WATCH YOUR DISTANCE


WATCH YOUR DISTANCE

Lynnette Jalufka

 

I noticed when revising my novel that my characters spent a lot of travel time on horseback going back and forth between castles. To remedy this, I decided to combine the location of some scenes, which I believe will make the story stronger.

If your characters travel, keep in mind how long it will take them to go from Point A to Point B. This is especially important if they ride horses. A good average for a horse is about twenty miles a day at a walk. That is dependent on several factors: the weather, the size of the entourage, and the urgency of the trip. Going faster requires alternating between different gaits. On a crucial mission in 1336, King Edward III of England traveled 381 miles in seven days with a small retinue. That is 55 miles a day. Horses that compete in endurance racing today can cover 100 miles over tough terrain in fifteen hours.

No matter what mode of transportation you choose for your story, don’t overlook the time it takes your characters to reach their destination.

Settings in Science Fiction


Settings in Science Fiction

by Adam Huddleston

Last week I wrote about settings in the fantasy genre.  Creating a fantasy setting can be a huge undertaking.  When it comes to science fiction however, the approach to world building is a little different.

I would venture to say that most science fiction stories are set either in our world, or in what we know of outer space.  In these cases, the author doesn’t have to create a new setting, just assure that the elements of the setting are practical considering what we know.  In other words, the environment, peoples, flora/fauna, etc. of the story’s world may be our own.

It is perfectly acceptable to bend and stretch the natural laws of this world (it is fiction after all) but sci-fi still lives in a basis of reality.

Don’t Forget The Senses As Part of Your Setting


Don’t Forget The Senses In Your Setting

How does the loss of sight affect your hearing?

What color does an orange smell like?

How loud is an inner voice?

Can you describe how the wind feels?

What does sour taste like?

When I am writing, it’s easy to visualize what I want my characters to see and feel or even smell. However putting it down on paper so that the reader can clearly see them is a difficult task. For example, if I write, “He walked into the room and gazed at the beautiful painting hanging on the wall.” What does the reader see? What object is displayed in the painting? What colors make the painting beautiful? How is it framed?

This dilemma came to life for me when the main character of my novel, UNLAWFUL WORDS, suddenly goes blind. Writing what he saw with his eyes came to an abrupt halt. How do I write his experiences now?

A blindfold

Using a blindfold I spent several hours experiencing the darkness. Immediately I began to depend on my hearing, turning my head from side to side trying to capture all the sounds around me. My hands automatically reached forward hoping to feel something familiar and my feet slowed their steps to prevent stumbling. The objects once identified by sight now had to be described by feeling the texture, or the smell. These are the details that help the reader understand what the character is experiencing.

In your writing, use the basic senses such as taste, touch, hear, see, smell. Be careful not to give the reader sensory overload by giving a long string of description using all five sense on every situation, when generally the use of two or more different senses can tie the picture together for the reader.

Rory C. Keel

http://www.roryckeel.com

 

Same Song, Different Tune


Outtakes 195

Same Song, Different Tune

By Cait Collins

 

Three boys grew up together. They were closer than brothers. When they entered college, they chose the same major, planned to graduate together, and work together. But on graduation night one walks the stage to get his degree. Ten years later, they are reunited. What happened to separate the boys? What brought them back together?

On the surface, there is nothing new to this story. It’s been told time and again, because there are a limited number of stories. Depending on the instructor and the text book used, we were taught there are between four and seven stories; man against man, man against nature, man against himself, and coming of age are the most common themes. Yet each retelling can be new and exciting. It all depends on the writer, his theme, his characters, and the circumstances around which he builds the story.

What if the first boy was badly injured in a car accident while on vacation? The head injury resulted in a memory loss. He wanders the country looking for home. The second boy is forced to drop out of college when his mom, a single parent, dies suddenly. He has two younger siblings that need a guardian, and so he moves home to care for them; The third continues his studies, graduates, gets his masters degree, and makes a name for himself in his chosen profession. A news bulletin changes all three lives.

I’m playing with this story line.

I have a number of questions to deal with. What is the profession the boys planned to pursue? They need names. I’ll start out with Tom, Dick, and Harry. The characters will tell me who they really are. Who is the antagonist? I need three, maybe four major settings. What are their social backgrounds? Do they all have brothers and sisters? What secondary character will enter the story? Am I writing a novel or a novella? Is my work a mystery or closer to mainstream?

The process of creating a new work is both exciting and frustrating. There will be days when I am prolific and days when I struggle to write one paragraph. At this point I know one thing. Three boys, now men, will reunite. But will their reunion by joyous or a heartbreak? Truth is, I don’t know; however, they will tell me. The men will guide the story. I look forward to the adventure.

 

 

Story Starter


Story Starter
Write a piece that takes place in a one of the following places:

A fishing pier in the Florida Keys
A Public Library
A Bus station
A Shopping Mall

Keep this in mind:
1. The piece may take place partly in one of the above places and partly in another.
2. Don’t just describe these places make something happen there.
3. Pair your piece with something unusual for the setting like characters of a book coming to life in a public Library when their book is read. This will make for an interesting story.

Rory C. Keel