CineFix


CineFix

by Adam Huddleston

 

I firmly believe that most avid readers are also movie fans. In my opinion, there is often something special about seeing the elements of a good story (plot, setting, and characters) on the screen. It can also be quite enjoyable to see a fellow film aficionado, especially one who is knowledgeable about motion pictures, dissecting said pictures in order to illuminate the varied techniques that lend them their greatness.

One of the websites that provides easy access to this expertise is YouTube. After viewing several pages dedicated to film, I have discovered one that in my opinion is hands-down the crème de la crème; Cinefix.

Where other sites simply give their opinions on why certain films make their “Top Ten” lists, Cinefix goes into terrific detail about them. They explain cinematic techniques, ranging from camera angles to color palettes. After viewing one of their videos, I feel as though I’ve taken a course in film school.

Topics include: The 10 Best Uses of Color in Film, Top 10 Best Character Arcs, Top 10 Best Scenes, and 5 Brilliant Moments of Camera Movement. And this is just a small sampling.

I cannot recommend this YouTube site enough.

Least Favorite Part


Outtakes 314

Least Favorite Part

By Cait Collins

 

 

I love the creative part of writing, but I hate editing. It takes too much time and can create even more issues if one is not careful. I have two memoirs and a novel to edit. I have a new short story to write, and a novel to finish. Please excuse my short and to the point Outtake.

MAKING SENSE OF THE SENSES


Making Sense of the Senses

by Rory C. Keel

How does the loss of sight affect your hearing?

What color does an orange smell like?

How loud is an inner voice?

Can you describe how the wind feels?

What does sour taste like?

When I am writing, it’s easy to visualize what I want my characters to see and feel or even smell. However putting it down on paper so that the reader can clearly see them is a difficult task. For example, if I write, “He walked into the room and gazed at the beautiful painting hanging on the wall.” What does the reader see? What object is displayed in the painting? What colors make the painting beautiful? How is it framed?

This dilemma came to life for me when the main character of my novel, UNLAWFUL WORDS, suddenly goes blind. Writing what he saw with his eyes came to an abrupt halt. How do I write his experiences now?

A blindfold

Using a blindfold I spent several hours experiencing the darkness. Immediately I began to depend on my hearing, turning my head from side to side trying to capture all the sounds around me. My hands automatically reached forward hoping to feel something familiar and my feet slowed their steps to prevent stumbling. The objects once identified by sight now had to be described by feeling the texture, or the smell. These are the details that help the reader understand what the character is experiencing.

In your writing, use the basic senses such as taste, touch, hear, see, smell. Be careful not to give the reader sensory overload by giving a long string of description using all five sense on every situation, when generally the use of two or more different senses can tie the picture together for the reader.

Rory C. Keel

Promote You: Are You an Indie Author?


Promote You: Are You an Indie Author?

Natalie Bright

To better promote yourself, you need a clearer picture of the path you want to pursue.

The old west, history of the U.S. and the hardiness of the people from that time period has always fascinated me.  I ran across this quote from the Editor of the Cheyenne Valley News, Harry Lovald, who wrote: “The trouble with most of us is a restless spirit. Instead of making opportunity come to us, we are chasing our legs off running after it.”

That description of early pioneers perfectly describes today’s Indie Author.  This week, someone asked me, “What is the term you keep saying? Indie Author? What does that mean?” For me the choice is finally clear. After four years, I terminated the contract with a literary agency to become a proud Indie Author.

For those of you who are new to the creative art of writing and publishing your book, here is a quick review of today’s terms.

 

  1. Indie Author: independently published author, meaning an author who not only is the creator of the work, but shoulders the cost for putting that work into production for the consumer and maintains complete control of the intellectual property. An Indie Author realizes there are many opportunities and paths to realize their goals. They can do everything themselves or put together a capable team of others to help.

 

  1. Traditionally Published: an author who uses the traditional gatekeepers of publishing such as literary agents and editors of publishing companies. A traditional publishing contract transfers ownership of the intellectual property from author to publishing company.

 

  1. Hybrid Authors:a fairly new type of author that has emerged meaning they are both traditionally and independently published. A) They may have obtained their rights back for their backlist of traditionally published books, and are now putting that work out themselves. Or,  B) they may have started as an Indie Author and realized great success in the rankings to garner a substantial fan base, and then was offered a deal from a traditional publisher.

Either way you look at it, it’s all good and it’s a wonderful time to be the creator of original content.

“It is a great responsibility to be pioneers in so great a world.” NARCISSA WHITMAN

 

The Saturday Morning Blogger – Moby Dick – and other classics


The Saturday Morning Blogger – Moby Dick – and other classics

James Barrington

 

One of my dad’s younger brothers taught honors English in the El Paso school district for many years. From everything I remember of him, he was one of those teachers who students loved to hate. They loved him because he challenged them and made them think. They hated him because he challenged them and made them think. Such is the life of most high school students.

My uncle Oliver’s favorite book was Moby Dick. On a number of occasions when our families were together he and my dad would get into conversations that were being led by Oliver. On more than one of those occasions the topic turned to Moby Dick.

My older brother worked through an assignment to read Moby Dick during his upper class years in high school, but by some miracle I was never given that assignment. As time passed, I came to realize that the Moby Dick comic book I had read as a child was probably severely lacking in the content available in Melville’s original book. About the time we moved from Florida to New Hampshire, I was in a bookstore in Jacksonville and discovered an unabridged copy of Moby Dick among the “bargain classics” for one U.S. dollar. Figuring I couldn’t go wrong for such a paltry sum, I invested a dollar and spent the next six months reading Moby Dick and writing my critical analysis that I knew Oliver would expect.

It turned out to be a really great “bonding experience.” I would write to him my observations and he would write back all of the thing I had missed. When his wife had died, about ten years earlier, I was the only member of his side of the family that made the trip to El Paso for the funeral. I stayed an extra day after the funeral; that was when the “bonding” really began. We talked about life, death, literature, and a lot of his memories about my dad’s childhood that I had never heard before. He told me about running away from home at 16 to join the army, only to find himself “held over” as a buck sergeant in the aftermath of Pearl Harbor. When he returned home after touring Europe in pursuit of the German army, his high school principal help “recreate” his high school transcript from the ashes of the burned school house. With his A/B average he went to Oklahoma A&M (now Oklahoma State) on the GI Bill and finished his master’s degree.

Born a couple of months before my mother, he died a couple of months after she did. He gave me his most prized collection of books, saying that they would be “pearls before swine” for his only child. The collection included such diverse titles as “Lady Chatterley’s Lover” and “The Epic of Gilgamesh.” Oliver’s life was a “classic” in its own right. Like all great classics, I think of him often and fondly.

 

Movie Quotes


POST CARDS FROM THE MUSE

Movie Quotes

By Nandy Ekle

“I’m too old to be young and too young to be old.” Fried Green Tomatoes

“He left you when he went to seek his god, I lost him when he found him.” The Ten Commandments

“To live! To live would be an awfully big adventure!” Hook

“Just think. One day we’ll be buried here, side by side, matching coffins, our lifeless bodies rotting together for all eternity.” The Addams Family

“As you wish.” The Princess Bride

“I don’t think we’re Kansas anymore, Toto.” The Wizard of Oz

“Here’s my hat, Horace. I’m staying where I’m at, Horace. Dolly’ll never go away again.” Hello Dolly

“It’s a jolly holiday with Mary.” Mary Poppins

“That massive spider jumped on me and went straight for my jugular.” Ghost Adventurerers

“I am what I am!” Popeye

“Here’s Johnny!” The Shining

“No other factory in the world mixes their chocolate by waterfall.” Willy Wonka and the Chocolate Factory

“Freedom!” Braveheart

“Anybody want a peanut?” The Princess Bride

“I see dead people.” 6th Sense

“This quarter, this quarter here is my wish, and it didn’t come true. So I’m taking it back. I’m taking them all back.” The Goonies

“Holy rusted metal, Batman!” Batman and Robin

“There is no spoon.” The Matrix

“Life is like a box of chocolates. You never know what you’re gonna get.” Forrest Gump

Congratulations. You have just received a post card from the muse.

The Dynamic Sentence


Outtakes 313

 

The Dynamic Sentence

By Cait Collins

 

 

A couple of weeks ago I suggested we might diagram sentences. Well, it isn’t as easy on my computer as with a pencil and a piece of paper. Truth is diagramming a sentence isn’t as important as writing the dynamic sentence. We all know the different parts of speech and how to punctuate our work. The trick is combining the parts and making them sing.

One good, strong verb is worth more than a passive verb and a dozen adverbs. For example:

Jordan walked across the room and stared sadly into Merrilyn’s stormy gray eyes.

Or

Jordan stormed across the living room. Yanking Merrilyn from the plush sofa, he lifted her up to meet his cold stare. “We’re through,” he spat. He released her allowing her to fall back on the couch, and then stomped out the door.

Changing the verb from a generic walk to an action verb not only sets a mood, it gives definition to the character. We know Jordan’s angry and believes Merrilyn is at fault. If we want more drama, we can create a series of short sentences to ramp up the tension.

“I don’t know,” Merrilyn stated. “I was never involved in Gray’s activities. And if you think I’m going to stand here and take your bull, think again. You jerk. It’s not about you. It’s about my kids and their safety.”

To slow the action, use longer, more complex sentences. Just remember variety is necessary to keep the reader interested in the work. Page after page of complex sentences soon become numbing and difficult to follow. Similarly, a page of fast action can exhaust the reader. Varying the sentence lengths balances the story and makes for an easier read.

Promote You: Author Bio


Promote You: Author Bio

Natalie Bright

This week, think about updating your author bio across your many social media platforms. I removed a sentence about my education and added a sentence about a soon to be released book about rescue horses. Let people know that you write, blog and speak (or whatever your passions are).

Do you have a common theme that runs through most of your books? For example; “Fan of thrillers & exploring abandoned buildings.”

Also think about your followers on each the platforms and how they differ. You might want to have slightly different versions for each. I have saved different versions in a Word Folder titled “Nat’s Promo”. Labeled as short bio, 100 words, 500 words, or based on the need such as program speaker intro, freelance bio, or back matter bio for books.

Tweak your Author Bio this week on all platforms:

  • Facebook
  • Facebook Public Page
  • Twitter
  • Instagram
  • Pinterest
  • LinkedIn
  • Claim your BookBub author page
  • Amazon Author Page
  • Smashwords profile
  • Did I leave one out?

Below is the link to a helpful blog post from BookBub,

Writing Your Author Bio? Here are 10 Great Examples.

https://insights.bookbub.com/great-author-bio-examples/

Have a great week everybody and happy promoting!

The Saturday Morning Blogger – Vacations


The Saturday Morning Blogger – Vacations

James Barrington

 

Google defines “vacation” as “an extended period of recreation, especially one spent away from home or in traveling.”

When I was part of the work-a-day world, a vacation to me definitely involved leaving home and phone behind. More importantly than that, it involved a change of pace. I didn’t want to be ruled by a timepiece. It involved a change of scenery – preferably one with a completely different type of scenery than what I could see within fifty miles of home.

I grew up watching Walter Cronkite and Charles Kuralt. Charles Kuralt spent his professional life “On the road” seeing America. That lifestyle appealed to me – and still does to this day. For me, a perfect vacation involves having some place in mind that I would like to visit, but plenty of time to go there and get back without stressing over a schedule. Too many lives are ruled by schedules. My professional life was ruled by clocks and calendars, with appointments, meetings, deadlines and other generally annoying obstacles to “smelling the roses.” In my perfect vacation (which I have never had), I pull away from the house heading in the general direction of my ultimate destination, and drive. If I see something along the way that catches my eye or piques my imagination, I stop and take a closer look – probably photographing as I go. When it’s time to sleep, I’ll stop and sleep. When it’s time to eat, I’ll find food. Maybe I’ll eat in a restaurant or maybe I’ll cook a meal over a campfire. That concept drives my wife crazy. So, in order not to have to listen to “where are we spending tonight” every fifteen minutes, I’ve given in to her programmed, packaged idea of a vacation just to get her to make a trip out of the house.

In recent years, I’ve heard her grudgingly agree in such a way that I know it won’t be worth the effort to actually leave the house. I love my wife, but many of her interests and mine exist in different universes. Very seldom do we find common grounds on television shows or movies, and the Bible is about the only book we both read.

So, on those rare occasions when we leave Randall County together, we don’t drive and see the sights (my choice), we fly (her choice) and tolerate being treated like our baggage (which was lost both going and coming and left out in the rain to collect water on the return flight) on our last trip. Maybe I should write a book about that.

On the other hand, I’ll just write a blog…

 

 


POST CARDS FROM THE MUSE 

             A Job Done Well

                By Nandy Ekle

 

 

As an adult, my favorite book to read to my kids and grandkids is Where the Wild Things Are. I love reading this with all the drama I can muster. And the kids have all seemed to love it as much as I do. Last January, my eight-year-old granddaughter, who reads on a college level herself, asked me to read her a story. The book she handed me was Where the Wild Things Are. My heart melted. Needless to say, I read it to her and her brother, and then she read it to me.

Congratulations. You have just received a post card from the muse.