PEN TO WIN!


PEN TO WIN!

With the precision of a surgeon’s hand, the written word can touch the human heart. The arched and looped letters of the alphabet skillfully arranged can fill the mind or thrill the soul.

Like a machine that transcends the barriers of time and space, the passages of a story are able carry the reader through the ages, both past and future. The words on every page turned reveals to the reader grand and exotic far-away places or the dark areas that are hidden within themselves.

The writing of the wise often compels the strong to see their own weaknesses and flaws, while the weak can learn to be strong with the same words. Yes, the pen is truly mighty.

In the early 1800’s, a young child by the name of Edward wore the label of a neurotic child. Pawned from one boarding school to another after his father’s death, he discovered the craft of writing. Encouraged to publish a small work of poetry at the age of fifteen, he went on to publish many famous works. The name of this young boy was Edward Bulwer-Lytton.

In 1839, this English politician, poet, playwright, and novelist coined the phrase “the pen is mightier than the sword,” in his play Richelieu.

So where do you begin? You start with From Pen to Win!”

This is a special orientation session for first-time Frontiers in Writing Conference attendees to explain what to expect and answer all of your concerns. It will be held  Thursday, June 28 at Barnes and Noble, starting a 7:30 P.M., located at 2415 Soncy Road in Amarillo, TX.

You’ll walk into the FiW conference on Friday feeling confident and prepared to begin your writing journey.

Rory C. Keel

Pitch Perfect


Pitch Perfect

By Natalie Bright

Perfecting a Story’s Pitch

At a recent Society of Children’s Book Writers and Illustrators meeting in Oklahoma City, those attending had the opportunity to turn in a 60-word pitch, which were then picked at random and read out loud.  The conference faculty offered their thoughts and suggestions.

Based on the comments and feedback, I’ve compiled a list of the main instruction for making your pitch’s perfect for editors and agents:

* Informative

* Tell us about your story succinctly

* Be direct and concise without being cryptic

* Not too detailed

* “kid” perspective if you are writing a children’s story; be careful of word choice

* Not mysterious or extranious words, just get to the point

* Not too eloquent or flowery

* In a nutshell, what kind of journey

* Do not use cliché’s

* Not too vague

* Be careful with technology references; it becomes very outdated in a short time

Become the Expert


POST CARDS FROM THE MUSE

Become the Expert

I’ve heard many many times that a writer should write what they know. If you know romance, write romance. If you know children, write for children. If you mystery and murder . . .

Well then there’s the other side of the argument which says, “Write outside of the box. Expand your horizons.” Learn space travel. Learn brain surgery or international spying or mystery and murder . . .

The point is this. You can write what you know while you broaden your horizons. The answer is at your local library, or even better, in your computer.

Research.

You have a great idea that screams for attention. But you’ve never been to a fortune teller, or outer space or a battlefield or in a failing love affair. You can learn these things by reading books on the subjects, or “google” them and add a new expertise to your ever growing education.

Congratulations. You have just received a post card from the muse.

Nandy Ekle

 

MYRIAD


MYRIAD

by Sharon Stevens

 In honor, memory and celebration of Anna Corn and James Hartwell

 I’m such a slacker! And I don’t mind admitting that fact. “Hi, my name is Sharon and I am a slacker.”

Let’s face it, here I sit in my jammies nestled in a cocoon of quilts in my favorite chair with the TV remote in my lap, a 32 ounce soft drink by my side with a sack of chips and a bowl of chocolate Kisses within easy reach, working on my weekly blog on the laptop perched on a soft cushion. You can’t get any more slacker than that.

Oh sure, at any given moment I could set my work aside, get up and stretch, put a load of clothes in the washer to wash, or transfer them into the dryer to dry. Or if I so choose I could fold any number waiting in the laundry basket.

While up I just might open up the refrigerator and stand there as long as I like perusing the leftovers contained therein. I could choose out of a myriad of the selection before me to select any number of goodies to microwave. (Note to self-remind me to google “myriad” in the online dictionary and compare it to my 1890s Webster’s)

If I want I might load a sink full of dishes in the dishwasher. I didn’t say I would, I just said I might. On second thought who needs to do dishes with a stack of paper goods on every shelf that will fill any need. Silverware, cups, plates, bowls…it doesn’t matter I’ve got it all.

What about if I wanted to go soak in the tub. My words would still be waiting and with just a gentle touch instantly I could bring them back to life and “home“ or “end“, “page up” or “page down”, delete, or insert, or backspace wherever I pointed the arrows..

Or I might just throw on some clothes, run into town and pick up a burger or pizza or chicken or any other kind of take out anywhere at any time. The grocery store is open twenty four hours a day for whatever my sweet tooth desires. All it takes is my keys, my car, a little gas in the tank and with my garage door opener I am good to go. Wait a minute, who says I need to change clothes. “jammies” are an acceptable choice of apparel now a days.

Yep, there is no other word for it and I give no excuses. I am a slacker through and through and I can only hang my head in shame.

I was slapped in the face with this fact while doing research on Panhandle Professional Writers and their history of dedication to the Panhandle Press Association. Their annual convention was being held in Canyon for the first time in their 102nd history on the campus of WTAMU and also at the Panhandle Plains Historical Museum. I had come across a reference from the book, “Lone Star Chapters: The Story of Texas Literary Clubs” by Betty Holland Wissepope. In it she writes of the history of PPW and the bylaws for continued membership in the group.

To be an active member you must have sold a book, two articles, a poem, a short story, a scenario, or a play that had been produced by a theatrical company. In addition to presenting proof of publication active members had to demonstrate they were writing 30,000 words a year. Associate members had to write only 15,000. Complimentary memberships were for beginning writers but expired at the end of the year.

I know thirty thousand words a year doesn’t sound like a lot, especially in this day and time with spell checker, Ipads, Facebook, cell phones and the like and the opportunity to blog like on my Wordsmith Six blog site. But lets face it, in the 1920’s when PPW was formed by Phebe Warner and Laura V. Hamner the entire population of women didn’t work outside the home and some still lived in dugouts. Electricity was a luxury and not even in every household and was shut down at night. Refrigerators could not be stocked with a days worth of groceries and microwaves had not even been invented yet. Laundry washing was done by the hand of the washee, and clothes hung on the clothesline outside to dry. Which meant that after they were dry they had to be gathered in to be folded, and/or starched, and/or ironed, and/or hung, and/or put away, stacked on shelves, hung in closets, or heaven forbid, placed on towel rods in the bathroom. Likewise to the dishes in the cubboard, (oops, spell checker alerted me to a mispelled word I need to change.) cupboard. It automatically change my misspell.

Each meal included full courses with accompanying silverware and plates. This meant every pan, every bowl, every napkin used for three meals a day had to be washed, dried, and put away each and every day. And before this everything had to be cooked fresh, not frozen accompanied by homemade biscuits or fresh baked bread made from scratch. And I don’t even want to discuss the meat. Chickens were alive in the morning and fried chicken for supper that night by their own hands no less. As for red meat, “Pink Slime” hadn’t been invented yet which tells you if it hadn’t been bought fresh from the market that day it probably didn’t smell that good.

And as for transportation, husbands were the only ones who held the keys to the car and HE was the one who drove it to and from work and out on the road for the family weekend excursion.

Lets face it, with raising the children, sewing the clothes, cooking the meals, cleaning the house I can’t see how women were able to write a hundred words, much less thirty thousand. In fact, I found a reference to Olive K. Dixon as one of the original members of PPW. Her husband was the one who made the longest shot in history at Adobe Walls. She was very involved with the museum in preserving the history of our area while raising seven children.

And when you think of Phebe Warner. How did she write all those newspaper articles with jotting notes on a piece of paper with just a pencil? When did she find the time to sit down at a typewriter with carbon paper in between, all the while correcting mistakes, polishing the words, and then getting up to find an envelope and a stamp, much less mailing her manuscript to the Amarillo Globe News, Canyon News or to any of the other area newspapers in the surrounding towns.

All the while she was helping to gather stories of the pioneers and helping to build the Panhandle Plains Historical Museum to house them in. She served on committees of various and sundry civic groups while participating in every community, school and church function centered in her town. Phebe not only formed the first federated women’s clubs in the country she helped form libraries all across the panhandle. AND then to be named as a representative for the state park board and to work tirelessly to get Palo Duro Canyon established as a state park was above and beyond. Think of it, as a woman and a mother in the 1920’s while still maintaining a household and supporting her husband’s practice as a small town doctor is a feat many women in this day and time would find at the very least as tiring.

Who knows what she could have done if she had been a suffogete, (oops-spell checker again), suffragette.

Yep, I’m a slacker through and through. I admit it and embrace it. But I think the founders of Panhandle Professional Writers regardless would be proud of me for the efforts I make on their behalf. They might not cut me any slack, but they would still give me kudos for my contribution. My words might not be as significant as theirs but from their vantage point in the heavens above they know the passion hasn’t changed over time.

Oh, and for your information the dictionary definition of the word myriad is a noun meaning a great number. The description said that recent criticism of the use of this word and to paraphrase… “seems to reflect a mistaken belief that the word was originally and is still properly only an adjective. However the noun is in fact an older form dating back to the 16th century. The noun has appeared in the works of Milton and Thoreau and continues to occur frequently in reputable English. There is no reason to avoid it.”

The winning motto chosen for the founding years of PPW was, “The elevator of success is not running; take the stairs!”

I was just lucky enough to be born in a time where I had the choice to do one or the other, the elevator or the stairs, to slack if I wished to, or to even fly if I wanted.

Just not on Jet Blue.

Sharon Stevens

Consider It


Outtakes 37

Consider It

I have spent many hours training others to do a job. The process can be very rewarding. It’s so much fun to see someone “get it”. There’s the bright eyes, the grin, the high five. That’s the joy of being a trainer. Unfortunately, there have been some disasters. No matter what I tried, or how many time we went over the information, the trainee just couldn’t or wouldn’t catch on. Often they blamed me or their fellow employees for their failures. I really hated the angry scenes, the bitter accusations. In the early days, I blamed myself for a trainee not making the grade. Over the years, I’ve realized it’s not always the teacher’s fault. If the student does not pay attention, does not take notes, doesn’t care, then there is little the trainer can do to change the situation.

Writers need training. There are few naturals out there. Most of us struggle with the craft, hoping there comes a time when the work is easier. I’m not sure that happens. Several years ago, I met author, Nicholas Sparks, at a book signing in Amarillo. He made a statement that floored me. When asked if each new book was easier to write, he told the young writer, “No, in fact it gets harder.” He went on to explain that the expectations were higher with each novel and keeping up the standard became more challenging. He even admitted he was struggling with his new novel. It made me feel hopeful; less alone. I was working on my second novel and often felt as if I hit a wall. This best-selling novelist made me think I could succeed.

The road to success is paved by the writer’s attitude. I’ve been in critique groups with writers who would not listen to honest suggestions. The author would read his chapter; look around the table. You could feel the resentment before the first word was spoken. Reviewer number one starts by complementing elements of the setting or a character. Then he gets down to the problems. The interaction between the antagonist and his son is off. In fact, there’s little chemistry between the two. The scene lacks emotion. Instead of listening and asking for suggestions, the writer hotly defends his work. We’ll understand it all in chapter ten. Sadly, I won’t be around for chapter ten. If I’m not hooked in the first twenty or thirty pages, you will find the unread book in my box to donate to the library.

Even experienced, successful authors have readers. These trusted souls take on the task of reviewing the work, catching mistakes and inconsistencies. The smart author listens and corrects the scenes. Let’s be honest, no one likes criticism. But if you don’t want help, why join a group or work with readers? If you don’t plan to take the advice, don’t waste your time or someone else’s evening.

I’m thankful I have a good critique group. We respect each other and want every member of the group to be successful. We would never intentionally lead another member of the group astray. In turn, we listen, accept the critique, choose what makes good sense and use it to build a better story. A good writer will always be a student. After all, the more we learn and understand, the more exciting the work we will produce.

Cait Collins

PEN TO WIN!


PEN TO WIN!

With the precision of a surgeon’s hand, the written word can touch the human heart. The arched and looped letters of the alphabet skillfully arranged can fill the mind or thrill the soul.

Like a machine that transcends the barriers of time and space, the passages of a story are able carry the reader through the ages, both past and future. The words on every page turned reveals to the reader grand and exotic far-away places or the dark areas that are hidden within themselves.

The writing of the wise often compels the strong to see their own weaknesses and flaws, while the weak can learn to be strong with the same words. Yes, the pen is truly mighty.

In the early 1800’s, a young child by the name of Edward wore the label of a neurotic child. Pawned from one boarding school to another after his father’s death, he discovered the craft of writing. Encouraged to publish a small work of poetry at the age of fifteen, he went on to publish many famous works. The name of this young boy was Edward Bulwer-Lytton.

In 1839, this English politician, poet, playwright, and novelist coined the phrase “the pen is mightier than the sword,” in his play Richelieu.

So where do you begin? You start with From Pen to Win!”

This is a special orientation session for first-time Frontiers in Writing Conference attendees to explain what to expect and answer all of your concerns. It will be held  Thursday, June 28 at Barnes and Noble, starting a 7:30 P.M., located at 2415 Soncy Road in Amarillo, TX.

You’ll walk into the FiW conference on Friday feeling confident and prepared to begin your writing journey.

Rory C. Keel

Writer’s “Voice” Defined


 

Writer’s “Voice” Defined

By Natalie Bright

Children’s writers gathered in Oklahoma City at the end of March for the SCBWI-Oklahoma chapter’s annual Spring conference. The delightful Regional Advisor, Anna Myers, and her volunteers put together an informative and inspiring day.

More than one presenter elaborated on “voice”; the thing that some writers seem to come by naturally, and the rest of us wonder where in the heck the line is to get one.  Several of the speakers helped shed some light on this elusive muse.

Authorial or Narrative

“Editors are always looking for strong, new voices,” said Krista Marino, Executive Editor at Delacorte. She explained that there is an authorial voice and a narrative voice. Authorial being the distinctive finger print that an author might put on one’s work, and the kind that passes from one piece to the next. A narrative voice is what a reader remembers when she reads the book and this is what editors are looking for.

Maggie Lehrman, Sr. Editor with Amulet/Abrams Books, noted that a strong voice for her represents memorable characters, plus style and diction all rolled together. “Care is taken in language and word choice, and there is a rhythm that is unique in some way.”

One of a Kind Voice

Noa Wheeler, editor at Henry Holt, read a passage from one of my all-time favorites, Tuck Everlasting by Natalie Babbitt. She said, “The language in this story makes us wonder at the magic.”

It wasn’t that long ago that I had read Tuck Everlasting for the second time. As an adult the words and the story made an impression.  Hearing Wheeler read out loud, the words absolutely blew me away. There is no mistaking  the “voice” which was made even more unique by the rhythm of the words and how each word fit together in a unique way.

Finding YOUR Voice

As a children’s writer, I particularly appreciated the closing advice from Marino. “Erase the worldliness of your life,” she said. “Find the smallness of their world. Remember the protag doesn’t have a wealth of experiences to draw from.”

Lehrman urged us to draw out what’s unique in our own particular story. “Passion and heart must come through to your words. Find the right tone, speak to a kid’s experiences and have fun.”

I think agent, Marietta Zacker, summed the day up perfectly during the afternoon session when she said, “Use the experiences that are real to you, because you’ve felt them. Write and illustrate what you know to be true, not just what you know.”

Here’s Your To Do’s:

Do re-read the classics in children’s literature.

Do read the new releases too.

Do plan to attend an SCBWI regional conference near you.  http://www.scbwiok.org

Do stay connected with the people you’ve exchanged business cards.

Do keep writing!

Natalie Bright

Getting Acquainted


TRAILS END – The Novel

   Getting Acquainted

Is your first impression of someone always correct? I generally except people as being good, but I’m slow to get to know someone well. I’d like to think I’m a good judge of character, and most of the time if I have a negative or cautious attitude towards someone I meet, I keep it until proven wrong.

I guarantee I’ve been wrong several times.

When I was competing at high school rodeos, there was a kid my age that I thought was a complete idiot. I had never met or spoke to him, but I was convinced he was a goof that I would never want to be around. We showed up at the same college, and with in two weeks, we became friends. To this day, he is one of my closest best friends. I confessed to him at some point what I thought about him before our friendship, and he told me he couldn’t stand me because he thought I was a cocky and  arrogant. Me? Cocky? I was so insecure, I couldn’t believe he thought that of me.

Then there has been the person I considered to be the coolest most upstanding person, and eventually figured out they were a total phony. I guess all we can do is give the benefit of the doubt to the person we don’t know, and proceed with caution.

In TRAILS END, Donnie Williams is faced with evaluating character when he meets Jim Barnes’ Wife, Barbara. Let me assure you she is a character, and she scares Donnie to death. See what your first impression of her is, and if you end up hating or loving her.

Thanks for reading,

Joe

Noisy House


POST CARDS FROM THE MUSE

Noisy House

Have you ever played the game where you listen to a sound and then try to guess what the sound is and where it comes from?

Sometimes late at night, right before I drift away to sleep, a loud noise bursts in on my slumber. It usually is nothing more than the air conditioner or heater coming on, or the dog snoring like an old man. Sometimes the phantom noise is a creak as the house settles down for the night or a drip in the shower. Sometimes a dog barks at the moon or a car rushes down the road. Or maybe there’s a noise I recognize, such as a mouse trap snapping, but makes me wonder about what I will find if I go to investigate.

Then there are times when a noise peeps from somewhere in the house, or outside the window that is mysterious. These are times to allow my imagination to open up and grab clues and build a story.

Congratulations. You have just received a post card from the muse.

Nandy Ekle

 

TRIVIA


TRIVIA

by Sharon Stevens

I just love trivia! Don’t you?

Trivia is fact as well as fallacy. With a simple twist an idea can either stampede, or whisper, fly, or flush, all according to the context in which your story begs to be written. Like Scrabble, trivia can draw controversy with each phrase and welcome all who want to dispute or argue, creating drama where none existed before. I think these bits of flotsam and jetsam are akin to Pavlov’s Theory that cause you to react from your point of reference. This is what makes your words worthy to be written.

Take Alfred Hitchcock’s “Psycho”. I came across a filler in the Canyon News listing “Totally Random Trivia”. This specific article related to tidbits about toilets, and I came across several facts I didn’t know, like the statement that people use about fifty seven sheets of toilet paper every day, or that the life expectancy of a toilet is fifty years. But the most interesting fact was that Hitchcock’s movie was the first to include a scene showing a toilet being flushed. In fact this scene received many complaints at the time about being indecent.

Up until that moment I didn’t know this earth shattering bit of trivia. To everyone else this was probably a passing thought that didn’t amount to a hill of beans. In my books it was a call to action meaning I had to pull out my dictionary to look up the definition of trivia and had to fire up my computer to research “Psycho.”

Voila, there it was, and there it wasn’t. My 1890’s Webster’s Dictionary only referenced trivium, Medieval Latin for grammar, logic and rhetoric meaning a place where three ways meet. Much as I wanted to follow that thread I would have to wait for another day and another story. Trivia as a newer word had more relevant expressions such as the ones expressed by Ed Goodgold and Dan Carlinsky who felt “trivia is concerned with tugging at the heartstrings”. They produced a book, More Trivial Trivia, and criticized practitioners who were “indiscriminate enough to confuse the flower of Trivia with the weed of minutiae”.

But back to the flushing of the toilet; in reading between the lines I found also the  motivations hidden within the shower scene.

Marion had decided to go back to Phoenix, come clean, and take the consequence. So when she stepped into the bathtub it was as if she were stepping into baptismal waters. The spray beating down on her was purifying the corruption from her mind, purging the evil from her soul. She was like a virgin again, tranquil at peace.

Ah trivia! This meant water played a part in flushing the toilet AND flowing down the drain.

As writers we are at our best when we can take a common bit of filler, research a thought, find a little background, give it a little life, and weave it into a story. This is all we need. We can take any and all words and follow where they lead. Either for murder or mayhem or love and lust, we are the only ones who can zig or zag, or remain on the beaten path.

And on a final note, did you know that the stabbing effect in the shower scene, a score that will live with the movie going public forever, was accomplished by Bernard Hermann who conducted screeching violins, violas and cellos. Hitchcock like James Cameron in “Titanic” didn’t want music invading the drama of the scene. But after much persuading, Hermann just like James Horner was able to convince their respective directors that THEIR contributions could carry the theme. And, as they say, the rest if history.

Last but not least I leave you with this little bit of trivia, what you do with this knowledge is up to you. Did you know most toilets flush in the key of E flat?

Sharon Stevens