Tag Archives: Wordsmithsix.com

Masks

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Outtakes 219

Masks

by Cait Collins

Halloween is a fun time for me. I don’t hand out treats from my apartment, but I do participate in kid centered activities. Sometime I dress up, but for the most part I’m happy to just hand out the candy.

I often wonder what makes a child decide what costume to wear. For example, does an Astrid (How to Train Your Dragon) outfit make a shy young lady feel more confident and bold?

What about the cute, quiet little girl in a devil’s costume? Is she truly a little horror or is she as sweet as she appears? The family of birds made an impression on me. I cannot imagine the time it took to stitch all those “feathers” together to make the costumes. But the real question is, why birds? Is there a sense of freedom in the idea of flying? So if we chose to go around in masks on October 31, do we also use masks the other days of the year?

A multi-faceted protagonist has numerous faces. Maybe he hides his loneliness behind a mask of indifference. His unrequited love of the school teacher is masked by an affair with the waitress in the diner. The only time he feels confident is when brokering the takeover of a struggling company. Although he is successful in business, he has no sense of fulfillment. But the most surprising mask is his need for high-risk adventure. The trick is crafting these different traits into a believable hero. The treat is when the writer makes it work.

Pick a character crafted by a favorite author. Make a list of the character’s traits and the methods the person uses to hide his flaws and the attributes he dislikes. How would you write the character?

 

Five Baisc Elements of PLOT

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Five Baisc Elements of PLOT

Natalie Bright

The plot is the thing that moves the story along. How you craft the plot can make a different between a best selling page turner to unforgetable and unsaleble. According to Donald Maass in his book, “Writing the Breakout Novel” one of the mistakes beginning novelists make is to write the sequentail activiities of a characters’ every day events. This makes for very dull reading. The goal of story craft is to hold a reader’s attention.

He lists the five basic plot elements:
# 1 – a sympathetic character
#2 – conflict
#3 – reinforcement. Conflict must twist, turn, deepen and grow.
#4 – climax
#5 – resolution

“Writing the Breakout Novel” is an excelent book on story craft. Be good to yourself and add it to your writing reference library.

 

Eyes On the Prize

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POST CARDS FROM THE MUSE

Eyes On the Prize

By Nandy Ekle

 

Your main character is the most important person in the story. Your readers immediately love him for good reason. He’s just a normal guy try to better himself in some way. Basically, he’s exactly like the person who’s reading your story, and that’s why they love him so much.

He’s average, he needs food, shelter, and love. And he will do anything in the world to get those needs met. Every action he takes, every word he speaks lead toward this goal. And, since those are the basic needs of every person who has ever lived, your readers are involved from the first word.

Now, there is a nemesis who, for whatever reason, wants to keep one, two, or even all three of these needs from your main character. This nemesis could be another person, a government, a circumstance, a situation, or mother nature. He could even be against himself.

But our readers want our character’s needs to be met. Remember, the reader loves the person in our story and their heart will be broken if the story ends without so much as a slight struggle. And our character has a strong will to have those needs met, which makes him that much more lovable to our readers.

So we much have struggle. The character is willing to give up nearly anything to get those needs met. In fact, he has to go so far as to give up his life to attain his goal. And this is when he becomes a hero to the reader. Even he doesn’t actually every receive his prize, the fact that he makes the sacrifice to get within arms reach will make the reader love him even more.

Congratulations. You have just received a post card from the muse.

The Thrill

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The Thrill

by Adam Huddleston

 

“There is no terror in the bang, only in the anticipation of it.”

                                                        -Alfred Hitchcock

 

For works in the horror or thriller genres, the high point of the story comes with a bang; the killer is revealed, the hero is murdered by the antagonist, the kidnapped girl is finally discovered. Fans of these types of books and movies are usually drawn more to the build-up of tension rather than the climax. So, if someone were inclined to pen a horror/thriller short story or novel, what methods could they use to increase this anticipation?

  1. Give small bits of information as the story goes on. It stands to reason that the reader does not want the ending spoiled and feels more involved if they can try to answer the puzzle themselves.
  2. Make sure that the reader cares about the character that is in danger. The closer they feel to them, the more “terror” they will fell as the climax approaches.
  3. Set up the “thrill-causing” events of the story in order of increasing dread. By the time the bang arrives, the reader should be flying through the pages.

Hopefully, I’ve given enough advice to help you in crafting your suspenseful story. Happy writing!

Spooks

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Outtakes 218

Spooks

by Cait Collins

I love the fun of Halloween. Kids and adults dressed up and pretending to be someone or something they aren’t is part of the holiday. I just don’t get the all the slasher, zombie, and thriller costumes. Whatever happened to doctors and nurses, cops and robbers, cute little witches and devils? It seems these days the more gruesome the costume, the more hefty the sales. What is the draw to being scared or grossed out?

Take books as an example. I’ve read good horror and I’ve read terrible horror. The bad novels are usually good for a laugh. In attempting to be frightening, the stories can become campy and silly. The good stuff I can’t read. Sorry, but I don’t like being frightened. I tried reading Stephen King’s IT. When I got to the description of the cellar, I had to close the book. King is so masterful with his description, he terrifies me. I could not only see the cellar, I could feel it, smell it, and taste it. That’s too real.

Think about it. What is more frightening; a zombie or a boy-next-door serial killer. I’m more frightened by reality, by something that could actually happen than fantasy characters. I couldn’t sleep after reading Helter Skelter. Charles Manson is far scarier than the Phantom of the Opera. Reality is makes good fiction because a writer has a plot and characters at hand.

I may not enjoy ghouls and goblins, but I appreciate the talent it takes to write good horror. The Stephen Kings, R. L. Steins, and Dean Koontz’s are rare and should be respected. That said; forgive me if I prefer my suspense and women’s fiction books.

 

THE HASHTAG

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THE HASHTAG

Since opening an Instagram account, I’ve become fascinated by the power of the hashtags.

Hashtags are words preceded by the pound symbol (without spaces). These key words or phrases categorize posts. For example I use #TexasPanhandle on every one of my Instragram pictures. Through the use these key words and phrases, you can follow anything of interest including places, people, hobbies, food, fashion, special interest groups, companies, TV shows, movies, etc.

The birthplace of the hashtag symbol first happened on Twitter. Discussions became trackable and content can be organized using hashtags. Twitter hashtags allows for “trends”, or specific topics in conversation that you’d like to follow or become engaged by posting comments.

So how can writers benefit from using hashtags?

Create hashtags for your book titles, character names, author events, or use key topics that relate to your books when you post something.

Social media sites such as Facebook, Google+, Tumblr, Pinterest, Vine utilize hashtags to maximize shareability. Popular hashtags will help you pick up followers who are interested in the same things, and will help you discover new accounts. So what’s popular or trending now, you might ask. Go to hashtags.org to find out.

Follow me on Twitter, Pinterest and Instagram! Links are located on the home page of my website at www.nataliebright.com

#havefun #write

Sunday Writings – STORIES SET IN THE WEST

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STORIES SET IN THE WEST

Several of my author friends have deals for new series set in small-town America or on ranches, with cowboys and horses and great characters. An important component to these type of books is the wide open places, endless sky, and the decent, hard-working people of the west. I don’t think westerns are dead. They’ve been repackaged into stories that are smarter, action packed and more vivid for today’s readers.

Western Writers of America is a group devoted to promoting the genre. Members include not only novelists, but song writers, historians, screenwriters, musicians, living history re-enactors, and fans of everything western.

WWA members receive a copy of the Roundup Magazine, the official bi-monthly publication of the group. The October 2015 edition just happens to include two of my articles: “Researching West Texas” is a summary of the panel of museum archivists who spoke at the WWA Convention in Lubbock this past summer. “Texas Rangers: Then and Now” is a summary of the keynote given by historian and author, Robert M. Utley.

As a member, you’ll benefit greatly from being a part of this organization. Members can have one entry in WWA’s online catalog, one entry on the WWA app, a WWA Star Speakers Listing, and be included on the WWA Facebook Page and WWA Twitter links—all for FREE!

Whether you’re a history buff, writer, or just a fan of great stories set in the west, you’ll love being a part of this group. Here’s the website:

www.westernwriters.org

Mark your calendar right now for the next WWA Convention dates:

June 21-25, 2016: Cheyenne, Wyoming

June 20-24, 2017: Kansas City, Missouri

As the World Turns 

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POST CARDS FROM THE MUSE  

As the World Turns 

 

By Nandy Ekle 

 

The alarm rings early in the morning. Our character turns over and sees the colors glowing through the bedroom curtain. The pinks and oranges overriding the blues and purples in the sky take her breath away. She grabs a pencil and jots some notes. 

 She steps in the shower under the scalding hot water. The pressure makes each drop of water feel like tiny little scrub brushes on her skin. Amazing, delicious, and energizing. She cherishes each pinpoint of heat that lands on her body. After she dries off she takes her pencil and paper and makes a few more notes. 

 Driving to her office she passed by a strip mall. In the parking lot a police car and a silver car were stopped. The officer stood next to open window of the car.  

Our character also passes a group of teenagers as they wait for the school bus. They all wear jeans and jackets, carry stacks of books, and peck at cell phones. One girl has jet black hair, piercings, and a tattoo on her hand. 

As our character enters her office, she takes out the pencil and paper and writes a few more notes.  

A normal person watching our character’s day on the job would think it was an average day. But she sees more. As she studies each case she is assigned, she sees potential. She sees red flags and life stories, and she sees endings. She takes out her pencil and paper and jots a few more notes, always keeping confidential matters confidential.  

During her lunch hour she turns on her audiobook and works on her craft project. As she cross-stitches, her mind tunes into the story on the I-pad. The story, of course is intriguing and one part of her mind follows closely. But another part of her mind concentrates on the style of the writer. She marvels at his words and how they unfold the tale with so much grace that even after 25 hours of listening, she is still enthralled. At the end of her lunch break, she makes a few more notes on her notepad.  

At the end of the day she drives out of the parking lot. Nothing unusual happens, until she approaches the highway. She notices the traffic backed up and slowed to a crawl, so instead of getting on the entrance ramp, she continues to drive on the access road next to the highway. 

Looking over the guardrail she notices flashing lights and orange cones. A little further down the road the EMT loads a victim into the back of the ambulance. Several twisted cars are stopped amid a ton of broken glass.  

When our character reaches her home, she pulls out her computer and begins to write.  

Congratulations. You have just received a post card from the muse. 

Sports in Writing

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Sports in Writing

by Adam Huddleston

 

With football season in full force (Go Cowboys), the topic of sports is on the majority of American minds. For the writer, there may be instances when you include sports in your work. Whether you are writing fiction, blogging, or reporting, there are a few rules that need to be adhered to:

  1. Make sure you know your sport! This may sound like a no-brainer, but nothing will turn away a sports reader faster than referring to runs in baseball as points or referring to Wrigley Field as Wrigley Stadium. Unless you are creating a brand new game, have a firm understanding of the rules and scoring system.
  2. Use plenty of vibrant action verbs and try to avoid repeating them. “Joe Bob ran” will only work for so long before the reader falls asleep. Strengthen your repertoire and use terms appropriate for the sport.
  3. If you are blogging, blog often. Serious sports fans like to keep up-to-date on their favorite teams and players. They look forward to reading about their most recent exploits, not how they lost a game in double-overtime five days ago.

With some study and a little practice, writing about sports can be a lot of fun and very rewarding.

Quote

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Quote

An artist is typically a being that is filled with so much passion, love, or pain for certain lands, people, ideas, or images that all they can do with that overflow is bleed it out by creating. And with this type of art, the energy will be shifted from the depths of them and into the depths of the audience to be felt. It is a dance. A transference. An intimacy. It is to touch and awaken another human in a place they hadn’t know was aching, or sleeping. Both are opened. Both are nourished. Both are transformed.

–VICTORIA ERICKSON