THIRD VIEW


THIRD VIEW

Lynnette Jalufka

 

Lady Theresa clenched her fists at her cousin Elyse’s call. All she wanted to do was enjoy the tournament, to see the horses charge towards each other, to hear the crack of lance upon shield. Instead, Elyse has decided to turn their outing into a husband-seeking mission.

If that wasn’t enough, Lynnette has put her into third person limited point of view. That’s not as intimate as the first person point of view Elyse illustrated, though the same rules apply: the reader can only know what she is thinking.

Theresa thanked the squire that showed her Sir Edwin’s horse as Elyse came down the path with another suitor.

“There you are, Theresa,” her cousin smiled brightly. “I want you to meet Sir Reynald.”

He bowed with a flourish of his hand. “At your service, my lady.”

“Good day, Sir Reynald,” Theresa said. He looked more like a peacock than a knight ready to joust. Feathers cascaded from his helmet, and his armor and surcoat were too clean to have seen regular use. Where was his horse? A knight is nothing without one.

“If it pleases my lady to bestow me a favor, I will wear it proudly during the tournament,” Reynald grinned.

He’d be lucky to survive the first round. “I’m sorry, Sir Knight, but it might get tangled in your feathers. I wouldn’t want anything to hinder your prowess. You’ll need every bit of it.”

“Theresa,” Elyse hissed.

Reynald turned red. “Then I bid you good day, my lady.” With a quick, stiff bow, he strode back down the pathway.

“Theresa, how could you insult him like that?” Elyse asked.

“Dearest Elyse, if I had a lance, I could knock him off his horse myself.”

 

 

Popular Novels and Their POV


Popular Novels and Their POV

by Adam Huddleston

 

This week, I just wanted to provide a short list of popular novels and what point of view (POV) they are written in.  If you’ve never read a story in a particular POV and would like a starting point, you could do a lot worse than these tales.

First-Person

  • The Hunger Games Series
  • The Twilight Series
  • The Divergent Series
  • Gone Girl
  • The Percy Jackson Series
  • Paper Towns
  • The Catcher in the Rye

Second-Person

  • Choose Your Own Adventure books
  • Bright Lights, Big City
  • You
  • A Prayer of the Dying

Third-Person

  • The Lord of the Rings Series
  • The Harry Potter Series
  • A Game of Thrones Series
  • 1984
  • Animal Farm
  • Fahrenheit 451
  • Brave New World

CONSIDER FIRST PERSON POV


CONSIDER FIRST PERSON POV

Natalie Bright

My story about rescue horses did not come alive until I wrote it in first person point of view from the perspective of my main character, a rescue horse named Flash. This same story was written as a chapter book, a picture book, and an easy reader. Finally, Flash tells his own story and it works!

  

CHAPTER 1

The Worst Day of My Life

 

Everybody calls me Flash. That is not my real name.

At birth, I was given the name Snake Creek Rooster. I am a registered Tennessee Walker, which means that I come from fancy bloodlines.

My instincts are natural to me because of my parents.

From the Tennessee Walker lineage, I have a long, straight head. I am strong and agile, and I like people. I am loyal and kind.

The spots on my legs and chest are an important part of me too. Because of my coloring, I am recognized with a spotted saddle horse registry. I am double-registered.

I lived in a pen and had a wonderful family. My life was simple and uneventful.

One day my entire world changed.

My family had to move. They could not take me with them. There was no place for me in their new home.

What would become of me?

Where would I go?

I had never been alone before.

 

 

Writing is your journey, so go write!

FIRST VIEW


FIRST VIEW

Lynnette Jalufka

Good day, fair readers. I am the Lady Elyse, who you met last week. Lynnette has graciously allowed me to illustrate first person point of view while I am at this tournament in search of a husband for my cousin, Theresa. First person is point of view’s most intimate form. You learn everything I am thinking and feeling. All my motivations are exposed.

The disadvantage is that you only know my viewpoint and no one else’s. I can guess what someone is thinking by their expressions and actions, but alas, it is just a guess.

“Sir Reynald,” I hail the knight standing by a tent.

He flashes a warm smile and strides over to me. Here is his opportunity to marry a noblewoman and increase his land.

Wait, I was not thinking that. That is not my point of view. I thought he would be a good match for Theresa. Besides, he is too noble to marry for wealth. But if he is thinking that…

“At your service, Lady Elyse.” He bows in front of me.

I clear my throat. “I had wanted you to meet my cousin, but it seems she has disappeared.”

“Don’t worry, my lady. I shall help you find her.”

He offers me his arm and I take it. “We should look by the horses,” I say as we journey into the crowd.

Dear readers, be careful when writing in first person. Remember, you can only write what I know and feel.

Point of View


POST CARDS FROM THE MUSE

Point of View

By Nandy Ekle

Point of view. The eyes your reader sees the story happen through. I always think of it, like, a video game back in the 90s. Watching my kids play these games and the giant camera sits on the head of the character the player is following. So everything that happens is through that character.

So you have your main character and that can be your point of view (POV). It can be first person through their mouth, or it can be third person, through their brain. And you can have each chapter be a different character’s point of view. Or you can have what’s called omniscient point of view, where the reader is privy to all thoughts of all characters.

And these days there’s a new term called deep point of view. This method is only in the main character’s point of view and voice. There are rules that go with this POV, and I’m not sure I even know them all. I haven’t put a lot of research into it. 

My opinion is this point of view is very tricky to accomplish. I’ve read several books using this method and, frankly, I get tired of it in a hurry. However, I’ve read a couple of books where this was used in such a way that the story was actually so engrossing that I couldn’t put the book down. The book You, by Caroline Kepnes is a perfect example of how to use this POV effectively. The story is definitely a psychological thriller. And the building of the plot is so subtle that when I realized what was happening, my breath was knocked completely out of my body. 

So, study the different types of POV and decide which one works best for your story. Then play it for all it’s worth.

First – Second – Third Person

Image


THE BEST VIEW


THE BEST VIEW

Lynnette Jalufka

Here are two characters at a medieval tournament. What point of view am I in?

 

Lady Elyse looked around at the brightly colored tents that housed the knights of the tournament. Surely one would be a good match for her cousin. She stopped at the tent of Sir Reynald who was talking to his squire. He would do nicely: handsome, charming, and from a good family. “Theresa.” She turned to thin air. Her cousin was gone! “Theresa!”

Two tents away, Lady Theresa gave a heavy sigh. She wasn’t deaf. The beautiful gray horse being saddled for the joust was far more interesting then Elyse’s latest attempt to find her a husband.

 

So, what’s the point of view? I am in both character’s heads, so this would be third-person omniscient. Now, here’s the important part: is this the best way to tell what happens in this scene? It depends on what I want to accomplish. If I want to show Elyse’s frustration with her cousin, I would need to put the second paragraph in Elyse’s point of view. If I wanted to show Theresa’s irritation, I would need to change the first. Could I leave it as it is? Possibly, but that’s usually frowned upon today unless it’s romance.

Ultimately, it’s my job as the author to figure out the best point of view to tell not only this scene, but the entire novel. That may take rewriting the scene in different points of view to find the right one.

 

 

My Favorite POV


My Favorite POV

by Adam Huddleston

 

This month’s blog theme is literary points-of-view (POV). This has little to nothing to do with the writer’s opinions on certain matters, it is the style in which they write. In a nutshell, the POV of a work is how/who the reader follows the story with.  For example, in a story written in first-person POV, the reader is listening to the narrator as the tale happens to them.  In third person POV, the narrator is telling the story to the reader, but they are outside of the story.  Each POV has different advantages and disadvantages, many of which will be explained this month from the other bloggers in detail much better than what I can give.

One of my new favorite POVs to write in, and one that is popular today in young adult fiction, is first-person present tense. In this style, the story is happening in real-time to the narrator.  It gives the tale a sense of immediacy and suspense.  You don’t know if the character is going to get out of whatever trouble they are in and it feels like events in the story happen to you as well as the narrator.

When writing, many POV choices are available.  Try them all out and see which one feels best for you.

Happy writing!

Changing Point of View (POV)


Outtakes 397

Changing Point of View (POV)

By Cait Collins

 

We work hard to make our stories perfect or as perfect as possible.  Something often noticed in our own review or a critique session is the shift of the POV in the middle of a scene.  There are different ways to make the correction without a major rewrite.

Double Double Space between the two POV paragraphs.

Insert a phrase that maintains the POV.  Mary shouted. “It’s your fault our baby died.” Frank’s eyes narrowed…  “Change to It’s your fault our baby died.”  She saw his eyes narrow…

Change the setting.  Frank walked out of the room. He was through with the constant reminders of his son’s death.

If no other options work, rewrite.

POV Defined


POV Defined

 

Point of view refers to the perspective that the narrator holds in relation to the events of the story.

Point of view is the way a story is narrated or depicted and who is telling or narrating the story.

Narrative point of view is the perspective of that narrator.

Literature provides a lens through which readers look at the world. Point of view is the way the author allows you to “see” and “hear” what’s going on.

We’re blogging about Point of View all month long in September. Thanks for following Wordsmith Six.

Writing in your journey, so go write!

Nataliebright.com