Crazy Daze


Crazy Daze

By Natalie Bright

The month of May has always been whirlwind of stuff, and I can never seem to get control. What is it about May?

I’ll spare you the list because I’m sure your obligations are the same or even worse. What suffered this month is my writing. And no matter how much I worry and fret, I can’t go back and recover those productive hours. They’re gone. Poof. And I’m left with an unfinished story, patiently waiting, still digging a hole in my brain. It will take another several weeks to get back into the time and setting, maybe even longer to find the voice of my characters.

Which brings me to this question—why do writers put themselves through this kind of anguish? Maybe for you there’s a better word; torture, agony, misery? Seriously, some days I’m certain my head will explode if I can’t find thirty minutes of quiet time to write. Crazy. That’s the word. I’m just flat out psycho. We force our brains from reality to daydream, and back again, pushing our physical selves beyond the limit to get everything done so that we can disappear into our make-believe worlds. Does that sound normal to you?

And yet there it is. One chapter, or paragraph, maybe just one sentence. It’s done. It’s the key to the whole plot. Members of your critique group exclaim with excitement; “I love that.”  “Don’t change that. It’s perfect.” “Good job.”  “Send that out right away.” And you do. And it’s a best-seller. And you have legions of fans anxiously waiting for your next book…

Oh, I’m sorry – what was this blog post about? This month has been crazy!

Happy May!

A Pinch of Rodeo – CP #11 Part Two


A Pinch of Rodeo

By Joe R. Nichols

 

CP #11 Part Two

Ardmore, Oklahoma, hosted one of the first stand alone bull riding events in the world. The best bull riders always entered, and top bucking bulls from several different stock contractors were selected to produce this competition, including Charlie Plumbers’ number eleven.

The first performance action began with11, but things didn’t go as planned. The lights were turned down for the opening ceremonies, and when the lights came back up, the announcers’ voice made a request, “We need the ambulance, please. Please bring in the ambulance immediately.”

The little brown bull had walked in to the chute and stood right next to the gate. He didn’t lean or squat, he simply parked himself against the gate.

He would allow you to shove your leg in between him and the gate for you to scoot up to your rope, but if you tried to move him over, he would take action. His hind end would come up in a violent bucking motion, propelling the rider forward. Then, with calculated perfect timing, the bull would rear up and throw his head back, intentionally trying to knock your head off. Such was the case in that first performance.

The poor cowboy was rendered unconscious, and fell off underneath the bull. They opened the gate to let the bull out. He whirled, scooped up the latch man, flung him to the ground, and pounced on him. Finished with that victim, he returned to the chute and penned the other the gate man behind the gate. He raked him up and down with his devil like horns. Trapped between the gate and the next chute, he couldn’t escape, and he couldn’t fall down. 11 undressed him, shredded his clothes, and then discarded him. This all took place in the matter of a few seconds. The cowboy who had drawn 11 for the third and final performance, was in attendance that night, and witnessed the whole fiasco.

Richard was up in the last performance, and I went along to watch. When all the bulls had been bucked, 11 stood rider-less in his chute. After seeing the bull that first night, the cowboy never showed up to get on him.

The announcer informed the crowd that the bullfighters were going to entertain them with an exhibition bullfight.

“You’ve got to be kidding me,” I said. “Why would they try to fight 11?”

Richard clasped his hands together and rubbed them briskly, “Oh boy! This is going to be good.” A fellow siting next to us on the fence asked, “Is this bull bad to hook, or something?”

“How many clowns do you see in the arena?” Richard asked him.

“Three,” he responded.

“Before he goes through that out gate, he’ll hook every one of them.”

I could tell this guy wasn’t impressed, and really didn’t think Richards’ prediction would come true. It didn’t take long to turn the statement into fact.

The two bullfighters were the best in the business at the time, Deacon Jones and Jim McClain. Bullet Bob was the barrel man. When they turned 11 loose, Deacon awaited some 75 feet from the chutes. The barrel was maybe 20 feet behind him. 11 had him in his sites, and zoomed toward him so fast, Deacon decided to seek refuge at the barrel. He sprinted to safety, reached out and grabbed the rim, and intended to run around the backside of the barrel. But, 11 was already there. At full speed, he slipped between Deacon and the clown barrel, running a horn under his armpit. Deacon made a high flying arc in the air, landing far down the arena. 11 met him upon his return to earth, and gave him a severe hooking. Richard elbowed the cowboy next to him, “That’s one,” he told him.

Mean while, Jim was on his way to rescue his comrade, he left from the bucking chutes and was about a third of the way there when 11 spotted him. The bull lined him out, and Jim did a 180 back the way he came. Jim leaped for the fence, and it looked like he might have made it. Except, 11 reared and jumped at the same time Jim did, straddling him with his front legs over the top fence rail. He then drug Jim off the fence with his horns, and mauled him on the arena floor.

Another elbow jammed the ribs of the fellow sitting by Richard, “That’s two.”

Bob climbed out of his barrel, and 11 quickly smoked him. “That’s three,” Richard said.

From the time the chute gate opened until the out gate closed, couldn’t have been more than fifteen seconds.

It never did take long for this bull to do his damage.

D’Wannas


POST CARDS FROM THE MUSE

D’Wannas

 By Nandy Ekle

The alarm rings and my eyes open long enough to turn it off, then they close again. I turn over and force my eyes open and feel the sand under my lids pull my eyes closed again. I roll out of bed, stumble into clothes and start my day. I look at the stove and the breakfast foods and all I can think is, “I d’wanna.”

I get to my desk at the office, turn on the computer and look at my tasks. The voice inside my head speaks up again. “I d’wanna.”

“What does that mean?” I ask the voice.

“This is not what I wanna do today,” it answers back.

“I wanna sit on the couch and play games.”

“We can’t do that,” I say. “We have things to do.”

“Oh, yeah? Like what?” The voice is insistent.

“We have to make our living, then we have stories to write.”

“D’wanna.” It stamps its foot like a toddler.

“Here. I’ll show you how fun is it.” The voice turns its head with mild interest. I put my hands on the computer and mentally open a door inside my head. A third voice joins the conversation as my character steps out of the room and begins to tell me her story. I type as fast as I can to keep up as the character’s voice gets louder and faster and pretty soon I’m having a ball.

Suddenly I realize the toddler’s voice, the one with the d’wannas is gone and my story is written and I feel satisfied.

Congratulations.  You have just received a post card from the muse.

HEART


HEART 

by Sharon Stevens

A mother and her young son came into our bookstore to price college textbooks. After they found what they were looking for we took a moment to discuss the high price of books, the terribly hot weather, the rising cost of fuel, groceries, school clothes, work clothes, play clothes, cost of living and just life in general. As they were leaving I invited them to rummage through the basket up front that I keep filled with trinkets of stickers, bubbles, necklaces, bracelets, bouncing balls, slinkys and other such odds and ends that find their way into my stash.

The mother declined but encouraged her son to go through and pick something out to take home. After stirring everything up with his fingers he reached in and chose a golden heart bracelet and shared it with his mom. But he didn’t just pass it on to her, he placed it against her chest and told her he chose it special for her because it reminded him of her heart. The look she shared with her son for this wonderful gift I will carry in MY heart forever. What a precious thought from a young man to his mom.

The dictionary definition of heart describes it as a “chambered muscular organ in vertebrates that pumps blood”. I understand that. You have to have a heart to survive. But I also recognize that heart transcends all definitions and connections. Thomas C. Foster mentions in his book “How to Read Literature Like A Professor” that a heart can have so many different meanings. His book reminds me to never look at a heart simply the same way again.

And if I had my druthers I would choose for my definition the verb tense that describes a heart as one that encourages. Even though it is not in general use it fits me to a capital H.

I watched the mother and son leave our store after just heartbeats in time. I wonder how many pulses were exchanged between the three of us not only in that lifespan, but how many hours that moment will sustain us for the future. Who knows.

It wasn’t until after they left that I realized the young man had placed the bracelet heart against the RIGHT side of his mother’s chest instead of the left.

No matter, his mother and I both knew which side her heart was on.

– Sharon Stevens

Click on the author page above to connect with Sharon.

Never Could


Outtakes 95

 Never Could

By Cait Collins

There’s a sure way to end your writing career. It’s a simple phrase. We all use it and it is a killer. Not only does it hurt your progress as an author, it could have a profound impact on your life. Two words can end it all.

I can’t.

Are you one of those people who respond to a challenge with, “I can’t?” If so, you have sealed your fate. Can’t never did and never will. Maybe you will not succeed at everything, but beginning with a negative insures failure. So what if you don’t know how to write a romantic love scene. Why not try? Call on all your experiences. Remember how you felt when you kissed your spouse or significant other for the first time. Use your senses and write from the heart.

Will your effort be perfect? Maybe; maybe not. The point is you tried.

How Did You Do It?


css-inspiration-for-writers-2How Did You Do It? 

By Rory C. Keel

This is the number one question I’m asked when others learn that my story, The Challenge, was published in the recent edition of Chicken Soup for the Soul:Inspiration for Writers. 

There is no magic button

In trying to answer this question, I realized there is no one specific thing that will get a story published. There is no switch to flip or button to push that makes it happen, nor did I have an acquaintance or inside contact at Chicken Soup.

However, hard work along with a few of the following things can improve your chance of success.

Journal

To keep me from getting writer’s block, I have made it a practice to write in a journal everyday. I jot down simple things like a quote, a thought or a remembrance of something in the past. Many times I express an emotion and try to explain in words how I feel. The words in a journal don’t have to be profound, hilarious or novel worthy, but write something, anything.

Over time your journal becomes a vault of story materials.

Study the publication

I believe a crucial step in getting published in any market, is to know the market. If you desire to be published in Chicken Soup, read it, study the stories and notice how they are written.

Submit, Submit, Submit

Watch for story call outs. Many publications announce the type of stories they are seeking to publish. This is where the journal comes in handy. You may have story material already waiting to be expanded, worked or polished.

Early in my writing at a writer’s conference, I remember a publisher who said, “Ninety-five percent of those who want to be published begin writing, but only five percent finish and submit.”

Remember

Finally, sometimes it’s a matter of having good work at the right place at the right time.

roryckeel.com

Fixin’ to Act Ugly – Using Slang and Dialects in Stories


 Fixin’ to Act Ugly

By Natalie Bright

 

Using Slang and Dialects in Stories

A visitor from Florida pointed out that everyone is “fixin’ to” do something or go somewhere. I’d never noticed that the term was used that often in the Texas Panhandle.  However, I am conscious of a Southern habit of using “ugly” as a verb. My mother always said, “We don’t say ugly things.” or “Stop acting ugly.” I cringed the first time I repeated those exact words to my sons.

As writers, the question is how much regional slang is too much in a novel? And if we use such terms, will our stories seem dated or be offensive to future generations? Granted there are many noteworthy books with regional dialects or patterns of speech to aide characterization. When it’s done well, it really enhances the tale. What about your work in progress? Will the words you write today stand the test of time?

The Wonders of Wilbur

In answer to this question, I consider the classics in children’s literature. The ever popular story about a pig named Wilbur in CHARLOTTE’S WEB by E. B. White was first published in 1952. In fact, the first paragraph is still used today for character development studies in writing courses.  And now with three films and a video game to it’s credit, the story continues to appeal to new generations of kids. School Library Journal named it as one of the “Top 100 Chapter Books” of all time in a 2012 poll. As an adult reader, I’m come to appreciate this book even more.

Consider the Classics

I’m reading my way through the Newberry Winners list and these stories are amazing. I recently finished the 1968 winner, FROM THE MIXED-UP FILES OF MRS. BASIL E. FRANKWEILER.  The thought of two kids running away from home and hiding in a museum still peaks the imagination, even in today’s world. I find myself going back to these classics to carefully study the dialogue, plot structure and characterization. What makes them so magical?

In mainstream fiction, dialogue referencing “calling a cell” or “tattooed hunk” makes me wonder if that is the best choice of words. And exclamations of “Jesus Christ” or “Oh, God” just makes me cringe.

What I ‘d like to do in this blog post is keep gushing over the amazing award winning books in children’s literature, but I’ll stop here and encourage you to discover the stories from your childhood.  Used book stores are filled to the rafters with such titles, and some of the older classics are FREE as eBooks. Even though kid lit may not be the genre you normally read, take a minute to ponder how a story about a pig and a spider continues to entertain readers after 60 years.

What are some of your favorite characterizations using patterns of speech with slang or specific dialects?

Happy spring and happy writing!

www.nataliebright.com

CP #11 – Part One


A Pinch of Rodeo

By Joe R. Nichols

CP #11 – Part One 

Today’s bucking bulls are mostly the product of two bloodlines. If you’ve ever watched a Professional Bull Riders event, or the National Finals Rodeo, the bovine athletes you saw were likely the off-spring from just two gene pools.

From the west coast, Oscar, owned by Rodeo Stock Contractors. His descendants, beginning with Oscars’ Velvet, have proven themselves as a great linage.

The other line of breeding came from Tom Harlan of Kellerville, Texas. Charlie Plumber of Sayre, Oklahoma made these genetics famous, putting on rodeos beginning in the 1960’s, and his bulls were notorious. I would like to tell you about my favorite, number 11.

None of these bulls were very big, but 11 was smaller than the average. His brown color came from his mother, a Jersey milk cow. He had small horns that turned straight up, giving him the appearance of the devil, and some folks might swear that he was.

This bull was cat quick, and had murder in his heart. He could get from point A to point B, faster than imaginable. He defied laws of physics. Many a time, cowboys thought they were a safe distance from him, to find themselves underneath him the next instant. It was like science fiction. No way should he have been able to cover that amount of ground, in that amount of time. He was a freak. His other unique characteristic, was his thinking and reaction ability. With his speed, savvy, determination, and killer attitude, no one ever got away from him. He hooked everyone I ever saw get on him, and several that didn’t know better than to get out of the arena. I didn’t feel safe unless I was in the car with the doors locked. This was a scary bull.

My hauling buddy, Richard, drew the bull at Hardtner, Kansas. He said, “I’ve got it figured out how to get away from him.”

I couldn’t wait to hear his plan, as most of his ideas were way out of bounds.

He explained, “Instead of bailing off in time with his jump, I’m going to wait until he’s at his highest peak, and then just step off directly to the ground. That way, he’ll be up in the air, and I’ll already be on the ground running.”

I was impressed. “You know, that might just work.”

This was one of the best bull rides I’ve ever witnessed. 11 could only be described as “electric”, and Richard never budged. Just as he planned, he jerked the tail of his rope, and waited until the bull reached the full height of his leap. Richard dismounted, not spending any hang time in the air. He was only a few feet from mother earth when ole number 11 blew his theory. The brown bull, high in the air, wasn’t going to allow this well plotted exit to be successful. He contorted his body, changing his direction, and reached out with a front hoof. He literally pawed my friend in the back, sending him face down in the dirt. Those little moon horns started at Richards boots, and peeled his hat off at the other end, not missing one inch between.

Richard had a grimace on his face as he left the arena. He had a hole in his shirt, a raspberry in the middle of his back, his hat was bent, his mustache filled with dirt. I shook my head, “So much for that idea.”

“Well, it looked good on paper,” he said.

Filet Mignon


POST CARDS FROM THE MUSE

Filet Mignon 

By Nandy Ekle

In the bible Jesus tells a story about a rich man who fares sumptuously every day.

Several years ago my husband and I bought a side of beef to feed our children and any visitors who happened to grace our home. Our beef came in the form of roasts, hamburger meat and steaks. We ate steak and ate steak and ate steak until I finally thought if I ate one more bite of steak I would be sick. That’s when I thought about the story from the bible about the rich man who fared sumptuously.

The thought of the bible story has come back to me recently because of my reading list. My favorite author has numerous books published, a lot of which I have read, some of which I have not. The ones I’ve read instantly become my some of my favorite stories of all time. Suddenly it seems that every book I have, audio, virtual or paper, is by him, and I love them all. In fact he has two new books coming out this year that make me feel like a starving person with a blank check walking into a restaurant.

But the other day I looked at my stack of books waiting to be read and thought, “I’m tired of steak. I need different flavor.” So I’ve been shopping for new authors. This is sometimes a difficult thing to do, but can turn up some surprising finds.

Once I discovered a book written by a British author. It was her first novel and was so amazing that it pole-vaulted to the top of my favorites list. To this day, I don’t think she has another book out, but if she did, I would be first in line for it.

Writers write, but writers also read. And sometimes what we read inspires what we write. Add some variety to your reading diet and new ideas and styles will pop up all around you.

Congratulations. You have just received a post card from the muse.

ECHT


ECHT

Sharon Stevens

 

Today at our bookstore we had a gentleman visiting from Minnesota. His daughter had graduated from WTAMU on Saturday. He had been in several times in the past and bought books by local authors. As he was making his purchase he remarked that he and his daughter had discussed how genuine the people of the panhandle were, and how comfortable and welcoming we all were.

Genuine…what a wonderful word!  So descriptive, so simple, so eloquent, so meaningful. Very few words in the English language can fit this description.

I looked up all the dictionary words pertaining to genuine and found the definition wasn’t very old although I found the Hindu/Urdu/Sanskrit word “pukka” which first known use was in 1776. Bona fide and certifiable were the synonyms related. You can imagine which one of these words my husband connected to me. But that’s another story.

As writers we need to have genuine characters. No matter the genre we should be consistent with our thoughts. Even though they may stray into deep chasms of a dark direction they still need to be true to themselves. Serial killers, and psychopaths have a life, a story, a family. Their sick minds still envelope a beating heart. Christian and spiritual writers also need to follow a genuine path.

Please be genuine in your writing Give your characters life, but don’t betray their true philosophy. Their stories beg to be written, but with the truth they can believe in.

The dictionary definition of genuine is long and varied, and I quote…not spurious or counterfeit, authentic, real, free from hypocrisy or dishonesty, sincere, not pretending, possessing the claimed character, quality or origin, free from pretense, affectation, being of pure or original stock. Australia and New Zealand have another word for this, DINKUM, now that’s a word for you.

Dinkum…echt…genuine. We should never let our writing get lost as long as we follow the same path our characters would walk.