Good Lyrical Writing


Good Lyrical Writing

by Adam Huddleston

 

Very few of us smelly humans walking the face of the earth dislike songs of one type or another. The combination of music and poetry (the definitions get blurred at times) stirs something inside us. It can elicit a myriad of emotions and good lyrics play a major role in that.

Now, what makes a particular arrangement of lyrics good? The answer to that is as varied as the many forms of music. It’s all a matter of taste. To explain, let’s look at a few of my favorite examples:

  1. The Statler Brothers recorded a country music hit in 1965 entitled “Flowers on the Wall.” One of my favorite lines is in the chorus. “…playing Solitaire till dawn with a deck of fifty-one.” If you realize that a standard deck contains fifty-two cards and that all are needed to complete a game of Solitaire, you’ll see the level of futility the singer is attempting. It’s a simple line that implies quite a bit.
  2. REO Speedwagon had a number of hits over the 1970s and 80s. One of these was “Can’t Fight This Feeling”, a power-ballad from 1984. The line, “And even as I wander, I’m keeping you in sight. You’re a candle in the window on a cold, dark winter’s night” while errs on the side of cheesy, still contains sharp imagery and word flow.
  3. The last example is more of a movie line than a song. Near the beginning of “Mary Poppins”, Dick Van Dyke’s character Bert states, “Wind’s in the East, mist coming in, like somethin’ is brewin’, about to begin. Can’t put me finger, on what lies in store, but I feel what’s to happen all happened before.” It’s a quote with a slightly dark undertone and gives the remainder of the movie its sense of magic and wonder.

While most of these lines are lyrics from songs, we as writers should strive to inject the same emotional power in whatever medium we are working in.

Happy writing!

It’s the Little Things


It’s the Little Things

by Adam Huddleston

 

It’s the little things that stick with you. My wife and I just returned from an anniversary trip to Omaha, Nebraska. We heard they had a wonderful zoo and children’s museum so we took the kids with us as well. While there are a ton of memories I will always cherish, there were many small events here and there that made the trip most memorable. Although these tidbits may not make an entire story on their own, they can be woven into my prose, making it much more meaningful.

Memories like: the feeling of cold, sticky orange juice running down my leg after my three-year old spilled his drink at the hotel’s free hot breakfast, my children’s laughter after seeing a primate’s hairless bottom, the rich, creamy texture of a slice of cheesecake for dessert one night, and the constant hum of the road under my tires as the white dashes seemed to come at me forever.

Observe the world around you during your daily activities. While many events might seem insignificant, they can make a big impact on your work.

Happy writing!

My Favorite Works of Fiction-Part 2


My Favorite Works of Fiction-Part 2

by Adam Huddleston

I can hear the groans coming from the peanut gallery. Shouts of “Oh no, not another one!” pour from the rafters. Well guess what folks, one blog is not enough to cover the vast multitude of books that I’ve enjoyed reading throughout the years. That being said, I’ll try to keep this list to a minimum.

Dystopian fiction, in all of its dark and dreary goodness, can provide the backdrop for some excellent story-telling. One of the all-time greats in this genre is “1984” by George Orwell. The author does an outstanding job of infusing a thrilling story with a gloomy, futuristic backdrop. It is the quintessential cautionary tale of a federal government grown too large and powerful.

If you are looking for an excellent combination of horror, fantasy, western, and science fiction (this really exists), Stephen King’s magnum opus “The Dark Tower” fills that role. Be prepared to go on a massive journey through seven books with a large and dynamic cast of characters, a myriad of settings in both the real and make-believe worlds, and tons of connections to King’s other works.

The last entry this time around is an oldie, very old actually, but a goody; “Hamlet” by William Shakespeare. If you’ve never read Shakespeare, it can be somewhat cumbersome to find your way through the King’s English (or Queen’s English if you prefer) but the story is well worth it. On the chance that it becomes too much to bear, I’ll allow you to cheat and watch one of the numerous motion picture versions of this classic tale. In my opinion, Kenneth Branagh’s version is one of the best.

So, there it is. I can’t promise that there won’t be a third part to this thread at some point in the future, but hopefully you’ll give these stories a chance and enjoy them as much as I did.

Happy reading!

Food in Writing


Food in Writing

by Adam Huddleston

 

While humans seem obsessed with dividing themselves along religious, political, or cultural lines, there are a few things which bind us together. One of the basic examples of these is food. We all need it and desire it. Looking at my waistline, some desire it more than others!

When it comes to writing about food, there are a few things to keep in mind:

  1. Don’t skimp on the adjectives. People love food and want to know what it looks, smells, and tastes like in your story.
  2. Although it may sound like it contradicts #1, don’t go overboard with the descriptions. As always, try to use clear, concise words. One or two strong adjectives are always better than three or more weak ones.
  3. Try to include foods in your story that are appropriate for the character, setting, etc. Good research and first-hand knowledge will tell you what types of food and drink people in a particular region enjoy.
  4. Do remember to make the food personal for the character. Tell us how they feel when eating or drinking. Relate the experience to something in their past. If you make it personal for the character, you will for the reader as well.

Happy writing!

Let’s Get Emotional


Let’s Get Emotional

by Adam Huddleston

After reading an excerpt from the novel I’m working on to my critique group, the other members encouraged me to deepen the protagonist’s emotional connection to the reader. After looking through my submission, I couldn’t agree more. Here is why it is important and some ways to achieve it:

Readers have invested time and money into your story. They expect to experience a connection with the main character(s). They want to be immersed in every plot twist, conflict, and whatever else occurs along the way. If they feel cheated, they’re less likely to spend their hard-earned cash on your work in the future.

There are many ways to develop that connection. First and foremost, be sure to emphasize what your character is feeling inside in relation to what’s happening in the outside world. Also, don’t be afraid to let your character reminisce once in a while. As long as it’s not overdone, it can be a powerful tool to use. It’s important to remember that when writing, don’t confuse your emotional reaction to a situation with what the character would feel. Stay true to the story!

Happy writing!

Pantser or Plotter?


Pantser or Plotter?

By Adam Huddleston

So the questions come up when new writers look to begin their first work:

How do you write a story? Do you begin at the first and then just plug away? Do you organize all of your scenes first and then write it? What’s the best way?

Guess what folks. It really depends on the writer and their preferences. I will say that there are pros and cons to each. Let’s examine the two prevailing methods.

  1. The “pantser” writes by the seat of his/her pants. They start from word one and let it fly. The plot unfolds as they write. This can be a very exciting and creative method, but it can also lead to quite a bit of editing later on.
  2. The “plotter” plans out each scene and plot twist before they begin to write anything. This allows the process to be more streamlined and decreases editing.

Most writers probably use a little of both and what works best for you is simply that; what works best for you. I prefer to write and edit the “major” scenes that I know I want in the story then piece them together with “minor” scenes.

Try out both methods and see which you prefer. Happy writing!

 

 

A Few Words on Adverbs


A Few Words on Adverbs

by Adam Huddleston

 It has been said that the road to, well, let’s just say a rather “toasty” destination, is paved with adverbs. While I don’t harbor a fierce hatred for those “-ly” words, I do see a glimmer of truth in the proverb.

One of the basic precepts of writing is to keep it short and sweet. Why use three weak words when one strong one will do?

For example: The man talked quickly. How about: The man babbled.

Or: The deer swiftly ran. Instead: The deer galloped.

Eliminating needless words will make your work cleaner and your chosen words stand out. That being said, you don’t have to be an “adverb Nazi”! There are many lonely adverbs out there looking for a loving home and many verbs which cannot be changed so easily.

My advice; read through your writing a few times and see if it sounds too wordy or cluttered. If it does, start chunking those adverbs and see how “quickly” your work improves!

Happy writing!

 

Tap, tap. – Is this thing on?


Tap, tap.

                                    Is this thing on?

By Adam Huddleston

I’d like to express a warm hello to everyone out there in the blogosphere. It is an honor to be invited to join the fine authors who make up this group. After my offer to be a part of Wordsmith 6, it was conveyed to me that I would be contributing to the weekly blog. I’m pretty new to blogging but here it goes.

As a new writer, the things I desire most are those little nuggets of wisdom concerning my craft. Any bit of advice is welcomed with an open and eager mind. Of all of the tidbits I’ve received, the two that stand out the most are these:

Nugget #1: Writers write.

Though this may sound a bit trite, it doesn’t make it any less true. Every great novel, essay, memoir, or article began with an empty page. It was the hard work and determination of the author that filled that page. And here is a truth: the more you write, the better your writing will be.

Nugget #2: Writers read.

If you want to know what sells in the specific genre you are writing, you have to read it. It’s as simple as that. The more you delve into that type of writing, the more you’ll learn. You’ll get a feel for the flows and patterns that make up a published work. And, when someone asks you why you’re reading all of the time, you can simply respond: “Research”.

Hopefully these little factoids will help you in your pursuit of literary excellence! Happy writing!

You can kill the mic now.