Books


Outtakes 243

Books

By Cait Collins

 

Recently I received an invitation to a baby shower. I pulled the gift registry and was thrilled to see a selection of books on the list. A few days later an invitation to a baby shower for my new niece arrived. Instead of cards, the parents asked for a book with a note from the giver written inside.

Wow! In a world where everything is electronic, these first time parents are asking for books to help educate their infants. I respect their thoughtfulness and desire to give these little ones a head start. Nourishing the mind is just as important as nourishing the body. Baby Girl 1 has a book of Disney favorites, and my niece has a selection of some of my favorite Little Golden Books.

Book selections for babies are far from limited. Dr. Seuss, Disney, Aesop, Winnie the Pooh, animal stories (remember The Three Billy Goats Gruff, Chicken Little, and the Little Red Hen?), The Berenstain Bears, Goldilocks and the Three Bears, board books, touch-and-feel books, books with sound are just a sampling of the available offerings. And with the abundance of material, just think of all the memories you create when you take the time to read to your child.

Here’s another thought. Keep a journal of special moments and add photographs to the book. It will be a treasure for both you and your child. Best wishes Moms, Dads, and Little Ones.

 

BUTTON METHOD FOR WRITERS


BUTTON METHOD FOR WRITERS
By Natalie Bright

The Button Method for Writers combines the psychology of a creative mind along with plain ole common sense, and is easy to implement. It’s guaranteed that you will experience an unbelievable increase in productivity and quality of work.

The Button Method is best explained like this:

1. Butt-On Chair
2. Write

The more you do, the better you become at the doing. Isn’t that true with almost every career? I heard the Butt-on tip early as a newbie writer, but honestly I haven’t always applied the method.

Two of my writerly friends have, and they are a source of great inspiration for me. Linda Broday and Jodi Thomas are both New York Times and USA Today Bestselling authors. They’re currently writing series; Linda for Sourcebooks and Jodi for HQN. By writing, I do mean they’re ALWAYS writing. They both have set times every day, and rarely waiver from that schedule. They both practice extreme self-discipline.

I asked Linda one time how she manages to keep pushing herself, and she told me that when she’s writing, it’s the time she feels the most calm and relaxed. For her, social media and crafting blogs creates more anxiety than disappearing into her fictional world.

Jodi fell several years back and injured her wrist. During that same time, I twisted my ankle. We met for lunch and exchanged details and sympathies. Jodi says,” I asked the doctor to set my cast in a different way, because if I prop my arm on pillows I can still type with the tips of my fingers.”

I had planned to head home for aspirin and to prop my foot on pillows. Jodi went home to write.

Butt-On is the key.

Writing Benediction: Focus on the pure joy of crafting stories with words.

Meet the Author – Cait Collins


Meet the Author  

Since the creation of WordsmithSix as a critique group, we have evolved in many ways. While every member is like family and brings their own valuable insights to the group, sometimes there are changes. Some of our members have moved on in their life’s journey, however their contributions continue to influence our writing forever. Others have filled the empty chairs and have started their journey into the world of writing.

Each member of WordsmithSix is excited about our writing journey. For the next few weeks we will dedicate a Sunday blog to letting our readers know a little more about who we are. Each author will be asked a few questions to help you understand their desire to write and what motivates them. Maybe their answers will influence you in your writing.

This week we are excited to feature one of our original Wordsmithsix members. An established writer, she lists three documentaries, a thirteen-week local television series, commercial copy and news copy on her writing resume. She has also written Bible application stories, puppet plays, and two 15 minute plays for her church youth group.

Please welcome Cait Collins

When did you start writing?

I started writing when I was in grade school. Then I fell in love with Illya, the Russian agent from Man from U.N.C.L.E, and wrote “romances” based on the show.

Why did you choose the Genre’ you write in?

I like suspense and romance, so I began writing romance with the suspense twist. I recently tried writing memoirs of growing up during the 50’s and 60’s. My nieces and nephews have no knowledge of how different my childhood was. Some of the memoirs are for the kids.

What’s the best thing you’ve done to help your writing?

First was taking a creative writing course at Amarillo College taught by New York Times Best Selling Author, Jodi Thomas. Jodi is a great teacher and mentor. I also began attending writers’ conferences and workshops. Wordsmith Six, my critique group, is the best. If you don’t want honest critique, you don’t belong in the group. We have a rule; give the good before pointing out the weaknesses.

What’s your writing routine like?

I’m not one to force myself to look and the computer daily and get frustrated when the words don’t come. I tend to go on writing binges when my characters are talking to me and demanding I tell their part of the story. I don’t sit down after a critique session and make the requested changes. I’d rather keep going forward, and editing when the inspiration is just not there.

How do you reach that personal place that allows the writing to flow?

Silence the phone, put on some music or turn on the news (the news is easy to block out). I read a few paragraphs from the last point, and start writing. Once I get going, I don’t stop until I need a break for food or something to drink, or until the session ends itself.

Are you an outliner?

No. I make lists or do timelines, but outlines stifle my creativity. I find myself writing to the outline instead of responding to my characters nagging.

What has been your biggest writing challenge?

Coming from a broadcasting and business writing background, I find settings and details are often overlooked. When the action is moving forward, I will neglect the setting and concentrate on the action.

What are you working on currently, future?

I have a memoir and a novel I’m trying to edit and I’m actively writing book five, a suspense novel with the working title Three by Three.

What advice would you give to new writers?

Write your story. Don’t disregard the advice of critique partners or beta readers, but remember it is your story. If you think the character would not respond as a reviewer suggests, stick to your guns. If you are honest with yourself, you will be able to make the right choice between your gut instinct and the reviewers’ suggestions.

What’s the most positive thing you could tell writers today?

Opportunities are unlimited for writers. Network studios need material. The Netflix and other independents have opened doors for us. Ebook outlets are exploding. Movie studios need original material. Don’t overlook opportunities in magazine articles, technical writing, and training manuals. I truly believe we are limited only by ourselves. That said, do your homework. Learn what the media and publishers are looking for. Watch the trends in releases. And above all, be sure your formatting, grammar, and facts are correct before submitting to an agent or editor.

 

The New Comer


POST CARDS FROM THE MUSE

The New Comer

By Nandy Ekle

I’m not sure how long Neil Gaiman has been on the writing scene, but he’s fairly new to my list of faves. I had seen his name around the forums. I’d heard he was unique and his stories were excellent. Then, the movie Stardust hit the theaters and I was immediately in love.

Now I know better than to ever judge a story by its movie, at least if there’s a book that gave birth to a movie as a some version of the story. But I think that’s a testament to my interest in the book. The fact that the movie thrilled me enough to want to read the book should say volumes to the idea I had of the story.

And I have to say this was one time my instincts were spot on. The book, as much as I enjoyed the movie, was even better. Cute, fun, clever, layered, completely brilliant. The book has elements that the movie didn’t come close to touching on. And I was completely enthralled.

Then, Mr. Gaiman sealed verified my new found love for him again when I heard him read Stardust. I am a huge fan of audiobooks, and even though I’d read the paperback version, I used my chance to purchase the audio to listen to as I drove. And the fact that Mr. Gaiman was the reader gave me a feeling that I had found something special. I was wrong. It was not just something special. It was my find of the century.

As a British man with a deep smooth voice, listening to him read his own work had me so hypnotized there was no way I could shut the book down at the end of my allotted reading/listening time. As I mentioned his voice is deep, smooth, and very British. But also, as the writer, he knew the story and he knew how to use that incredible voice to make the story come alive in a way Hollywood could not.

So I obtained more of his books. Neverwhere had my attention almost as tightly as Stardust. The Ocean at the End of the Lane, another story read by himself, amazing.

So, whenever it was that his first book was released, I wish I had met his writing much sooner.

Congratulations. You have just received a post card from the muse.

Deus Ex Machina


Deus Ex Machina

by Adam Huddleston

 

The next literary term I would like to discuss is “deus ex machina”. It is a Latin phrase which means “god from the machine”. While it may sound like an interesting plot device to use, it is actually something which should be avoided.

“Deus ex machina” occurs when a difficult problem in the plot gets suddenly solved by an external source that had yet to be introduced into the story. It’s basically a “cop-out”. The term originated from ancient Greek plays when a crane (the machine) would bring an actor (playing a god) onto the stage to aid in the climax of the story.

It is still used when an author writes themselves into a corner and can’t find a way out. Some writers are able to use it for comedic effect, but for the most part, it is a good idea to imbed the conflict’s resolution earlier in the story.

Happy writing!

What Do You Do With All Those Books?


Outtakes 245

What Do You Do With All Those Books?

By Cait Collins

 

 

Walking into Barnes and Noble or any other book store is dangerous for me. It doesn’t take long for me to fill a basket and risk a back injury carrying it to the cash wrap. It’s so easy to spend big because, bottom line, I love books. On my last visit I was asked, “What do you do with all the books after you read them?” It depends on the book.

Some books I want to keep. They are friends that comfort me and make me think. They entertain me. And no matter how many times I read them, I see or learn something new. Some books I keep not only because I enjoy them, but because they are signed by writer friends. Some offer great information and look so good on my book shelves. But then there are volumes that I enjoy, but realize I won’t read them again. So at some point, I remove them from the shelves to boxes and I share them with others.

Right now I’m in the middle of the “Great Book Shelf Clean Out”. I’ve filled about six boxes and a couple of stacks waiting for boxes. Once everything is packed, I deliver them to the public library. They are used for their book sales. Friends of the Library book sales are fund raisers for local libraries. Or in areas where there are no libraries, used books can provide a new source of reading materials. Nursing homes, shelters, rehab facilities, and possibly hospitals are also areas that could benefit from donations. And if you want to make or save a little money, take your used books to used book stores. Some offer cash, others give you credit for future purchases. No matter where you donate, others benefit from the contributions. If one person picks up a book and becomes engrossed in the adventure, then the donation has served its purpose.

If you’re like me, there’s no way you could toss a good book into the trash. There’s only so much room on the shelves, so something has to give. Yes, that’s it give your books to someone or some organization that could make good use of them. Everyone deserves the chance for an adventure.

 

Tags: Barnes and Noble; Libraries; Nursing Homes; Rehab Facilities; Hospitals; Autographed book; Used Book Stores; Cait Collins; Wordsmithsix.com

What’s He Wearing?


What’s He Wearing?

By Natalie Bright

Writing Excuses podcast touched upon a subject I had never given much thought to: fashion.

In an interview with Rebecca McKinney, they talk about how clothing descriptions can add depth to characters and detail to your story.

Here’s the link, if you want to take a listen: http://www.writingexcuses.com/2016/05/08/11-19-fashion-for-writers-with-rebecca-mckinney/

Character Profiles

This opens a whole new list of possibilities in my mind. Fashion could be used as a personality flaw. Maybe quirky colors in an attempt for attention or a certain look that becomes an obsession. How about the teenager that changes clothes every time she leaves the house, and how does that reflect her personality? Perhaps a meticulous appearance might be a sign of deeper psychotic issues.

Historical Accuracy

Fashion isn’t the only thing that has changed throughout time. As an author of historical fiction, the podcast reminded me to dig deeper. Think about the materials available at the time of your story. Laborers, European aristocrats, the plantation owners, eastern business men, and the cowboys out west would have dressed very differently.

Take jeans for example; they haven’t been around forever. Levi Strauss first appeared on the scene in 1870 when he took a twill made in France and died it indigo. At first his blue denim work pants were considered for the poorer working man. Miners working in the gold fields of California were some of the first to appreciate the sturdy denim.

Resources

Since the majority of my historical stories are set in the west, I have found these books to be invaluable resources:

HOW THE WEST WAS WORN, Chris Enss, Morris Book Publishing (2006).

“Clothes and Accessories”, Chapter Six, EVERYDAY LIFE IN THE WILD WEST from 1840-1900, Candy Moulton, Writer’s Digest Books (1999).

Meet the Author – Nandy Ekle


Meet the Author

 

Since the creation of WordsmithSix as a critique group, we have evolved in many ways. While every member is like family and brings their own valuable insights to the group, sometimes there are changes. Some of our members have moved on in their life’s journey, however their contributions continue to influence our writing forever. Others have filled the empty chairs and have started their journey into the world of writing.

Each member of WordsmithSix is excited about our writing journey. For the next few weeks we will dedicate a Sunday blog to letting our readers know a little more about who we are. Each author will be asked a few questions to help you understand their desire to write and what motivates them. Maybe their answers will influence you in your writing.

This week we are excited to feature one of our original Wordsmithsix members. She is a multi-published author in the Psycho-thriller and horror genre.

Please welcome Nandy Ekle

When did you start writing?

I started writing in junior high. In the 8th grade I actually wrote a book (I’m talking about 80 pages) about a group of kids who found tunnels underneath the school. I really didn’t have a plot, but it was fun for them to explore the tunnels. This was in the middle 70’s. Of course, nothing happened with the story, which is lost somewhere in my childhood. But in the middle 80’s, The Goonies came out on the big screen, and it reminded me of my first writing adventure. After that I wrote a story called The Kiss That Never Was. I’m actually a little embarrassed about that story now because it was so awful, but it was something I wrote, and it had a definite plot, weak as it was. After that, I wrote part of a story about a woman and her boyfriend who were kidnapped, which was also hilariously ridiculous because my kidnapper did not even have a gun.

And I had no concept of “short answer” questions on tests. Once we were assigned to write a short essay about Christmas for English class. But mine was more of a short story about a little girl waking up and feeling the Christmas magic in the air. Needless to say, the teacher advised me to stick a little closer to the assignment instructions.

Why did you choose the genre you write in?

Well, I didn’t choose my genre, it chose me. I write the dark stories, the horrors, psychologicals, thrillers, mysteries. I’ve tried to stick to lighter stories, but there’s always a twist that heads back to the dark side. It’s as if I can’t control it.

And I think I understand where it comes from. I’ve been accused of being an adrenalin junkie, and I guess that’s true. There’s nothing I love more than reading a book, or watching a movie, and a completely unexpected life shattering twist leaves me feeling as if I’ve been punched in the gut. That, my friends, is a fantastic feeling. And I suppose that’s why I try to include that type of twist in my writing.

What’s the best thing you’ve done to help your writing?

The best thing I’ve ever done to help my writing is join a writing group. I had been the person who, even though I’ve been a writer for most of my life, I’ve always felt self-conscious about it. I mean, I’m a grown woman, a grandmother, and I see other worlds and hear characters talking in my head all the time. So the first time I walked in the group and people came up to me and said, “So, what do you write,” I was completely floored. I had never felt that open about it before, and it was absolutely . . . liberating. Then I found the critique group. Not only was I accepted as a writer, I was encouraged, even expected to write more and more words, in more and more creative ways. And that has made all the difference.

What’s your writing routine like?

I’m ashamed to say I really don’t have a set writing routine. As a “pantser,” I write when the whim strikes me. And that means that sometimes there are huge chunks of times between writing sessions. This creates guilt feelings, and that makes me try to force words on a page that have no business being there.

How do you reach that personal place that allows the writing to flow?

Getting myself in “the zone” sometimes is harder than others. One thing is to have a character be real to me. I have to do that by getting deep in their heads. One way I do that is to write in first person.

Another thing that helps is listening to music, especially if what I’m writing was inspired by a specific song. I once wrote a story about a wife who suspects her husband is seeing another woman, so she goes to a fortune teller. An old 70’s song by Cher was my inspiration, and I had to listen to the song over and over while I was writing it. To this day, when I hear it, I hear the characters arguing with each other.

Movies and books also inspire me. Also pictures of old houses and true crime stories. Also, an interesting situation or character.

Are you an outliner?

As I mentioned before, I am a “pantser,” which means I write “by the seat of my pants.” I usually have an idea of where I want the story to go and the twist, which is very important to me, but when I do get into “the zone,” anything can happen, and it’s usually better than what I had originally planned. While the rest of my life is very organized, I suppose writing is where I’m actually able to let it go and let it happen. But it’s finding that zone . . .

What has been your biggest writing challenge?

Well, definitely, keeping a writing routine is a challenge. I know the masters say, “the more you write, the more you want to write,” but if I force myself to write, it reads, at least to me, like it was forced. In my case, spontaneity is definitely the best.

What are you working on currently, future?

Currently, I have more than ten short stories going, at least I think they’re going to be short. I have several more started that will be longer than than a short story, but I really don’t plan to make them into a novel. I have two novels completely written in my head, but only about one fourth of the way on a page. And I have countless rewrites and completions to get done. And no number for the ones in my head that have not floated to the top of my story soup and screamed for attention. Besides these are the situations and characters, or even just a glimmer of a twist, and I know there’s a full-blown story there, but just have not been able to put my finger on exactly what it is.

What advice would give to new writers?

Writers write. That’s all I know. Writers write.

Oh, and let go and let it flow.

What’s the most positive thing you could tell writers today?

The most positive thing advice I can tell writers today is don’t ever let anyone make you feel silly because you like to make up worlds and characters. And find a master to emulate.

The List


POST CARDS FROM THE MUSE

The List

By Nandy Ekle

 The best place in the world to find inspiration to write is from those who have proven themselves to be brilliant geniuses, masters in the field. Here is a list of those authors who, when I read their work, I forget to breathe.

Stephen King

JK Rowling

Neil Gaiman

Nora Roberts

James Patterson

Diane Setterfield

Terry Brooks

Piers Anthony

Anne Rule

Janet Evanovich

Mary Stewart

Dr Seuss

Moe Willems

JA Applegate

RL Stein

Ray Bradbury

Gillian Flynn

This is by no means exhaustive as I’ve had 50 years experience as a reader. And I’m always looking for new masters and stories to get lost in.

Tell me whose work gives you goosebumps, thrills, and makes you swoon with joy?

Congratulations. You have just received a post card from the muse.

Foreshadowing


Foreshadowing

by Adam Huddleston

 

The next literary term in my blog series is: foreshadowing. I assume most people understand what it is, but it is important for writers to know how to use it well. For completeness sake, foreshadowing is defined as an indication or hint of future events. This can be blatant or very subtle. I would guess that most readers prefer a more sly approach to foreshadowing than being “hit over the head” with it.

Some examples of foreshadowing in movies and literature include:

  1. The farmhands, Professor Marvel, and Ms. Gulch in Kansas in “The Wizard of Oz” acting similar to their counterparts in Oz.
  2. In “The Empire Strikes Back”, Luke sees a vision of his face in Darth Vader’s mask, foreshadowing the revelation of their relationship.
  3. Romeo in “Romeo and Juliet” states that he’d rather die than live without Juliet’s love.
  4. The witches in “Macbeth” are an evil omen of future events.

As a writer, it may help to work backwards when creating foreshadowing. Add little clues in earlier parts of your story, but be sure to have those hints blend in with the plot, otherwise the reader will see it ahead of time.

Happy writing!