Stockpile People


Stockpile People

By Rory C. Keel

 

A writer needs to have a stockpile of people. No, not like in the movie Texas Chainsaw Massacre, but a file full of descriptions, characteristics and quirks of real people.

The truth is that all characters are based somehow on actual people. Think about it, even the characters you invent are based on elements taken from real people. The people you place on the page come from someone that you, as the writer, have seen or come in contact with, either personally or by hearsay.

The Gathering

To place these characters on your page, you must own them, every part of them the good, the bad, and the ugly. To do this you need to try and understand real people. Interact with them, watch them and observe their condition in life. When you finally know them, they are yours. Gather them up and stockpile them by writing them in a file. They will be glad to repeat their behaviors on the pages of your writing.

Roryckeel.com 

 

Stockpile People


Stockpile People

By Rory C. Keel

 

A writer needs to have a stockpile of people. No, not like in the movie Texas Chainsaw Massacre, but a file full of descriptions, characteristics and quirks of real people.

The truth is that all characters are based somehow on actual people. Think about it, even the characters you invent are based on elements taken from real people. The people you place on the page come from someone that you, as the writer, have seen or come in contact with, either personally or by hearsay.

The Gathering

To place these characters on your page, you must own them, every part of them the good, the bad, and the ugly. To do this you need to try and understand real people. Interact with them, watch them and observe their condition in life. When you finally know them, they are yours. Gather them up and stockpile them by writing them in a file. They will be glad to repeat their behaviors on the pages of your writing.

Roryckeel.com 

 

Stockpile People


Stockpile People

By Rory C. Keel

 

A writer needs to have a stockpile of people. No, not like in the movie Texas Chainsaw Massacre, but a file full of descriptions, characteristics and quirks of real people.

The truth is that all characters are based somehow on actual people. Think about it, even the characters you invent are based on elements taken from real people. The people you place on the page come from someone that you, as the writer, have seen or come in contact with, either personally or by hearsay.

The Gathering

To place these characters on your page, you must own them, every part of them the good, the bad, and the ugly. To do this you need to try and understand real people. Interact with them, watch them and observe their condition in life. When you finally know them, they are yours. Gather them up and stockpile them by writing them in a file. They will be glad to repeat their behaviors on the pages of your writing.

Roryckeel.com 

 

Characters and Conflict


Outtakes 189

Characters and Conflict

By Cait Collins

 

Setting up conflict in a story can be tricky. A writer who is not in tune with the various idiosyncrasies of his characters may have difficulty in creating the tension needed to craft plausible conflict. The story is not the incident; it’s in the characteristics of the people involved. Human resources and training department employ personality profiles to help determine the traits that each team member possesses. Knowing the personality types for a team enables managers to better assign tasks and manage a group.

For example, two co-workers have a difference of opinion regarding the best way to handle the upper management directive to set up a data base to track expenditures for the past ten years. The information pertains to the sales department, the tax department, and the advertising department. One of the people charged with the task is methodical; compiling the necessary information with attention to detail.

A second worker approaches the job in a helter skelter manner. There’s no organization or precision in the work. Errors are abundant. It’s impossible for the data to correlate with the more methodical worker’s.

A third person, the peace maker, tries to help out. Instead of getting involved with the project, the team member keeps looking for a “we are friends” moment. Everyone must get along he or she insists. By trying to force peace, the other co-workers become more stressed and less productive. The project stalls and management gets involved.

This is your assignment. Write the confrontation between the three co-workers and the managers.

 

Stockpile People


Stockpile People

By Rory C. Keel

 

A writer needs to have a stockpile of people. No, not like in the movie Texas Chainsaw Massacre, but a file full of descriptions, characteristics and quirks of real people.

The truth is that all characters are based somehow on actual people. Think about it, even the characters you invent are based on elements taken from real people. The people you place on the page come from someone that you, as the writer, have seen or come in contact with, either personally or by hearsay.

The Gathering

To place these characters on your page, you must own them, every part of them the good, the bad, and the ugly. To do this you need to try and understand real people. Interact with them, watch them and observe their condition in life. When you finally know them, they are yours. Gather them up and stockpile them by writing them in a file. They will be glad to repeat their behaviors on the pages of your writing.

Roryckeel.com