We question everything, and since we’ve been meeting for over five years now, we have very open and informative discussion. Visitors to our group are sometimes shocked at our musings.

To get to the heart of the story and to dig deep into our character’s motivation, can writers greet their research without bias? Does our background and beliefs get in the way?

Writing onward…

Quoting the Masters


POST CARDS FROM THE MUSE

Quoting the Masters

By Nandy Ekle

 

I like to read quotes by authors who know what they’re talking about. I find a lot of inspiration, instruction, wisdom, truth, and humor.

Here’s a few I’ve picked out from other sites on line to share with you.

  1. “I want to write because I have the urge to excel in one medium of translation and expression of life. I can’t be satisfied with the colossal job of merely living. Oh, no, I must order life in sonnets and sestinas and provide a verbal reflector for my 60-watt lighted head.” — Sylvia Plath
  1. “Writing is my way of expressing – and thereby eliminating – all the various ways we can e wrong-headed.” —Zadie Smith
  1. “When I sit down to write a book, I do not say to myself, ‘I am going to produce a work of art.’ I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing.” — George Orwell
  1. “I don’t know why I started writing. I don’t know why anybody does it. Maybe they’re bored, or failures at something else.” — Cormac McCarthy
  1. “Why does one begin to write? Because she feels misunderstood, I guess. Because it never comes out clearly enough when she tries to speak. Because she wants to rephrase the world, to take it in and give it back again differently, so that everything is used and nothing is lost. Because it’s something to do to pass the time until she is old enough to experience the things she writes about.” — Nicole Krauss
  1. “I write because I don’t know what I think until I read what I say.” — Flannery O’Connor
  1. “I started writing novels while an undergraduate student, in an attempt to make sense of the city of Edinburgh, using a detective as my protagonist. Each book hopefully adds another piece to the jigsaw that is modern Scotland, asking questions about the nation’s politics, economy, psyche and history . . . and perhaps pointing towards its possible future.” — Ian Rankin
  1. “Why am I compelled to write? . . . Because the world I create in the writing compensates for what the real world does not give me. By writing I put order in the world, give it a handle so I can grasp it. I write because life does not appease my appetites and anger . . . To become more intimate with myself and you. To discover myself, to preserve myself, to make myself, to achieve self-autonomy. To dispel the myths that aI am a mad prophet or a poor suffering soul. To convince myself that I am worthy and that what I have to say is not a pile of shit . . . Finally I write because I’m scared of writing, but I’m more scared of not writing.” — Gloria E. Anzuldua

Congratulations. You have just received a post card from the muse.