Braylan’s Contest


Outtakes 103

Braylan’s Contest

By Cait Collins

 

Our congregation is full of wonderful people. While I love our seniors, I especially adore our kids. Each child is truly special. Recently the King family, Mom, Dad, Ryelan, Presley, and Braylan, spent a few days in Colorado. Mom kept us up to date with her Facebook posts. While visiting the mining towns, four-year old Braylan made a new friend. He found a small miner. True, the new pal was made of stone, but Bray just had to study the guy.

I’ve been Braylan’s Sunday school teacher since he was a baby. It didn’t take long for me to realize the kid was a thinker. Yes, a little one can process more than adults realize. I could see the wheels turn when he examined the stuffed animals I used in class. Braylan checked feet, paws, nose, eyes and mouth. When satisfied with the features, he’d gently stroke the fur. “Nice. Be nice,” he’d state before kissing the toy and passing it on to the next child. Therefore, I was not surprised when I saw Mom’s Facebook photos of Bray hunched down watching the miner’s statue. The last photo was a sweet hug. “He’s little, Mama, just like me.”

An idea struck. What if Bray’s miner came to life? What kind of adventures could Bray and his friend have? I know how I would write the story, but how would you tell the tale? So I’m hosting a contest. These are the rules.

  1. Submit a half-page, single-spaced synopsis of your story idea. The synopsis should include the story title, the miner’s name, the setting, and the conflict. Remember the miner is an adult, but he is the size of a four-year old.
  2. Entries should be submitted in the body of an email to bcollins16@suddenlink.net. No attachments please. The subject line should read “Outtakes 103 Braylan’s Contest”. Deadline for entries is Wednesday, July 31, 2013. Please include your mailing address with the entry.
  3. Entries will be judged by Wordsmith Six. The winners will be announced in Outtakes on August 7, 2013.  Prizes will be awarded.

This is an opportunity to get in touch with your inner child and have fun with your writing. I look forward to reading your submissions.

Writing Endorsements


Writing Endorsements

By Rory C. Keel

Ask for endorsements from readers that enjoyed your writing. Simply say something like, “Would you provide me with a positive comment I could use as a testimonial for my book?”

Use the positive comments as headlines for your writing on your website and other promotional materials such as bookmarks and brochures.

Take note of unsolicited positive comments and remarks about your writing in e-mails and personal conversations. If individuals say something positive about your writing, ask to quote them.

Collect testimonials in a notebook and you will have them readily available when promoting your writing, stories and books.

Realize that testimonials from your readers will generate excitement and create interest in your work and draw more readers for your material.

Raw Emotion


 Raw Emotion

by Natalie Bright

In your mind, the characters of your fictionalized world are real. That means they experience emotion the same as real people would, and it’s that component that makes them come alive to your readers. Emotion is what elevates your characters above the problem of having flat, card-board type characters. If the story seems bland and the plot seems to drone on with no excitement, maybe you need to pump up the emotion in your characters; take them over the top.

For example, let’s think about loss. Whatever it is your character is experiencing as the plot develops, whether it is the absence of a thing, person, or familiar home, the emotion to apply is defined by social workers as “Stages of Grief”.  Everyone experiences these kinds of emotion when dealing with a devastating loss. Keep in mind that people may not experience every one of the states defined below, and it might not be in the order they’re listed.

The Stages of Grief

Denial – this isn’t happening to me.

Anger – why is this happening to me?

Bargaining – I promise I’ll be a better person if…

Depression – I don’t care anymore.

Acceptance – I’m ready for whatever comes (usually last).

As a real human being, you have probably experienced some of these as some point in your own life. I remember my mother going through every one of these emotions after my father died. We decided she might need a change. We moved her into a beautiful retirement village with many other widow ladies, thinking she was settled in and healing, and then after several months she found a picture of my dad in an unpacked box. The picture took center-stage on her dresser in her lovely new apartment and I recognized my mother going through the states of grief all over again.

Emotional Behaviors

The writer’s rule of “show, don’t tell” can be demonstrated by physical traits or habits of your character.

Numbness – mechanical functioning

Disorganization – intense, painful feelings of loss

Recorganization – re-entry into a normal social life

Application to Work in Progress

My WIP western opens with the funeral of my main characters’ father. What types of emotion would a young boy experience? I’m thinking much the same as an adult would, except based on the experiences of a fourteen year old. Most definitely he’d be angry about being left alone.

I hope this helps you in developing your characters to their fullest potential. Keep writing!

www.nataliebright.com

Rodeo Queens


A Pinch of Rodeo

Rodeo Queens

By Joe R. Nichols

When I competed full time in this sport, the local queen contest was nothing more than a distraction to me. A waste of time that only drug out the performance. Who would have thought I would someday marry a gal that competed in such contests, and now coordinates an event for the Range Rider’s July 4th Rodeo.

Guess who the Queen Coordinators’ assistant is.

I don’t do much, mostly just insert all the brilliant ideas I have on how it should be done. Somehow, she puts up with me and I get to watch her interact with these young girls. She loves them all.

Dianne had success as a rodeo queen and also in a pageant that qualified her to run for Miss Colorado. She never mentions this to anybody and won’t be happy with me for sharing it with the world, but I’m proud of her. She made the cut for the top ten finalists, and I still believe she was supposed to win.

In preparation for the Colorado Pageant, she received some formal instruction on etiquette, doing an interview, and generally how to present herself. I think there were four ladies with this knowledge and experience that donated their time to help her. It meant a lot to her, and I think it’s one of the reasons she is so good at giving back to these girls that compete for Range Rider Queen.

This is an entry-level contest, but Dianne makes it such a good experience.

She keeps it fun, but they learn confidence and values they will use their whole life. It also helps to prepare them if they choose to compete at a higher level.

Seeing the benefit that these girls get from running for queen or princess, and realizing how much it means to them, makes me ashamed of my former opinions.

Good job, Dianne.

Stuck


POST CARDS FROM THE MUSE

Stuck

By Nandy Ekle

Writer’s block. It’s almost as scary a word as “spider.” In fact I’ve used the image of a huge hairy spider to describe writer’s block.

This time I discovered an exercise to help cut a hole through the wall between me and my words. I wrote a little essay describing my plight.

“I’m looking through a window in a door and I see all the characters I ever wrote. They’re all frozen just like the commercial about digital photos that are never downloaded from the camera. Some are frozen in mid jump, some are frozen in mid dialogue, some are frozen in their tears. What a painful way to freeze. I see pleadings in their eyes, pleading me to set them free and let them live out their stories, but I am helpless.

Maybe that’s why this coldness is so frightening. I can’t do anything to help them. The words I have played with all my life are locked up in the toy cabinet across the hall and a huge spider guards them. I must find the key to get them back out!”

As soon as I finished the essay, I wrote a character sketch for my latest story. In doing so, I worked out the problems with the plot.

If you have a wall between you and your words, write something. It will break the wall, allowing your story to write itself.

Congratulations. You have just received a post card from the muse.

SCUM


SCUM

By Sharon Stevens

“Scum-the refuse, the recrement, that which is vile or worthless”

Webster’s 1890 Dictionary Definition

While getting cookies at the local discount store for our cookie jar at our family business I spied a package of Kool-aid someone had knocked to the floor. (Black Cherry if I remember right.) It took only a second to pick it up and put it back on the shelf. That’s all I did, nothing more and nothing less. There was no fanfare, no flags unfurled, no pageantry anywhere around me. All I remember is looking at the image for just a moment, remembered the brand, then placing the bright colored picture back where it belonged among the others. I then simply walked on down the aisle.

But I came away from that brief encounter with memories that flooded and overwhelmed me deep within my heart all the way down to my toes, so much so that I couldn’t shake it off.

My husband worked with a man who had been in Vietnam and had battled some of the fiercest fighting of the war. He was just nineteen years old and from a small town in Texas surrounded by every horror known to man. He told us that he would never forget a hometown gesture that really kept him sane. He said that friends and neighbors back home would send him packets of Kool-aid. When he came to a steaming creek or river, all he had to do was skim the scum off the top of water, fill his canteen, pull out a packet with the bright colored logo, empty it in, shake it up and voila. In the horrendous heat of the tropical jungle he had a drink that instantly reminded him of cool glasses of lemonade on the front porch, or back porch, at the lake, at the baseball field, at a family picnic, or after a hard days work. His thoughts could return to home even with the drones of every insect, the scavengers in the water, and the bombardment of the deafening fight that surrounded him.

I will always remember Mrs. Gordon-Cummings, our neighbor next door out in the country. She was one of the original pioneers of our area. Until her death she would ask her caretakers to go down into the canyons, to the artesian springs, and bring her back a glass jar filled with cool water. I have been down to those very springs and they are covered in a scum that transcends nasty. But to her, for some reason, this was the nectar of the Gods.

But then again, when I think about it, I have gone down to these ponds and noticed a sweet smell, something that I couldn’t put my finger on. Earth, flowers, water, grass, leaves…all the colors of the rainbow would fill my senses. Years later I could be walking next to a stream in Colorado and be surrounded with these same thoughts.

Scum is such a relative word. When you hear or see this image you can’t help but think evil, ugly, and dark. Or child molesters, wife beaters, drug dealers, the whole gamut of despair. You can’t separate anything out other than the deepest and the worst. Men come to mind more than women, old comes to mind more that youth.

As writers you have to write your characters as you see and feel them. It is so very hard for me to write of the darkness of the soul. I don’t always look for the silver lining in whatever story I am working on, but I usually find a memory that pulls the very dregs of humanity out back up into the light. Makes me weary though. I so want everyone to be happy all the time. My heart tells me that not every story has a happy ending, or a joyous middle, or a sweet beginning. Or maybe its my brain that is forcing me to see reality between the lines.

On the other hand. I never want to get so lost in the black that I can’t ever see the light at the end of the tunnel. I think this is what happened to Heath Ledger in “The Dark Knight”, as he became consumed with the darkness that turned inward.

So the next time you hear or think the word, “scum” take just a moment and place yourself away in a world where a homesick soldier is skimming aside the scum of the earth to get a quick drink of memory so many miles away from the world he grew up in. Imagine a woman that remembered while living in a dugout, raising her family, so far away from the nearest neighbor or friend that a cool glass jar filled with water from the creek could make all the difference in the world.

Maybe then, as a writer, you will see your world in a different light.

I want to take a moment and remember Elsie Batenhorst who passed away this week. PBS televised a special called, “Cathedral on the Plains” about St. Mary’s Catholic Church in Umbarger a few years ago. We had our book signing for Donald Mace Williams with his book, “Interlude in Umbarger” about the Italian Prisoner’s of War who painted this church and were featured in this documentary. Elsie came as well as Gerri Gerber and shared her memories and scrapbooks with those of us gathered. I will always remember her twinkling smile and impish laughter. She shared several stories about Mrs. Gordon-Cummings with me as well. I miss them both.

Animal Characters


Outtakes 102

Animal Characters

By Cait Collins

 

I just finished reading Sharon Sala’s romantic suspense novel DON’T CRY FOR ME. I enjoy her novels as she creates believable characters and places them around the Daniel Boone National Forest in the Appalachian Mountains of Kentucky. The terrain is rugged and life can be hard, but the residents eke out a living. Despite the hardships, the mountains are home and the landowners, for the most part, would not choose to leave.

In this story the veteran novelist introduces a non-human secondary character–a wounded black bear. The animal’s character is skillfully developed. Early in the story, we learn the bear carries a broken arrow in its hip. The infected wound alters the bruin’s normal survivor instincts. His fever ravaged body requires the cold waters of the mountain streams. He preys on easy targets as his strength fails. He has killed and feasted on one human and gravely wounded another. The constant need for food forces the animal out of the woods and into a populated area.

The plot-line alone keeps the reader riveted to the action. However, the real attraction is the story as seen through the eyes of the wounded bear. I admire Ms. Sala’s technique. She gets into the animal’s mind just as she does with her human characters. We don’t need a Ranger to tell us how the bear suffered, the creature shows us. We feel his pain, and his fear. When the bear is taken down, I felt relieved because the tortured creature was out of his misery. Yes, I identified with this character.

Accomplishing this feat is not accidental. Ms. Sala is intimately familiar with the geography of the mountains. She knows the terrain, the distances between the preserves and the populated areas. She is aware of the mines and the caves. The vegetation is as much a friend as the flowers in a garden. She researches the wildlife, learns their habits and habitats. In other words, she does her homework.

Even when a writer is familiar with the subject matter, additional background may be necessary. While the Internet gives us easy access to information, developing expert contacts is essential. Invest in the work by visiting the locale and interviewing residents. If panning for gold or mining gems is part of the story, visit a panning site or one of the mines that offers visitors a chance to experience the rigors of mining. Take geography and history classes at your local community college. Use every tool at your disposal to get a handle on the story setting and the backgrounds of the founding families. Yes there is a financial investment, but this should be part of your writing budget. Remember every successful business relies on research and development.

 

Giveaway Winners Announcement!


Giveaway Winners Announcement!

We had two comments on what inspires you to write, and I have to say that both were excellent.

“Connection” from Richard.  I think this is so true. When a writer pours their heart and soul into the words, its obvious they have a connection to the characters, the story line, and the setting, and that in turn makes the reader care as well. We can find the connection too.

“The only way it will get told is if I am to tell it” from Gaye. This is very inspiring for me in particular. Thanks so much, Gaye, for posting a comment.

I love both of those!  So Richard and Gaye, if you’ll email me privately with your mailing address, I’ll split the Texas related prizes and others goodies between you. 

Email me at natalie@nataliebright.com.

Thanks for being an active part of Wordsmith Six!

The Greatest – Jimmy Cleveland


A Pinch of Rodeo

By Joe R. Nichols

The Greatest – Jimmy Cleveland

When rodeo cowboys get together, there’s often a discussion about who is the best ever in a particular event. I have several friends that could be considered the greatest of all time in their event, but for the Bareback Bronc Riding, my vote goes to Jimmy Cleveland from Hollis, Oklahoma.

He was the most analytical person that ever competed in rodeo. He dissected a bareback riggin down to the most minute detail. The angles and geometry were calculated to the last millimeter. The way he strapped his spurs to his boots had a specific effect. He even adjusted the spin of the rowels for each individual horse. On bended knee, he used a screwdriver to loosen or tighten the screw to get the desired drag, spinning the rowel like he was tuning a carburetor. The fit of his glove, the shape of the handhold, the position of how he set the riggin on the horse, everything was done for a purpose, and he wasn’t guessing. He knew more about the science of his event than anybody before or since.

Jimmy rode with more control than anyone I ever saw. He looked like a computerized machine more than a human being. He could ride rank horses flawlessly, and dress up the mediocre ones. He could win on any type bronc. His style was aggressive, yet smooth. He was poetry in motion.

My good friend Dale Hirschman, who is a great rodeo photographer, showed Jimmy a picture he had taken of him. Dale made the comment, “Boy, I don’t how it happens, but every picture I get of you, your eyes are closed.”

Jimmy gave Dale a hesitating stare, “I ride with my eyes closed.”

“What?” Dale replied in disbelief.

“Yeah, I close my eyes when I ride. It helps me feel the horse better with my feet.”

Now, think about that. Would you get on a bucking horse, have them turn him loose, and close your eyes? I’ve shut my eyes when I had been launched toward the fence like a torpedo, but never while I was still trying to stay on. That would take a tremendous amount of confidence. But, you know? He was in such perfect time with those bucking horses, he did ride with his feet.

I guess that’s why he was, and is, the greatest.

 

Grand Week


POST CARDS FROM THE MUSE

Grand Week

By Nandy Ekle

This week has been a very special week for us. For the first time, we have had all of our grandchildren with us. And let me tell you, it has been a great Grand Week. Our oldest is six years old and the youngest is twelve months. And watching them all laugh and play, sing and dance has been an extremely amazing event for us.

One of the wonders of this week, other than the obvious of just having them close to us and enjoying their interactions with each other has been their games. They all have super busy imaginations and they came up with some of the most creative ideas I’ve ever heard. The girls put together a singing group and practiced a specific song until they were comfortable enough to sing it in public and even have a grand finale ending. The boys played cars and car tracks. They all colored pictures and drew on paper. And Nana read stories.

So what does this have to do with inspiration for writing (other than gloating that I got to keep the grands this week)? Listening to the stories the kids made up sparked my own imagination. Each game they played, each song they sang, each story they told stuck in my own head and took a corner to mature in. And, of course, they will get all credit for the ideas they gave their nana.

If your imagination feels like it’s running dry, spend a few days listening to children play together. The well of ideas will suddenly grow too deep to keep up with it.

Congratulations. You have just received a post card from the muse.