Hook the Chapter


Hook the Chapter

By Natalie Bright

Think about your favorite author. Do you sometimes find it impossible to put down their book? Each chapter propels you to turn the page to the next, and before you know it half the night is gone.

This author might be using a technique of ending each chapter with a hook.

Chapter hooks are placed at the end of the chapter. These last sentences, or words, compel the reader to keep reading. The reader is teased into turning the page and going on. We have to know what happens next. Keep your readers curious, keep them on the edge of their seat.

Chapters are an easy way introducing a scene change or changing to a different characters point of view. “Hooks” are creative ways to end that chapter, and take your story to the next level. The exception might be if you have chapters with high tension and drama, not every one needs to end with a cliff-hangar, for example

Choose a handful of your favorite books. Work your way through the stack, reading out loud the last sentence at the end of every chapter. Listen to the words carefully. Study their order, and how specific word choices can create tension and drama.

Examples of Chapter Hooks

-decision to act

-hidden threat

-broken routine

-new disaster

-dare

-having second thoughts

-arrival

-departure

Happy writing!

www.nataliebright.com

Hook the Chapter


Hook the Chapter

By Natalie Bright

Think about your favorite author. Do you sometimes find it impossible to put down their book? Each chapter propels you to turn the page to the next, and before you know it half the night is gone.

This author might be using a technique of ending each chapter with a hook.

Chapter hooks are placed at the end of the chapter. These last sentences, or words, compel the reader to keep reading. The reader is teased into turning the page and going on. We have to know what happens next. Keep your readers curious, keep them on the edge of their seat.

Chapters are an easy way introducing a scene change or changing to a different characters point of view. “Hooks” are creative ways to end that chapter, and take your story to the next level. The exception might be if you have chapters with high tension and drama, not every one needs to end with a cliff-hangar, for example

Choose a handful of your favorite books. Work your way through the stack, reading out loud the last sentence at the end of every chapter. Listen to the words carefully. Study their order, and how specific word choices can create tension and drama.

Examples of Chapter Hooks

-decision to act

-hidden threat

-broken routine

-new disaster

-dare

-having second thoughts

-arrival

-departure

Happy writing!

www.nataliebright.com

 

Writing Your Family History


Writing Your Family History

By Natalie Bright 

You might be drawn to write, but maybe the thought of  crafting a novel makes you cringe. Have you considered starting with something fun, like your family history? If that seems overwhelming, start small.  Write about one event that happened.

Is there a right way or a wrong way to write your family’s history?

A million different ways:

A letter found by one of my friends in her favorite Aunt’s Bible, led to a story that was contracted by an anthology. The project fell through before it made it to the printing presses. Many years later, she submitted a reworked version of the same story to a regional magazine, and it was featured as a web exclusive. It’s since appeared in newspapers and on website year after year.

As a writer and history fanatic, I scan used book stores for first-hand accounts of regional events and family bios. There’s nothing like reading about the details of life from long ago. It’s these kinds of tidbits that make your stories come alive. I’ve discovered history in many different formats. Here are a few of my favorites.

Examples of family memoirs turned into published works:

So Great a Heritage  by Kathie Jackson

Best example of chronological and organized narration. Taking letters written by her father, Sgt. Cecil Turner, she follows his journey from WWII training camps, North Africa, Italy, France, Germany. In between his letters she provides historical detail of the 1940’s – the places, people, the battles, descriptions of the land, and sprinkled with letters he received from his parents.

Tate Publishing, Mustang OK

Growing Up In the Bradford Oil Fields by Jim Messer

Not really a chronological order, but invaluable for writers. This man’s father worked as an oil well shooter and he wrote this book for his kids. He wanted them to know what it was like growing up in the oilfields of Pennsylvania, one of the oldest producing oil fields in the world. His father delivered the nitroglycerin to the location for well ‘fracing’, or fracturing of the pay zones, a completion procedure first begun at the turn of the century. He goes into great detail about delivery systems and how they stored the nitro, how a cable tool rig works. Xlibris Corporation – self-publishing internet site

I saw Jesus this Morning by Mike Bellah, Ph.D.

Took a personal, very private experience and turned it into an extremely inspirational Bible study type book.

The Wednesday Monster by Kellie R. Sanders

Her mother, as a little girl, survived a tornado in 1947 Woodward, OK. This is a very detailed, academic look at the events of that day. Newspaper articles provide information, and includes first hand accounts of survivors which are printed in italics word-per-word. Through her research for this book, a shorter article was written for the Panhandle-Plains Historical Review. (Think about using your research to generate articles for magazines, regional newsletters, etc.)

Christmas in Old Tascosa by Judy Wise

An 81-year-old mother looks out of the window at a snow storm over Pudget Sound in the Pacific Northwest and says, “I remember a snowstorm … in Texas … in Tascosa.  I was a little girl.” Her daughter said, “Tell us.”

After she told the story, the daughters planned a trip to the Texas Panhandle. The mother flew in from Florida, one daughter from Arizona, and one from Washington, and they drove through the Texas Panhandle visiting the places of their mother’s childhood and having her retell the story over and over, making note of every detail. They knew someone who knew Red Steagal, he loved the story and referred the manuscript to Texas Tech Press. You just never know where your story might lead you. Don’t hesitate. Just follow!

Oil People by Natalie Bright

Based in part on the work my husband does as a petroleum geologist, this is a self-published book meaning I paid the publisher. I did submit this to numerous university presses and received extremely encouraging rejection letters, which is why I decided to save my money and keep control of the content.

At A Snails Pace

Keep in mind, the time frame for publishing is slow, slow. If a university or small area press accepts your story, it could be up to 18 months or longer before you have a book in hand. A self-published project can take a few months, but typos and grammar are your responsibility.

The key, I think, is organization of info and a theme.

Follow Your Heart

Theme = place, the person, the dates, the event. Why are you writing this book? What is the main focus or idea that you wish to convey to a reader?

I’ve met so many people with amazing family stories. They’re more than willing to talk about it, but so afraid of messing up. Writing words on a blank page is a frightening process to some people. If there’s a story that’s pressing upon your mind and heart,  don’t stress. Just do it. Be open minded. Maybe you have a book in mind, so start with small articles on specific events. Be flexible so that you can move segments and paragraphs around, rearranging the information until it flows into something you’ll be proud of. The thing about writing is you keep learning as you’re doing.

It’s amazing sometimes, the journey your written words will take you

Okay people, get busy because I can hardly wait to read your family stories!

www.nataliebright.com

Crazy Daze


Crazy Daze

By Natalie Bright

The month of May has always been whirlwind of stuff, and I can never seem to get control. What is it about May?

I’ll spare you the list because I’m sure your obligations are the same or even worse. What suffered this month is my writing. And no matter how much I worry and fret, I can’t go back and recover those productive hours. They’re gone. Poof. And I’m left with an unfinished story, patiently waiting, still digging a hole in my brain. It will take another several weeks to get back into the time and setting, maybe even longer to find the voice of my characters.

Which brings me to this question—why do writers put themselves through this kind of anguish? Maybe for you there’s a better word; torture, agony, misery? Seriously, some days I’m certain my head will explode if I can’t find thirty minutes of quiet time to write. Crazy. That’s the word. I’m just flat out psycho. We force our brains from reality to daydream, and back again, pushing our physical selves beyond the limit to get everything done so that we can disappear into our make-believe worlds. Does that sound normal to you?

And yet there it is. One chapter, or paragraph, maybe just one sentence. It’s done. It’s the key to the whole plot. Members of your critique group exclaim with excitement; “I love that.”  “Don’t change that. It’s perfect.” “Good job.”  “Send that out right away.” And you do. And it’s a best-seller. And you have legions of fans anxiously waiting for your next book…

Oh, I’m sorry – what was this blog post about? This month has been crazy!

Happy May!

Fixin’ to Act Ugly – Using Slang and Dialects in Stories


 Fixin’ to Act Ugly

By Natalie Bright

 

Using Slang and Dialects in Stories

A visitor from Florida pointed out that everyone is “fixin’ to” do something or go somewhere. I’d never noticed that the term was used that often in the Texas Panhandle.  However, I am conscious of a Southern habit of using “ugly” as a verb. My mother always said, “We don’t say ugly things.” or “Stop acting ugly.” I cringed the first time I repeated those exact words to my sons.

As writers, the question is how much regional slang is too much in a novel? And if we use such terms, will our stories seem dated or be offensive to future generations? Granted there are many noteworthy books with regional dialects or patterns of speech to aide characterization. When it’s done well, it really enhances the tale. What about your work in progress? Will the words you write today stand the test of time?

The Wonders of Wilbur

In answer to this question, I consider the classics in children’s literature. The ever popular story about a pig named Wilbur in CHARLOTTE’S WEB by E. B. White was first published in 1952. In fact, the first paragraph is still used today for character development studies in writing courses.  And now with three films and a video game to it’s credit, the story continues to appeal to new generations of kids. School Library Journal named it as one of the “Top 100 Chapter Books” of all time in a 2012 poll. As an adult reader, I’m come to appreciate this book even more.

Consider the Classics

I’m reading my way through the Newberry Winners list and these stories are amazing. I recently finished the 1968 winner, FROM THE MIXED-UP FILES OF MRS. BASIL E. FRANKWEILER.  The thought of two kids running away from home and hiding in a museum still peaks the imagination, even in today’s world. I find myself going back to these classics to carefully study the dialogue, plot structure and characterization. What makes them so magical?

In mainstream fiction, dialogue referencing “calling a cell” or “tattooed hunk” makes me wonder if that is the best choice of words. And exclamations of “Jesus Christ” or “Oh, God” just makes me cringe.

What I ‘d like to do in this blog post is keep gushing over the amazing award winning books in children’s literature, but I’ll stop here and encourage you to discover the stories from your childhood.  Used book stores are filled to the rafters with such titles, and some of the older classics are FREE as eBooks. Even though kid lit may not be the genre you normally read, take a minute to ponder how a story about a pig and a spider continues to entertain readers after 60 years.

What are some of your favorite characterizations using patterns of speech with slang or specific dialects?

Happy spring and happy writing!

www.nataliebright.com

State of Being



State of Being

 

The ‘state of being’ verbs. The ‘be’ verbs. Basic grade school grammar which you probably memorized to pass the test. For writers, they are murder on your story.

The ‘be’ verbs are passive. To fully engage the reader, your writing must be active.

One of the best tips I learned at a conference is to search and highlight was in your manuscript. It’s easy to use was, as you’re dashing through that difficult first draft. Go ahead. Put a was in there, however you must go back and replace as many of them as you can with active verbs. Ramp up the imagery and heighten the action by using active verbs. In grade school, my sons learned a list of spicy words. We should all write more vividly, and spicier.

Instead of: She was running.  Make a list of other words to replace the verb run, such as: amble, bound, canter, dart, dash, escape, gallop, jog, scamper, scuttle. Each active word gives you a little different visual as opposed to “run”.

How many spicy words can you think of to replace jump?

Learn the B verbs:

be, being, been, was, just, very, to be, had to

Over the next few posts I’ll be blogging about basic grammar and story craft.  Until next week…

Thanks for following us at Wordsmith Six!

nataliebright.com

Writing Cons: What to Expect


Writing Cons: What to Expect

by Natalie Bright

 

Writing conferences are no doubt a huge commitment in money, not to mention the time away from family and home. I’ve often heard more than one writer say that their efforts can be better spent at their desk. No doubt about that. Who needs another distraction?

Yet every writers’ conference I’ve attended teaches me something new. And no matter how much I dread the packing and the traveling, or how many times I wonder what in the heck I was thinking, I always feel motivated and thankful after taking part in the event. For example, there’s the recent Society of Children’s Book Writers and Illustrators spring conference, which I attended in Tulsa, Oklahoma several weeks ago. In case you’ve ever wondered what’s the take-away from a writing conference for children’s authors, I’ll review some of the topics covered.

Cheering on Your Cause

Regional Director, Anna Myers, welcomed the group by reminding us that we are all a group of believers: “believers in stories and believers in each other”. Sitting in a room of over one hundred creatives left little room for doubt that there was magic in the air. You can’t help but feel inspired.

Insight

The first presentation was by an Associate Art Director who gave an informative power point on the illustrating process. From selecting the artist, to initial sketches, decisions on word placement, and selection of the final cover based on multiple samples by an illustrator and narrowing down the final look with author input. The creative process is a mystery to most of us after it leaves the writers hands. The insight into this procedure was enthralling.

A typical editor’s day is always interesting, which was the topic of the next session. Writers tend to disappear into our world of every day life and our fictional stories, so its good to be reminded that there’s a whole world of business to this business. I realized that publishing takes a team of professionals who believe in the same vision. A writers’ manuscript is where it begins and a book, that everyone is proud of is, the end result.

Story Craft

The process of creating early chapter books was presented by a Scholastic editor.  This detailed review included the finer points of what makes early chapter books so appealing to beginning readers, and so difficult to craft for writers.

Picture books were the main focus of a talk by an editor with HarperCollins.  The differences between the specific genres in children’s literature always leaves me much to think about. It is a complex process as writers try to determine where to go with that spark. Picture book, or maybe an early chapter book, or can this manuscript be expanded into a middle reader?  The possibilities are endless, yet all are so very unique. There’s no one better to explain the differences than an acquiring editor.

Inspiration

A literary agent closed out the day by reminding us to keep going, chase our dreams, never give up. Despite the rejection and rewrites and the distractions of life, I was reminded that successful authors keep pushing themselves to write, to learn story craft.

In between sessions, I talked to other writers about finding agents, working with editors, and all things related to this crazy business. I heard about the struggles, the sparks, the successes, and I came away inspired to keep writing and to believe in a dream. I also came away with a ton of hope that these writers will keep going, because I can hardly wait to read their stories. So many great ideas in one place is contagious!

To find a group for children’s writers near you, check out the Society of Children’s Book Writers and Illustrators website at www.scbwi.org.

www.nataliebright.com

Motivation #4


Motivation #4

By N. Bright

Story Beginnings

Glorious words and unique descriptions inspire me to work harder on my own stories. Next time you’re out enjoying a latte, wander into your favorite section of the bookstore and read the first two paragraphs only of randomly selected novels. Great story beginnings can be very inspirational. If you come across a few that blow you away, jot one or two first sentences down in your idea notebook (You do have pen and paper in your pocket or purse, right? I use the notepad on my iPhone a lot too.)

Finding Inspiration in Beginnings

Since I write for children, here are a few of my favorite beginnings in books for kids.

humor (+ element of sound effects)

“On the morning of the best day of her life, Maud Flynn was locked in the outhouse, singing “The Battle Hymn of the Republic.”

A Drowned Maiden’s Hair by Laura Amy Schlitz

interesting fact

“The road that led to Treegap had been trod out long before by a herd of cows who were, to say the least, relaxed. It wandered along in curves and easy angles, swayed off and up in a pleasant tangent to the top of a small hill, ambled down again, between fringes of bee-hung clover, and then cut sidewise across a meadow.”

Tuck Everlasting by Natalie Babbitt

surprise

“Princess Quinn of the underground Kingdom of Mandria steadied herself as she balanced upon a footstool in the circle of light directly below the wishing pool.”

Princess Nevermore by Dian Curtis Regan

“Phut Phat knew, at an early age, that humans were an inferior breed. They were unable to see in the dark. They ate and drank unthinkable concoctions.”

Phut Phat Concentrates by Lilian Jackson Braun

unusual idea

“In the city of Ember, the sky was always dark. The only light came from great flood lamps mounted on the buildings and at the tops of poles in the middle of the square.”

The City of Ember by Jeanne DuPrau

personal vignette

“Gramps says that I am a country girl at heart, and that is true.”

Walk Two Moons by Sharon Creech

in the middle of things

“Where’s Papa going with that ax?” said Fern to her mother as they were setting the table for breakfast.” (+ element of dialogue)

Charlotte’s Web by E.B. White

What motives you to keep writing and submitting, despite the rejection and bad reviews? We’d love to hear from you, too.

Thanks for joining us at WordsmithSix!

www.nataliebright.com

Motivation #3


Motivation #3

By N. Bright

For self-preservation, writers must learn how to take the critiques that go along with the publishing business as objective feedback and move on. It is really the hardest thing to do and maintain productive momentum as well. You have to keep cranking those pages out, if you ever want success.

I’m blogging about ideas to help you stay motivated.

Read Author Bios

THE TALE OF BEATRIX POTTER by Margaret Lane, published 1946 by Frederick Warne & Co Ltd inspires me to learn more about story craft. Beatrix spent her days as a little girl in a third-floor retreat of Bolton Gardens in London, where she drew pictures and wrote stories about her pets and kept detailed field journals of plants she discovered while summering in Scotland every year.

“…she was very rarely sent for out of the nursery or taken anywhere, and she never went to school.”  Thinking of that lonely child breaks my heart, or maybe I can relate since I’m an only child, but oh, what wondrous things she created in her solitude. It wasn’t until her mid-thirties that she got the notion to self-publish her own illustrated children’s book, The Tale of Peter Rabbit.

For inspiration, read about the writing career of your favorite authors. The internet is abundant with Q&A’s, podcasts, and website bios.  After opening a particularly biting rejection, I could not force myself to write much of anything.  I spent one day job shuffling piles back and forth across my desk, and then I spent lunch break watching podcast interviews in which authors talked about the spark and inspiration behind their novels. Their experiences motivated me to keep going and it also reminded me how this business runs like “molasses going up hill,” as one author described her career.

The roadblocks and successes of others can be an inspiration to you.

What Motivates You?

What motives you to keep writing and submitting, despite the rejection and bad reviews? We’d love to hear from you, too.

Thanks for joining us at WordsmithSix!

www.nataliebright.com

Motivation #2


Motivation #2

by N. Bright

Do you still waste creative energy fretting over things you can’t control, like rejection letters you can understand or bad reviews from snarky people? I’m blogging about motivation and self-discipline, and finding way to stay inspired.

Read a Book Relating to Your Story’s Theme

Whatever the theme, setting, time period, or genre of your current work in progress, read articles or books relating to that topic. Have you found a picture of your main character’s home? What is the floor plan? Have you researched the history of the town your story is set in?  What about vehicles, food, or clothing? The list is endless.

Bookstore Treasures

A recent rummage through a used-book-story resulted in a 1st Edition copy of A-WOMAN-TENDERFOOT by Grace Gallatin Seton Thompson. This treasure was published in 1900 by Doubleday. I’m holding a 100 year old book in my hands! It’s about camping and backpacking in the Rocky Mountainswritten by a Victorian city girl who refused to allow her husband to vacation out west without her. I loved her adventurous nature.

In her own words, “Dear woman who goes hunting with her husband, be sure that you have it understood that you do no cooking, or dishwashing… Cooking out of doors at best is trying, and certainly you cannot be care free, camp life’s greatest charm, when you have on your mind the boiling of prunes and beans, or when tears are starting from your smoke-inflamed eyes as you broil the elk steak for dinner.”

Her positive nature and sense of adventure when she road through the mountain snow or shot her first elk for their dinner shed much wit on her experiences out west. I hope I can convey the same sense of wonder and freedom in my historical westerns for kids.

Bury yourself in your story. When you’re not writing, you can read about anything and everything relating to your novel.

What Motivates You to Keep Writing?

Over the next few posts, I’ll be sharing insight on motivation, and we’d love to hear from you, too.

Thanks for joining us at WordsmithSix!

www.nataliebright.com